Tomaso's Fortune and Other Stories
“The common problem, yours, mine, every one's, Is—not to fancy what were fair in life Provided it could be,—but, finding first What may be, then find how to make it fair....”
It does not matter where it was. I do not want other people—that is to say, those who were around us—to recognize Sister or myself. It is not likely that she will see this, and I am not sure that she knows my name. Of course, some one may draw her attention to this paper, and she may remember that the name affixed to it is that which I signed at the foot of a document we made out together—namely, a return of deaths. At the foot of this paper our names stood one beneath the other—stand there still, perhaps, in some forgotten bundle of papers at the War Office.
I only hope that she will not see this, for she might consider it a breach of professional etiquette; and I attach great importance to the opinion of this woman, whom I have only seen once in my whole life. Moreover, on that occasion she was subordinate to me—more or less in the position of a servant.
Suffice it to say, therefore, that it was war-time, and our trade was what the commercial papers call brisk. A war better remembered of the young than of the old, because it was, comparatively speaking, recent. The old fellows seem to remember the old fights better—those fights that were fought when their blood was still young and the vessels thereof unclogged.
It was, by the way, my first campaign, but I was not new to the business of blood; for I am no soldier—only a doctor. My only uniform—my full-parade dress—is a red cross on the arm of an old blue serge jacket—such jacket being much stained with certain dull patches which are better not investigated.
All who have taken part in war—doing the damage or repairing it—know that things are not done in quite the same way when ball-cartridge is served out instead of blank. The correspondents are very fond of reporting that the behaviour of the men suggested a parade—which simile, it is to be presumed, was borne in upon their fantastic brains by its utter inapplicability. The parade may be suggested before the real work begins—when it is a question of marching away from the landing-stage; but after the work—our work—has begun, there is remarkably little resemblance to a review.
Henry Seton Merriman
TOMASO'S FORTUNE AND OTHER STORIES
SISTER
A SMALL WORLD
IN A CROOKED WAY
THE TALE OF A SCORPION
ON THE ROCKS
“GOLOSSA-A-L”
THE MULE
IN LOVE AND WAR
TOMASO'S FORTUNE
STRANDED
PUTTING THINGS RIGHT
FOR JUANITA'S SAKE
AT THE FRONT
THE END OF THE “MOOROO”
IN A CARAVAN
IN THE TRACK OF THE WANDERING JEW
THROUGH THE GATE OF TEARS
A PARIAH
THE PRODIGAL'S RETURN