The Mayor of Warwick

E-text prepared by Al Haines


St George's Hall, situated on a high hill overlooking the city of Warwick, was still silent and tenantless, though the long vacation was drawing to a close. To a stranger passing that way for the first time, the building and the surrounding country would doubtless have suggested the old England rather than the new. There was something mediaeval in the massive, castellated tower that carried the eye upward past the great, arched doorway, the thin, deep-set windows, the leaded eaves and grinning gargoyles, into the cool sky of the September morning.
The stranger, were he rich in good traditions, would pause in admiration of the pure collegiate-gothic style of the low hall that extended north and south three hundred feet in either direction from the base of the great tower; he would note the artistry of the iron-braced, oaken doors, flanked at the lintels by inscrutable faces of carven stone, of the windows with their diamonded panes of milky glass peeping through a wilderness of encroaching vines. Nor would this be all. Had he ever viewed the quadrangles of Oxford and Cambridge, he might be able to infer that here, on this sunny plateau above the hill, devoted men, steept in the traditions of old England, had endeavoured to reproduce the plan of one of her famous colleges.
He would see, perhaps, that only one side of the quadrangle was built, one fourth of the work done. Here, along the northern line, should be the chapel, its altar window facing the east; on the southern, the dining-hall, adorned with rafters of dark oak and with portraits of the wise and great. To complete the plan, the remaining gap must be closed by a hall similar in style to the one already built.
He might picture himself standing in the midst of this beautiful creation of the imagination, taking in its architectural glories one by one, until his eye paused at the eastern gateway to note the distant landscape which it framed. And then, if he were in sympathy with the ideals of which this building was the outward expression, he would wake from his constructive reverie to realise sadly for the first time, not the beauty, but the incompleteness, of the institution; not its proximity to the city beyond, but its air of aloofness from the community in which it stood.