Caricature and Other Comic Art in All Times and Many Lands.

By JAMES PARTON
WITH 203 ILLUSTRATIONS

NEW YORK HARPER & BROTHERS, PUBLISHERS FRANKLIN SQUARE 1877
Entered according to Act of Congress, in the year 1877, by HARPER & BROTHERS, In the Office of the Librarian of Congress, at Washington.
In this volume there is, I believe, a greater variety of pictures of a comic and satirical cast than was ever before presented at one view. Many nations, ancient and modern, pagan and Christian, are represented in it, as well as most of the names identified with art of this nature. The extraordinary liberality of the publishers, and the skill of their corps of engravers, have seconded my own industrious researches, and the result is a volume unique, at least, in the character of its illustrations. A large portion of its contents appeared in Harper's Monthly Magazine during the year 1875; but many of the most curious and interesting of the pictures are given here for the first time; notably, those exhibiting the present or recent caricature of Germany, Spain, Italy, China, and Japan, several of which did not arrive in time for use in the periodical.
Generally speaking, articles contributed to a Magazine may as well be left in their natural tomb of back numbers, or bound volumes; for the better they serve a temporary purpose, the less adapted they are for permanent utility. Among the exceptions are such series as the present, which had no reference whatever to the passing months, and in the preparation of which a great expenditure was directed to a single class of objects of special interest. I am, indeed, amazed at the cost of producing such articles as these. So very great is the expense, that many subjects could not be adequately treated, with all desirable illustration, unless the publishers could offer the work to the public in portions.
There is not much to be said upon the subject treated in this volume. When I was invited by the learned and urbane editor of Harper's Monthly to furnish a number of articles upon caricature, I supposed that the work proposed would be a relief after labors too arduous, too long continued, and of a more serious character. On the contrary, no subject that I ever attempted presented such baffling difficulties. After ransacking the world for specimens, and collecting them by the hundred, I found that, usually, a caricature is a thing of a moment, and that, dying as soon as its moment has passed, it loses all power to interest, instantly and forever. I found, too, that our respectable ancestors had not the least notion of what we call decency. When, therefore, I had laid aside from the mass the obsolete and the improper, there were not so very many left, and most of those told their own story so plainly that no elucidation was necessary. Instead of wearying the reader with a mere descriptive catalogue, I have preferred to accompany the pictures with allusions to contemporary satire other than pictorial.