Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 3 (of 3)
TRANSCRIBER'S NOTE
Obvious typographical errors and punctuation errors have been corrected after careful comparison with other occurrences within the text and consultation of external sources.
Footnotes have been moved to the end of the book text. Some Footnotes are very long.
One occurrence of the 3-star asterism symbol is denoted by ⁂. On some handheld devices it may display as a space.
The first two volumes of this work can be found in Project Gutenberg at www.gutenberg.org/ebooks/51821 and www.gutenberg.org/ebooks/51978 There are several linked references to specific sections of those books from this volume.
The cover was created by the transcriber and is placed in the public domain.
HOGARTH'S DEDICATION, WRITTEN FOR A HISTORY OF THE ARTS, &c., WHICH HE INTENDED PUBLISHING AS A SUPPLEMENT TO THE ANALYSIS OF BEAUTY. COPIED FROM HIS MANUSCRIPT IN THE POSSESSION OF JOHN IRELAND.
The no Dedication Not Dedicated to any Prince in Christendom for fear it might be thought an Idle piece of Arrogance. Not Dedicated to any man of quality for fear it might be thought too assuming. Not Dedicated to any learned body of Man, as either of the universityes, or the Royal Society, for fear it might be thought an uncommon piece of Vanity. Nor Dedicated to any one particular Friend for fear of offending another. Therefore Dedicated to nobody. But if for once we may suppose Nobody to be every body, as Every body is often said to be nobody, then is this work Dedicated to every body.
by their most humble and devoted W: Hogarth.
HOGARTH'S WORKS:
WITH
John Ireland
John Nichols
---
LIST OF PLATES
ADVERTISEMENT.
HOGARTH.
INTRODUCTION.
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
DESCRIPTION OF THE PRINTS, Etc.
ENTHUSIASM DELINEATED,
CREDULITY, SUPERSTITION, AND FANATICISM.
TASTE IN HIGH LIFE
FARINELLI, CUZZONI, AND SENESINO,
A WOMAN SWEARING HER CHILD TO A GRAVE CITIZEN.
THE FOUNDLINGS.
FRONTISPIECE TO TERRÆ FILIUS.
THE SEPULCHRE.
THE POLITICIAN.
THE MATCHMAKER.
THE MAN OF TASTE.
HENRY FIELDING.
SIMON LORD LOVAT.
NINE PRINTS FOR DON QUIXOTE.
HEIDEGGER IN A RAGE.
THE LARGE MASQUERADE TICKET.
ADDENDA.
AN EMBLEMATIC PRINT ON THE SOUTH SEA.
THE LOTTERY.
MASQUERADES AND OPERAS—BURLINGTON GATE.
BEGGARS' OPERA BURLESQUED.
TWELVE PRINTS OF HUDIBRAS.
JUST VIEW OF THE BRITISH STAGE.
EXAMINATION OF BAMBRIDGE.
KING HENRY VIII. AND ANNA BULLEYN.
CROWNS, MITRES, MACES, ETC.
THE ROYAL MASQUERADE.
RICH'S TRIUMPHANT ENTRY.
THE POOL OF BETHESDA, AND THE GOOD SAMARITAN.
MARTIN FOLKES, ESQ.
BISHOP HOADLEY.
MR. RANBY'S HOUSE AT CHISWICK.
HYMEN AND CUPID.
FALSE PERSPECTIVE.
THE FARMER'S RETURN.
TRISTRAM SHANDY.
FOUR HEADS FROM THE CARTOONS.
THE SHRIMP-GIRL.
LORD HOLLAND.
EARL OF CHARLEMONT.
THE HOUSE OF COMMONS.
DEBATES ON PALMISTRY.
THE STAYMAKER.
CHARITY IN THE CELLAR.
SIX TICKETS.
NOTES.
SOUTHWARK FAIR.
MARRIAGE A LA MODE.
HARLOT'S PROGRESS.
RAKE'S PROGRESS.
IDLE AND INDUSTRIOUS APPRENTICE.
THE TIMES.
FOUR TIMES OF THE DAY.
ENRAGED MUSICIAN.
SIGISMUNDA.
THE BEGGARS' OPERA.
SLEEPY CONGREGATION.
CHRONOLOGICAL LIST
FOOTNOTES:
