Critical Miscellanies, Vol. 1, Essay 5: Emerson

London MACMILLAN AND CO., Limited NEW YORK: THE MACMILLAN COMPANY 1904
A great interpreter of life ought not himself to need interpretation, least of all can he need it for contemporaries. When time has wrought changes of fashion, mental and social, the critic serves a useful turn in giving to a poet or a teacher his true place, and in recovering ideas and points of view that are worth preserving. Interpretation of this kind Emerson cannot require. His books are no palimpsest, 'the prophet's holograph, defiled, erased, and covered by a monk's.' What he has written is fresh, legible, and in full conformity with the manners and the diction of the day, and those who are unable to understand him without gloss and comment are in fact not prepared to understand what it is that the original has to say. Scarcely any literature is so entirely unprofitable as the so-called criticism that overlays a pithy text with a windy sermon. For our time at least Emerson may best be left to be his own expositor.
Nor is Emerson, either, in the case of those whom the world has failed to recognise, and whom therefore it is the business of the critic to make known and to define. It is too soon to say in what particular niche among the teachers of the race posterity will place him; enough that in our own generation he has already been accepted as one of the wise masters, who, being called to high thinking for generous ends, did not fall below his vocation, but, steadfastly pursuing the pure search for truth, without propounding a system or founding a school or cumbering himself overmuch about applications, lived the life of the spirit, and breathed into other men a strong desire after the right governance of the soul. All this is generally realised and understood, and men may now be left to find their way to the Emersonian doctrine without the critic's prompting. Though it is only the other day that Emerson walked the earth and was alive and among us, he is already one of the privileged few whom the reader approaches in the mood of settled respect, and whose names have surrounded themselves with an atmosphere of religion.