Fictitious & Symbolic Creatures in Art / With Special Reference to Their Use in British Heraldry

FICTITIOUS & SYMBOLIC CREATURES IN ART
WITH SPECIAL REFERENCE TO THEIR USE IN BRITISH HERALDRY
By JOHN VINYCOMB MEMBER OF THE ROYAL IRISH ACADEMY, FELLOW OF THE ROYAL SOCIETY OF ANTIQUARIES OF IRELAND, A VICE-PRESIDENT OF THE EX-LIBRIS SOCIETY
ST. GEORGE AND THE DRAGON
ILLUSTRATED
CHAPMAN AND HALL, LIMITED 11 HENRIETTA STREET, LONDON, W. C. MCMVI
Printed by Ballantyne & Co. Limited Tavistock Street, London

nder the title of this book it is proposed to describe and illustrate only those fictitious and symbolic creatures which appear in British Heraldry. The list will include all those beings of whose existence we have not the direct evidence of our senses, and those exaggerations and combinations of natural forms which have been adopted in the system of symbolic heraldry handed down to us from the Middle Ages. Many of the ideas of the writers of that period were undoubtedly derived from still earlier sources, namely, classic story, sacred and legendary art, and the marvellous tales of early travellers; others were the coinage of their own fancies and their fears.
As these unreal beings are constantly met with in symbolic art, of which heraldry is the chief exponent, it may be assumed that they have been adopted in each case with some obvious or latent meaning, as in the case of real animals; they may, therefore, equally lay claim to our consideration as emblems or types, more especially as less attention has been devoted to them and the delineation of their forms by competent artists. The writer has been led into considering and investigating the subject with some degree of attention, from finding the frequent need of some reliable authority, both descriptive and artistic, such as would enable any one to depict with accuracy and true heraldic spirit the forms and features of these chimerical beings. Books of reference on heraldry unfortunately give but a meagre description of their shapes, with scarcely a hint as to their history or meaning, while the illustrations are usually stiff and awkward, representing a soulless state of art.