Russian literature
BY P. KROPOTKIN
NEW YORK McCLURE, PHILLIPS & CO. MCMV
Copyright, 1905, by McCLURE, PHILLIPS & CO. Published, April, 1905
This book originated in a series of eight lectures on Russian Literature during the Nineteenth Century which I delivered in March, 1901, at the Lowell Institute, in Boston.
In accepting the invitation to deliver this course, I fully realised the difficulties which stood in my way. It is by no means an easy task to speak or to write about the literature of a country, when this literature is hardly known to the audience or to the readers. Only three or four Russian writers have been properly and at all completely translated into English; so that very often I had to speak about a poem or a novel, when it could have been readily characterised by simply reading a passage or two from it.
However, if the difficulties were great, the subject was well worth an effort. Russian literature is a rich mine of original poetic thought. It has a freshness and youthfulness which is not found to the same extent in older literatures. It has, moreover, a sincerity and simplicity of expression which render it all the more attractive to the mind that has grown sick of literary artificiality. And it has this distinctive feature, that it brings within the domain of Art—the poem, the novel, the drama—nearly all those questions, social and political, which in Western Europe and America, at least in our present generation, are discussed chiefly in the political writings of the day, but seldom in literature.
In no other country does literature occupy so influential a position as it does in Russia. Nowhere else does it exercise so profound and so direct an influence upon the intellectual development of the younger generation. There are novels of Turguéneff, and even of the less-known writers, which have been real stepping stones in the development of Russian youth within the last fifty years.
The reason why literature exercises such an influence in Russia is self-evident. There is no open political life, and with the exception of a few years at the time of the abolition of serfdom, the Russian people have never been called upon to take an active part in the framing of their country’s institutions.
kniaz Petr Alekseevich Kropotkin
RUSSIAN LITERATURE
PREFACE
CONTENTS
CHAPTER I
EARLY FOLK-LITERATURE: FOLK-LORE—SONGS—SAGAS
“LAY OF IGOR’S RAID”
THE ANNALS
MEDIÆVAL LITERATURE
SPLIT IN THE CHURCH—MEMOIRS OF AVVAKÚM
THE EIGHTEENTH CENTURY
THE TIMES OF CATHERINE II.
THE FREEMASONS: FIRST MANIFESTATION OF POLITICAL THOUGHT.
THE FIRST YEARS OF THE NINETEENTH CENTURY.
THE “DECEMBRISTS”
FOOTNOTES:
PÚSHKIN
LÉRMONTOFF
PÚSHKIN AND LÉRMONTOFF AS PROSE-WRITERS
OTHER POETS AND NOVELISTS OF THE SAME EPOCH KRYLÓFF
THE MINOR POETS
FOOTNOTES:
TARÁS BÚLBA—THE CLOAK
THE INSPECTOR-GENERAL
DEAD SOULS
FOOTNOTES:
TURGUÉNEFF
TOLSTÓY—CHILDHOOD AND BOYHOOD
DURING AND AFTER THE CRIMEAN WAR
YOUTH: IN SEARCH OF AN IDEAL
SMALL STORIES—THE COSSACKS
EDUCATIONAL WORK
WAR AND PEACE
ANNA KARÉNINA.
RELIGIOUS CRISIS
HIS INTERPRETATION OF THE CHRISTIAN TEACHING
MAIN POINTS OF THE CHRISTIAN ETHICS
LATEST WORKS OF ART
FOOTNOTES:
GONCHARÓFF.
THE PRECIPICE
DOSTOYÉVSKIY
NEKRÁSOFF
OTHER PROSE WRITERS OF THE SAME EPOCH
POETS OF THE SAME EPOCH
THE FIRST YEARS OF THE NINETEENTH CENTURY
GRIBOYÉDOFF.
THE MOSCOW STAGE.
OSTRÓVSKIY: “POVERTY—NO VICE”
“THE THUNDERSTORM”
OSTRÓVSKIY’S LATER DRAMAS
HISTORICAL DRAMAS—A. K. TOLSTÓY.
OTHER DRAMATIC WRITERS
FOOTNOTES:
THE EARLY FOLK-NOVELISTS
INTERMEDIATE PERIOD
ETHNOGRAPHICAL RESEARCH
POMYALÓVSKIY
RYESHÉTNIKOFF
LEVÍTOFF
GLEB USPÉNSKIY
ZLATOVRÁTSKIY AND OTHER FOLK-NOVELISTS
MAXÍM GÓRKIY
POLITICAL LITERATURE
THE “CIRCLES”—WESTERNERS AND SLAVOPHILES
POLITICAL LITERATURE ABROAD
TCHERNYSHÉVSKIY AND “THE CONTEMPORARY”
THE SATIRE: SALTYKÓFF
LITERARY CRITICISM
TOLSTÓY’S “WHAT IS ART?”
SOME CONTEMPORARY NOVELISTS
A. P. TCHÉHOFF
BIBLIOGRAPHICAL NOTES
FOOTNOTES:
INDEX
Transcriber’s Notes