The Moving Picture Girls; Or, First Appearances in Photo Dramas
IN ONE SCENE ALICE AND RUTH HOLD THE STAGE ALONE.-- Page 157.
Oh, isn't it just splendid, Ruth? Don't you feel like singing and dancing? Come on, let's have a two-step! I'll whistle!
Alice! How can you be so—so boisterous? expostulated the taller of two girls, who stood in the middle of their small and rather shabby parlor.
Boisterous! Weren't you going to say—rude? laughingly asked the one who had first spoken. Come, now, 'fess up! Weren't you? and the shorter of the twain, a girl rather plump and pretty, with merry brown eyes, put her arm about the waist of her sister and endeavored to lead her through the maze of chairs in the whirl of a dance, whistling, meanwhile, a joyous strain from one of the latest Broadway successes.
Oh, Alice! came in rather fretful tones. I don't—
You don't know what to make of me? That's it; isn't it, sister mine? Oh, I can read you like a book. But, Ruth, why aren't you jolly once in a while? Why always that 'maiden all forlorn' look on your face? Why that far-away, distant look in your eyes—'Anne, Sister Anne, dost see anyone approaching?' Talk about Bluebeard! Come on, do one turn with me. I'm learning the one-step, you know, and it's lovely!
Come on, laugh and sing! Really, aren't you glad that dad has an engagement at last? A real engagement that will bring in some real money! Aren't you glad? It will mean so much to us! Money! Why, I haven't seen enough real money of late to have a speaking acquaintance with it. We've been trusted for everything, except carfare, and it would have come to that pretty soon. Say you're glad, Ruth!
The younger girl gave up the attempt to entice her sister into a dance, and stood facing her, arm still about her waist, the laughing brown eyes gazing mischievously up into the rather sad blue ones of the taller girl.
Glad? Of course I'm glad, Alice DeVere, and you know it. I'm just as glad as you are that daddy has an engagement. He's waited long enough for one, goodness knows!
Laura Lee Hope
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OR
First Appearances in Photo Dramas
LAURA LEE HOPE
AN UNCEREMONIOUS DEPARTURE
RUSS DALWOOD APOLOGIZES
THE OLD TROUBLE
DESPONDENCY
REPLACED
A NEW PROPOSITION
ALICE CHANGES HER MIND
"PAY YOUR RENT, OR——"
MR. DEVERE DECIDES
THE MAN IN THE KITCHEN
RUSS IS WORRIED
THE PHOTO DRAMA
MR. DEVERE'S SUCCESS
AN EMERGENCY
JEALOUSIES
THE MOVING PICTURE GIRLS
A PROMISE
A HIT
A BIT OF OUTDOORS
FARMER SANDY APGAR
OVERHEARD
THE WARNING
THE MISSING MODEL
THE PURSUIT
THE CAPTURE
THE END