Louis Spohr's Autobiography / Translated from the German

The cover image was produced by the transcriber, and is placed in the public domain.
TRANSLATED FROM THE GERMAN.
COPYRIGHT EDITION.
LONDON: LONGMAN, GREEN, LONGMAN, ROBERTS, & GREEN. CASSELL AND GŒTTINGEN: GEORGE H. WIGAND. 1865.

In publishing an English translation of the unadorned yet highly interesting Autobiography of the celebrated Violinist and great Composer Louis Spohr , we consider we are but satisfying a natural desire on the part of his many admirers in this country to become more intimately acquainted with both the public and private life of this great musical genius—this noble, manly character, in whom were combined in so high a degree the qualities of the true artist with those of the really great-minded and thoroughly good man.
Although nearly twelve years have elapsed since Spohr’s last appearance in England, and during that time numberless foreign artists of distinction have visited us and gathered well-earned laurels and golden opinions in these islands; yet still above all Spohr shines out a star of the first magnitude, and there are no doubt thousands yet amongst us who were present at the performance of his oratorios, under his direction, at Norwich, or attended his concerts in London, and to whom this Autobiography will be of interest. We have little to say of it here—it speaks for itself. Simple and truthful throughout, it is a mirror of the mind of him who jotted down the details composing the same. Modest and unassuming at the commencement of his career, Spohr continued so till the end, notwithstanding the celebrity he achieved and the high position to which he attained. The praises showered upon him neither turned his brain nor puffed him up with pride; and he has left us an example of high morality, great amiability, and bright domestic virtues, too rare alas! among artists and men of genius.
Spohr was a man devoted to his art, and although far from wealthy, often sacrificed his time—which to him, as to most of us, was money—in giving gratuitous instruction to young men of ability too poor to pay for lessons; and not unfrequently has he unhesitatingly dismissed some rich, well-paying, but dull scholar to make way for a poor but talented pupil, in hopes of thereby benefitting his art—and this was his sole reward.