Samplers and Tapestry Embroideries / Second Edition
The Project Gutenberg eBook, Samplers and Tapestry Embroideries, by Marcus Bourne Huish
Plate I.—Tapestry Embroidery. Henry VIII., Edward VI., Mary, and Elizabeth. The Corporation of Maidstone.
(Frontispiece.)
The very unusual piece of Embroidery reproduced as our Frontispiece may date from the Accession of Queen Elizabeth, in which case it is the earliest specimen of an embroidery picture that we have seen. It would appear to be the creation of some exultant Protestant rejoicing at the restoration of his religion, which to him is “Good tidings of great joy”; for his Queen holds the Bible open at this verse, and is ready to defend it with her sword. Edward VI. also upholds the Bible in his upraised hand, whilst Henry VIII. has one foot on the downtrodden Pope, and the other on his crown, which he has kicked from his head. Popery is portrayed in Mary with her Rosary and Papal-crowned Dragon. The presence of the Thistle raises a doubt as to its being of the Elizabethan age, but although this flower consorts with the Rose it also does so with a pansy, which deprives it of its value as an emblem of Scotland. The piece belongs to the Corporation of Maidstone.
SAMPLERS & TAPESTRY EMBROIDERIES
BY MARCUS B. HUISH, LL.B. Author of “Japan and its Art,” “Greek Terra Cotta Statuettes” “The American Pilgrim’s Way,” &c.
SECOND EDITION
WITH 24 COLOURED PLATES AND 77 ILLUSTRATIONS IN THE TEXT
LONGMANS, GREEN, AND CO. 39 PATERNOSTER ROW, LONDON NEW YORK, BOMBAY, AND CALCUTTA 1913 All rights reserved
I have explained, in the chapter upon English Needlework with which this volume opens, the reasons which prompted me to take up the subject of Samplers and Tapestry Embroideries, and I have here only to thank the many who, since its first issue, have expressed their acknowledgment of the pleasure they have derived from it, and to record my gratification that it has induced some of them to start the study and collection of these interesting objects.
Marcus B. Huish
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Preface to the Second Edition
Contents
List of Colour Plates
Illustrations in Text
The Need of Samplers
The Age of a Sampler
Lettering on Samplers
Alphabets and Numerals
Signatures
Inscriptions
Verses commemorating Religious Festivals
Verses taking the Form of Prayers, Dedications, Etc.
Verses Referring to Life and Death
Duties to Parents and Preceptors
Samplers Expatiating upon Virtue or Vice, Wealth or Poverty, Happiness or Misery
Inscriptions having an Interest owing to their Quaintness
The Design, Ornament and Colouring of Samplers
Sampler Design: the Human Figure
Sampler Design: Animals
Sampler Design: Flowers
Sampler Design: Crowns, Coronets, Etc.
Sampler Design: Hearts
The Borders to Samplers
The Age and Sex of Sampler Workers
The Size of Samplers
The Place of Origin of Samplers
Samplers as Records of National Events
Map Samplers
American Samplers
Foreign Samplers
Indian Samplers
Sampler Literature
The Last of the Samplers
The Subjects of Tapestry Embroideries
Tapestry Embroideries as Mirrors of Fashion
Background-Stitches
Figures in Raised Needlework
Knot-Stitches
Plush-Stitch
Embroidery in Purl and Metallic Threads
Lace-Stitches
Bead Embroidery
Groundwork Tracings
Implements Used
II.—The Stitchery of Samplers, with a Note on their Materials
Cut and Drawn-Work
Back-Stitch
Alphabet-Stitches
Darning-Stitches
Tent and Cross Stitches
Various Stitches
Materials
Index