The Invader: A Novel

Dinner was over and the ladies had just risen, when the Professor had begged to introduce them to the new-comer on his walls. The Invader, it might almost have been called, this full-length, life-size portrait, which, in the illumination of a lamp turned full upon it, seemed to take possession of the small room, to dominate at the end of the polished-oak table, where the light of shaded candles fell on old blue plates, old Venetian glass, a bit of old Italian brocade, and chrysanthemums in a china bowl coveted by collectors. Every detail spoke of the connoisseurship, the refined and personal taste characteristic of Oxford in the eighties. The authority on art put up his eye-glasses and fingered his tiny forked beard uneasily.
There's no doubt it's a good thing, Fletcher, he said, presently— really quite good. But it's too like Romney to be Raeburn, and too like Raeburn to be Romney. You ought to be able to find out the painter, if, as you say, it's a portrait of your own great-grandmother—
He did say so! broke in Sanderson, exultantly. He said it was an ancestress. Fletcher, you're a vulgar fraud. You've got no ancestress. You bought her. There's a sale-ticket still on the frame under the projection at the right-hand lower corner. I saw it.
Sanderson was a small man and walked about perpetually, except when taking food: sometimes then. He was a licensed insulter of his friends, and now stood before the picture in a belligerent attitude. The Professor stroked his amber beard and smiled down on Sanderson.
True, O Sanderson; and at the same time untrue. I did buy the picture, and the lady was my great-grandmother once, but she did not like the position and soon gave it up. This picture must have been done after she had given it up.
Is this a conundrum or blather, invented to hide your ignominy in a cloud of words? asked Sanderson.
It's a hors d'œuvre before the story, interposed Ian Stewart, throwing back his tall dark head and looking up at the picture through his eye-glasses, his handsome face alive with interest. 'Tak' awa' the kickshaws,' Fletcher, 'and bring us the cauf.'