The Group: A Farce
Transcriber's Note:
For your convenience, the transcribers have provided the following links:
Spelling as in the original has been preserved.
Mrs. Mercy Warren
Most of the literature—orations as well as broadsides—created in America under the heat of the Revolution, was of a strictly satirical character. Most of the Revolutionary ballads sung at the time were bitter with hatred against the Loyalist. When the conflict actually was in progress, the theatres that regaled the Colonists were closed, and an order from the Continental Congress declared that theatre-going was an amusement from which all patriotic people should abstain. These orders or resolutions were dated October 12, 1778, and October 16. (Seilhamer, ii, 51.) The playhouses were no sooner closed, however—much to the regret of Washington—than their doors were thrown wide open by the British troops stationed in Boston, New York, and Philadelphia. A complete history of the American stage has to deal with Howe's players, Clinton's players, and Burgoyne's players.
So few women appear in the early history of American Drama that it is well here to mention Mrs. Charlotte Ramsay Lennox (1720-1804) and Mrs. Susanna Rowson (1762-1824). The former has the reputation of being the first woman, born in America, to have written a play, The Sister (1769). The author moved to London when she was fifteen, and there it was her piece was produced, with an epilogue by Oliver Goldsmith. She is referred to in Boswell's Life of Johnson.
Of Susanna Rowson, whose Memoir has been issued by Rev. Elias Nason, we know that, as a singer and actress, she created sufficient reputation in London to attract the attention of Wignell, the comedian. (Clapp. Boston Stage. 1853, p. 41.)
With her husband, she came to this country in 1793, and, apart from her professional duties on the stage, wrote a farce, Volunteers (1795), dealing with the Whiskey Insurrection in Pennsylvania, The Female Patriot (1794), Slaves in Algiers; or, A Struggle for Freedom (1794), and Americans in England (1796). All of these were produced. Her literary attainments were wide, her most popular novel being Charlotte Temple, a Tale of Truth (1790). She likewise compiled many educational works. (See Wegelin.)