The Thousand and One Days: A Companion to the "Arabian Nights"

P. 113.
LONDON: WILLIAM LAY, KING WILLIAM STREET, STRAND. 1857.

The Compiler of the graceful little volume which I have the pleasure of introducing to the public, has conferred an undeniable benefit upon the youth of England by presenting to them a collection of Oriental Tales, which, rich in the elements of interest and entertainment, are nevertheless entirely free from the licentiousness which renders so many of the fictions of the East, beautiful and brilliant as they are, most objectionable for young and ardent minds. There is indeed no lack of the wonderful in the pages before us, any more than in the Arabian and Persian Tales already so well known: but it will be seen that the supernatural agency in the narratives is used as a means to work out totally different results. There is, in truth, scarcely one of these Tales which does not inculcate a valuable moral lesson; as may be seen by reference to The Powder of Longevity, The Old Camel, and The Story of the Dervise Abounadar among several, others.
The present collection of Eastern Stories has been principally derived from the works of different Oriental Scholars on the Continent, and little doubt can be entertained of the genuineness of their origin; while they have been carefully selected, and do honour to the good taste of their Compiler. An acknowledgment is also due to him for his adherence to the good old orthography to which we have all been accustomed from our childhood, in the case of such titles as Caliph, Vizier, Houri, Genii, &c.; as, however critically correct and learned the spelling of Mr. Lane may be in his magnificent version of the Thousand and One Nights, and however appropriate to a work of so much research and value to Oriental students, it would have been alike fatiguing and out of character to have embarrassed a volume, simply intended for the amusement of youthful readers, by a number of hard and unfamiliar words, difficult of pronunciation to all save the initiated; and for the pleasure of the young requiring translation fully as much as the narrative itself.