Life of Mozart, Vol. 2 (of 3)
CONTENTS
I recommend you most emphatically to endeavour by childlike confidence to merit, or rather to preserve, the favour, love, and friendship of the Baron von Grimm; to take counsel with him on every point, and to do nothing hastily or from impulse; in all things be careful of your own interests, which are those of us all. Life in Paris is very different from life in Germany, and the French ways of expressing oneself politely, of introducing oneself, of craving patronage, &c., are quite peculiar; so much so, that Baron von Grimm used always to instruct me as to what I should say, and how I should express myself. Be sure you tell him, with my best compliments, that I have reminded you of this, and he will tell you that I am right.
But, clever as he was, L. Mozart had miscalculated on several points. He did not reflect that Grimm had grown older, more indolent, and more stately, and that even formerly a tact and obsequiousness had been required in order to turn the great man's friendship to account, which, natural as they were to himself, his son never did and never would acquire. He had not sufficiently realised that the attention of the public is far more easily attracted by what is strange and wonderful, than by the greatest intellectual and artistic endowments. This was peculiarly the case in Paris, where interest in musical performances only mounted to enthusiasm when some unusual circumstance accompanied them. True, such enthusiasm was at its height at the time of Mozart's visit, but his father could not see that this very fact was against a young man who had so little of the art of ingratiating himself with others. To us it must ever appear as an extraordinary coincidence that Mozart, fresh from Mannheim, and the efforts there being made for the establishment of a national German opera, should have come to Paris at LULLY, 1652-1687. the very height of the struggle between Italian opera and the French opera, as reformed by Gluck, a struggle which appeared to be on the point of being fought out. In neither case did his strong feelings on the subject tempt him to take an active part; he maintained the attitude of a neutral observer, in preparation for the tasks to which he might be appointed.
Otto Jahn
LIFE OF MOZART
VOL. II.
CHAPTER XVIII. FRENCH OPERA.
CHAPTER XIX. PARIS, 1778.
CHAPTER XX. THE RETURN HOME.
CHAPTER XXI. COURT SERVICE IN SALZBURG.
CHAPTER XXII. "IDOMENEO."
CHAPTER XXIII. RELEASE.
CHAPTER XXIV. FIRST ATTEMPTS IN VIENNA.
CHAPTER XXV. "DIE ENTFÜHRUNG AUS DEM SERAIL."
CHAPTER XXVI. COURTSHIP.
CHAPTER XXVII. MARRIED LIFE.
CHAPTER XXVIII. MOZART'S FAMILY AND FRIENDS.
CHAPTER XXIX. SOCIAL INTERCOURSE.
CHAPTER XXX. VAN SWIETEN AND CLASSICAL MUSIC.
CHAPTER XXXI. MOZART AND FREEMASONRY.
CHAPTER XXXII. MOZART AS AN ARTIST.
CHAPTER XXXIII. MOZART'S PIANOFORTE MUSIC.
FOOTNOTES OF CHAPTER XVIII.
FOOTNOTES CHAPTER XIX.
FOOTNOTES OF CHAPTER XX.
FOOTNOTES OF CHAPTER XXI.
FOOTNOTES TO CHAPTER XXII.
FOOTNOTES OF CHAPTER XXIII.
FOOTNOTES OF CHAPTER XXIV.
FOOTNOTES OF CHAPTER XXV.
FOOTNOTES OF CHAPTER XXVI.
FOOTNOTES OF CHAPTER XXVII.
FOOTNOTES OF CHAPER 28
FOOTNOTES OF CHAPTER XXIX.
FOOTNOTES OF CHAPTER XXX.
FOOTNOTES OF CHAPTER XXXI.
FOOTNOTES OF CHAPTER XXXII.
FOOTNOTES OF CHAPTER XXXIII.