The Land of Look Behind
The Land of Look Behind hopes to be something of a rear-view mirror, at once cocked to reveal our innermost dimensions while transporting that, which by necessity, must lie beyond. Involving ourselves in any interplay with flickering images, of course, must be more than fireside watching and it is my hope the book will be seen not solely as a collection of short stories, although these do figure prominently in the narrative. Satire, beast fables, and texts (single-page entries) mingle casually with the longer tales. Regardless of the genre, they hope to speak as a unit--to view the conflicting colours of a prism's radiation. Allow me to detail what you can expect.
On the subject of Indian myths, these are entirely of my own making. They are an attempt to visualize the mysteries of creation through alien perspectives. Oral myths were Canada's indigenous literature. In this vein, the writer resorts to utilizing the spoken ballad form in some of his exercises. Some of the prose pieces reflect a mirror world where the gazer chances upon reality with a new breath of perception--much as the native people's world was to the arrival of the whites.
Bewilderment with the natural world is the keynote here. For how many of us have wished, like the Indian, to clarify a particularly taxing bit of life--to elucidate its function into a more recognizable form?
On a larger plane, this is the issue before the book--the terrible algebra of our existences, --explored with the urgency and sometime seriousness it deserves.
I wouldn't try a crossing in weather like this, warned the old man. It's a bad time of year, what with the wind and all. Worse still, the lake water is lethal by November. That means if you capsize it will be the chill that does you in.
The old man stopped short, conscious of the look of defiance in the youth's eyes. Young fool biting the nose to spite his face, he thought.
The marina was closed for the season, but the island's residents made contact with the mainland one way or the other. Until mid-winter there was a ferry service, but that assumed a fair bit of discipline from a resident. He had to go and come when the province obliged. Young bloods off to escape the monotony of Wolfe Island were only marginally willing to conform their Saturday festivities with an arbitrary ruling. No, it was too easy to keep a boat in tow at a friend's landing. Keep a bottle to ward off the night's chill. A bottle for tonic against the elements and a buttress against authority. The old man knew if he did not avail this one a boat--a safe one at that--he would put his hands on a craft of some sort. Accountability, he thought. They mustn't care about their own lives. Still, there was a living to be made and it was a marina, albeit a closed one. He would still get a boat one way or the other, he mused again as he watched the light fade in the evening sky. He pulled his collar sharply. Yellow leaves were beginning to form a mat on the wooden stairs leading to the shed. He could just make out land's end against a funnel gray sky. Better to advise the young man of the dangers, suggest a daytime crossing. Perhaps even try a little reverse psychology.
Paul Cameron Brown
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FOREWORD
TABLE OF CONTENTS
TO CROSS THE BAY
UPTURN THE ROCK
SEAEGGS
THE HIRE
THE NIGHTLAMP
THE STRONGBOX
THE SANDPIT
THE WAGER
ERRANDS
PONCHONTAS
THE BLOODFISH
THE GARDEN PATCH
THE MONARCH
BRÉBEUF
CITY THE INSECTS INVADE
PLAUDITS
SUMMER'S CLOCK
AUTOMOBILE SOFT LEGS
THE PELLY, THE POWDER AND THE SNAKE
JABIRU
ADUA
RIP
REVIEW