The Complete Poetical Works of Percy Bysshe Shelley — Complete
1914.
I have been chary of gratuitous interference with the punctuation of the manuscripts and early editions; in this direction, however, some revision was indispensable. Even in his most carefully finished “fair copy” Shelley under-punctuates (Thus in the exquisite autograph “Hunt MS.” of “Julian and Maddalo”, Mr. Buxton Forman, the most conservative of editors, finds it necessary to supplement Shelley’s punctuation in no fewer than ninety-four places.), and sometimes punctuates capriciously. In the very act of transcribing his mind was apt to stray from the work in hand to higher things; he would lose himself in contemplating those airy abstractions and lofty visions of which alone he greatly cared to sing, to the neglect and detriment of the merely external and formal element of his song. Shelley recked little of the jots and tittles of literary craftsmanship; he committed many a small sin against the rules of grammar, and certainly paid but a halting attention to the nice distinctions of punctuation. Thus in the early editions a comma occasionally plays the part of a semicolon; colons and semicolons seem to be employed interchangeably; a semicolon almost invariably appears where nowadays we should employ the dash; and, lastly, the dash itself becomes a point of all work, replacing indifferently commas, colons, semicolons or periods. Inadequate and sometimes haphazard as it is, however, Shelley’s punctuation, so far as it goes, is of great value as an index to his metrical, or at times, it may be, to his rhetorical intention—for, in Shelley’s hands, punctuation serves rather to mark the rhythmical pause and onflow of the verse, or to secure some declamatory effect, than to indicate the structure or elucidate the sense. For this reason the original pointing has been retained, save where it tends to obscure or pervert the poet’s meaning. Amongst the Editor’s Notes at the end of the Volume 3 the reader will find lists of the punctual variations in the longer poems, by means of which the supplementary points now added may be identified, and the original points, which in this edition have been deleted or else replaced by others, ascertained, in the order of their occurrence. In the use of capitals Shelley’s practice has been followed, while an attempt has been made to reduce the number of his inconsistencies in this regard.
Percy Bysshe Shelley
THE COMPLETE
POETICAL WORKS
OXFORD EDITION.
PREFACE.
PREFACE BY MRS. SHELLEY
POSTSCRIPT IN SECOND EDITION OF 1839.
PREFACE BY MRS. SHELLEY.
POSTSCRIPT IN SECOND EDITION OF 1839.
LETTER TO MARIA GISBORNE.
FRAGMENTS OF AN UNFINISHED DRAMA.
CHARLES THE FIRST.
THE TRIUMPH OF LIFE.
THE DAEMON OF THE WORLD.
PART 1.
PART 2.
ALASTOR: OR, THE SPIRIT OF SOLITUDE.
PREFACE.
ALASTOR: OR, THE SPIRIT OF SOLITUDE.
NOTE ON ALASTOR, BY MRS. SHELLEY.
THE REVOLT OF ISLAM.
DEDICATION.
CANTO 1.
CANTO 2.
CANTO 3.
CANTO 4.
CANTO 5.
CANTO 6.
CANTO 7.
CANTO 8.
CANTO 9.
CANTO 10.
CANTO 11.
CANTO 12.
NOTE ON THE “REVOLT OF ISLAM”, BY MRS. SHELLEY.
PRINCE ATHANASE.
PART 1.
PART 2.
FRAGMENT 2.
FRAGMENT 3.
FRAGMENT 4.
FRAGMENT 5.
FRAGMENT 6.
ANOTHER FRAGMENT (A)
ANOTHER FRAGMENT (B)
ROSALIND AND HELEN.
ROSALIND, HELEN, AND HER CHILD.
NOTE BY MRS. SHELLEY.
JULIAN AND MADDALO.
PREFACE.
CANCELLED FRAGMENTS OF JULIAN AND MADDALO.
NOTE BY MRS. SHELLEY.
PROMETHEUS UNBOUND.
PREFACE.
DRAMATIS PERSONAE.
ACT 1.
ACT 2.
ACT 3.
ACT 4.
CANCELLED FRAGMENTS OF “PROMETHEUS UNBOUND”.
NOTE ON “PROMETHEUS UNBOUND”, BY MRS. SHELLEY.
THE CENCI.
DEDICATION, TO LEIGH HUNT, ESQ.
THE CENCI.
PREFACE.
ACT 1.
ACT 2.
ACT 3.
ACT 4.
ACT 5.
NOTE ON THE CENCI, BY MRS. SHELLEY.
THE MASK OF ANARCHY.
NOTE ON THE MASK OF ANARCHY, BY MRS. SHELLEY.
PETER BELL THE THIRD.
DEDICATION.
PROLOGUE.
PART 1.
DEATH.
PART 2.
PART 3.
PART 4.
PART 5.
PART 6.
PART 7.
NOTE ON PETER BELL THE THIRD, BY MRS. SHELLEY.
LETTER TO MARIA GISBORNE.
THE WITCH OF ATLAS.
TO MARY (ON HER OBJECTING TO THE FOLLOWING POEM, UPON THE SCORE OF ITS CONTAINING NO HUMAN INTEREST).
THE WITCH OF ATLAS.
NOTE ON THE WITCH OF ATLAS, BY MRS. SHELLEY.
OEDIPUS TYRANNUS
DRAMATIS PERSONAE.
ACT 1.
ACT 2.
NOTE ON OEDIPUS TYRANNUS, BY MRS. SHELLEY.
EPIPSYCHIDION.
EPIPSYCHIDION.
FRAGMENTS CONNECTED WITH EPIPSYCHIDION.
THREE EARLY DRAFTS OF THE PREFACE.
PREFACE 2.
PREFACE 3.
PASSAGES OF THE POEM, OR CONNECTED THEREWITH.
ADONAIS.
PREFACE.
ADONAIS.
CANCELLED PASSAGES OF ADONAIS.
PASSAGES OF THE POEM.
HELLAS
TO HIS EXCELLENCY
PREFACE.
PROLOGUE TO HELLAS.
HELLAS.
NOTES.
FRAGMENTS OF AN UNFINISHED DRAMA.
SCENE.—BEFORE THE CAVERN OF THE INDIAN ENCHANTRESS.
CHARLES THE FIRST.
SCENE 2: A CHAMBER IN WHITEHALL. ENTER THE KING, QUEEN, LAUD, LORD STRAFFORD, LORD COTTINGTON, AND OTHER LORDS; ARCHY; ALSO ST. JOHN, WITH SOME GENTLEMEN OF THE INNS OF COURT.
SCENE 3: THE STAR CHAMBER. LAUD, JUXON, STRAFFORD, AND OTHERS, AS JUDGES. PRYNNE AS A PRISONER, AND THEN BASTWICK.
SCENE 4: HAMPDEN, PYM, CROMWELL, HIS DAUGHTER, AND YOUNG SIR HARRY VANE.
SCENE 5:
THE TRIUMPH OF LIFE.
CANCELLED OPENING OF THE TRIUMPH OF LIFE.
THE COMPLETE
POETICAL WORKS
STANZA, WRITTEN AT BRACKNELL.
STANZAS.—APRIL, 1814.
TO HARRIET.
TO MARY WOLLSTONECRAFT GODWIN.
MUTABILITY.
ON DEATH.
A SUMMER EVENING CHURCHYARD.
TO WORDSWORTH.
NOTE ON THE EARLY POEMS, BY MRS. SHELLEY.
HYMN TO INTELLECTUAL BEAUTY.
MONT BLANC.
CANCELLED PASSAGE OF MONT BLANC.
FRAGMENT: HOME.
FRAGMENT OF A GHOST STORY.
NOTE ON POEMS OF 1816, BY MRS. SHELLEY.
TO CONSTANTIA, SINGING.
FRAGMENT: TO ONE SINGING.
A FRAGMENT: TO MUSIC.
‘MIGHTY EAGLE’.
TO THE LORD CHANCELLOR.
TO WILLIAM SHELLEY.
FROM THE ORIGINAL DRAFT OF THE POEM TO WILLIAM SHELLEY.
ON FANNY GODWIN.
DEATH.
OTHO.
FRAGMENTS SUPPOSED TO BE PARTS OF OTHO.
‘O THAT A CHARIOT OF CLOUD WERE MINE’.
A HATE-SONG.
LINES TO A CRITIC.
OZYMANDIAS.
NOTE ON POEMS OF 1817, BY MRS. SHELLEY.
PASSAGE OF THE APENNINES.
THE PAST.
TO MARY —.
ON A FADED VIOLET.
LINES WRITTEN AMONG THE EUGANEAN HILLS.
INVOCATION TO MISERY.
STANZAS WRITTEN IN DEJECTION, NEAR NAPLES.
THE WOODMAN AND THE NIGHTINGALE.
NOTE ON POEMS OF 1818, BY MRS. SHELLEY.
SONG TO THE MEN OF ENGLAND.
SIMILES FOR TWO POLITICAL CHARACTERS OF 1819.
FRAGMENT: TO THE PEOPLE OF ENGLAND.
A NEW NATIONAL ANTHEM.
SONNET: ENGLAND IN 1819.
CANCELLED STANZA.
ODE TO HEAVEN.
ODE TO THE WEST WIND.
AN EXHORTATION.
THE INDIAN SERENADE.
CANCELLED PASSAGE.
TO SOPHIA [MISS STACEY].
LOVE’S PHILOSOPHY.
FRAGMENT: ‘FOLLOW TO THE DEEP WOOD’S WEEDS’.
THE BIRTH OF PLEASURE.
VARIATION OF THE SONG OF THE MOON.
CANCELLED STANZA OF THE MASK OF ANARCHY.
NOTE BY MRS. SHELLEY.
CANCELLED PASSAGE.
A VISION OF THE SEA.
THE CLOUD.
TO A SKYLARK.
ODE TO LIBERTY.
CANCELLED PASSAGE.
ARETHUSA.
HYMN OF APOLLO.
HYMN OF PAN.
THE QUESTION.
ODE TO NAPLES.
AUTUMN: A DIRGE.
THE WANING MOON.
TO THE MOON.
DEATH.
LIBERTY.
SUMMER AND WINTER.
THE TOWER OF FAMINE.
AN ALLEGORY.
THE WORLD’S WANDERERS.
LINES TO A REVIEWER.
FRAGMENT OF A SATIRE ON SATIRE.
GOOD-NIGHT.
BUONA NOTTE.
ORPHEUS.
FIORDISPINA.
TIME LONG PAST.
TO NIGHT.
TIME.
FROM THE ARABIC: AN IMITATION.
TO EMILIA VIVIANI.
THE FUGITIVES.
MUTABILITY.
LINES WRITTEN ON HEARING THE NEWS OF THE DEATH OF NAPOLEON.
SONNET: POLITICAL GREATNESS.
THE AZIOLA.
A LAMENT.
REMEMBRANCE.
TO EDWARD WILLIAMS.
A BRIDAL SONG.
EPITHALAMIUM.
ANOTHER VERSION OF THE SAME.
LOVE, HOPE, DESIRE, AND FEAR.
FRAGMENT: ‘I WOULD NOT BE A KING’.
GINEVRA.
THE BOAT ON THE SERCHIO.
MUSIC.
SONNET TO BYRON.
FRAGMENT: ‘METHOUGHT I WAS A BILLOW IN THE CROWD’.
TO-MORROW.
NOTE ON POEMS OF 1821, BY MRS. SHELLEY.
THE MAGNETIC LADY TO HER PATIENT.
LINES: ‘WHEN THE LAMP IS SHATTERED’.
TO JANE: THE INVITATION.
TO JANE: THE RECOLLECTION.
THE PINE FOREST OF THE CASCINE NEAR PISA.
WITH A GUITAR, TO JANE.
TO JANE: ‘THE KEEN STARS WERE TWINKLING’.
A DIRGE.
LINES WRITTEN IN THE BAY OF LERICI.
LINES: ‘WE MEET NOT AS WE PARTED’.
THE ISLE.
FRAGMENT: TO THE MOON.
EPITAPH.
NOTE ON POEMS OF 1822, BY MRS. SHELLEY.
EARLY POEMS [1814, 1815].
STANZA, WRITTEN AT BRACKNELL.
STANZAS.—APRIL, 1814.
TO HARRIET.
TO MARY WOLLSTONECRAFT GODWIN.
TO —.
MUTABILITY.
ON DEATH.
A SUMMER EVENING CHURCHYARD.
TO —.
TO WORDSWORTH.
FEELINGS OF A REPUBLICAN ON THE FALL OF BONAPARTE.
LINES.
NOTE ON THE EARLY POEMS, BY MRS. SHELLEY.
HYMN TO INTELLECTUAL BEAUTY.
MONT BLANC.
CANCELLED PASSAGE OF MONT BLANC.
FRAGMENT: HOME.
FRAGMENT OF A GHOST STORY.
NOTE ON POEMS OF 1816, BY MRS. SHELLEY.
TO CONSTANTIA, SINGING.
STANZAS 1 AND 2.
FRAGMENT: TO ONE SINGING.
A FRAGMENT: TO MUSIC.
ANOTHER FRAGMENT: TO MUSIC.
‘MIGHTY EAGLE’.
TO THE LORD CHANCELLOR.
TO WILLIAM SHELLEY.
FROM THE ORIGINAL DRAFT OF THE POEM TO WILLIAM SHELLEY.
ON FANNY GODWIN.
LINES.
DEATH.
OTHO.
FRAGMENTS SUPPOSED TO BE PARTS OF OTHO.
‘O THAT A CHARIOT OF CLOUD WERE MINE’.
FRAGMENT: TO A FRIEND RELEASED FROM PRISON.
FRAGMENT: SATAN BROKEN LOOSE.
FRAGMENT: “IGNICULUS DESIDERII”.
FRAGMENT: “AMOR AETERNUS”.
FRAGMENT: THOUGHTS COME AND GO IN SOLITUDE.
A HATE-SONG.
LINES TO A CRITIC.
OZYMANDIAS.
NOTE ON POEMS OF 1817, BY MRS. SHELLEY.
PASSAGE OF THE APENNINES.
THE PAST.
TO MARY —.
ON A FADED VIOLET.
LINES WRITTEN AMONG THE EUGANEAN HILLS.
SCENE FROM ‘TASSO’.
SONG FOR ‘TASSO’.
INVOCATION TO MISERY.
STANZAS WRITTEN IN DEJECTION, NEAR NAPLES.
THE WOODMAN AND THE NIGHTINGALE.
SONNET.
FRAGMENT: TO BYRON.
FRAGMENT: APOSTROPHE TO SILENCE.
FRAGMENT: THE LAKE’S MARGIN.
FRAGMENT: ‘MY HEAD IS WILD WITH WEEPING’.
FRAGMENT: THE VINE-SHROUD.
NOTE ON POEMS OF 1818, BY MRS. SHELLEY.
SONG TO THE MEN OF ENGLAND.
SIMILES FOR TWO POLITICAL CHARACTERS OF 1819.
FRAGMENT: TO THE PEOPLE OF ENGLAND.
A NEW NATIONAL ANTHEM.
SONNET: ENGLAND IN 1819.
AN ODE, WRITTEN OCTOBER, 1819, BEFORE THE SPANIARDS HAD RECOVERED THEIR LIBERTY.
CANCELLED STANZA.
ODE TO HEAVEN.
CANCELLED FRAGMENTS OF THE ODE TO HEAVEN.
ODE TO THE WEST WIND.
AN EXHORTATION.
THE INDIAN SERENADE.
CANCELLED PASSAGE.
TO SOPHIA [MISS STACEY].
TO WILLIAM SHELLEY.
TO WILLIAM SHELLEY.
TO MARY SHELLEY.
TO MARY SHELLEY.
ON THE MEDUSA OF LEONARDO DA VINCI IN THE FLORENTINE GALLERY.
LOVE’S PHILOSOPHY.
FRAGMENT: ‘FOLLOW TO THE DEEP WOOD’S WEEDS’.
THE BIRTH OF PLEASURE.
FRAGMENT: LOVE THE UNIVERSE TO-DAY.
FRAGMENT: ‘A GENTLE STORY OF TWO LOVERS YOUNG’.
FRAGMENT: LOVE’S TENDER ATMOSPHERE.
FRAGMENT: WEDDED SOULS.
FRAGMENT: ‘IS IT THAT IN SOME BRIGHTER SPHERE’.
FRAGMENT: SUFFICIENT UNTO THE DAY.
FRAGMENT: ‘YE GENTLE VISITATIONS OF CALM THOUGHT’.
FRAGMENT: MUSIC AND SWEET POETRY.
FRAGMENT: THE SEPULCHRE OF MEMORY.
FRAGMENT: ‘WHEN A LOVER CLASPS HIS FAIREST’.
FRAGMENT: ‘WAKE THE SERPENT NOT’.
FRAGMENT: RAIN.
FRAGMENT: A TALE UNTOLD.
FRAGMENT: TO ITALY.
FRAGMENT: WINE OF THE FAIRIES.
FRAGMENT: A ROMAN’S CHAMBER.
FRAGMENT: ROME AND NATURE.
VARIATION OF THE SONG OF THE MOON.
CANCELLED STANZA OF THE MASK OF ANARCHY.
NOTE ON POEMS OF 1819, BY MRS. SHELLEY.
PART 1.
PART 2.
PART 3.
CANCELLED PASSAGE.
A VISION OF THE SEA.
THE CLOUD.
TO A SKYLARK.
ODE TO LIBERTY.
CANCELLED PASSAGE OF THE ODE TO LIBERTY.
TO —.
ARETHUSA.
SONG OF PROSERPINE WHILE GATHERING FLOWERS ON THE PLAIN OF ENNA.
HYMN OF APOLLO.
HYMN OF PAN.
THE QUESTION.
THE TWO SPIRITS: AN ALLEGORY.
ODE TO NAPLES.
AUTUMN: A DIRGE.
THE WANING MOON.
TO THE MOON.
DEATH.
LIBERTY.
SUMMER AND WINTER.
THE TOWER OF FAMINE.
AN ALLEGORY.
THE WORLD’S WANDERERS.
SONNET.
LINES TO A REVIEWER.
FRAGMENT OF A SATIRE ON SATIRE.
GOOD-NIGHT.
BUONA NOTTE.
ORPHEUS.
FIORDISPINA.
TIME LONG PAST.
FRAGMENT: THE DESERTS OF DIM SLEEP.
FRAGMENT: ‘THE VIEWLESS AND INVISIBLE CONSEQUENCE’.
FRAGMENT: A SERPENT-FACE.
FRAGMENT: DEATH IN LIFE.
FRAGMENT: ‘SUCH HOPE, AS IS THE SICK DESPAIR OF GOOD’.
FRAGMENT: ‘ALAS! THIS IS NOT WHAT I THOUGHT LIFE WAS’.
FRAGMENT: MILTON’S SPIRIT.
FRAGMENT: ‘UNRISEN SPLENDOUR OF THE BRIGHTEST SUN’.
FRAGMENT: PATER OMNIPOTENS.
FRAGMENT: TO THE MIND OF MAN.
NOTE ON POEMS OF 1820, BY MRS. SHELLEY.
TO NIGHT.
TIME.
LINES.
FROM THE ARABIC: AN IMITATION.
TO EMILIA VIVIANI.
THE FUGITIVES.
TO —.
SONG.
MUTABILITY.
LINES WRITTEN ON HEARING THE NEWS OF THE DEATH OF NAPOLEON.
SONNET: POLITICAL GREATNESS.
THE AZIOLA.
A LAMENT.
REMEMBRANCE.
TO EDWARD WILLIAMS.
TO —.
TO —.
A BRIDAL SONG.
EPITHALAMIUM.
ANOTHER VERSION OF THE SAME.
LOVE, HOPE, DESIRE, AND FEAR.
FRAGMENTS WRITTEN FOR HELLAS.
FRAGMENT: ‘I WOULD NOT BE A KING’.
GINEVRA.
EVENING: PONTE AL MARE, PISA
THE BOAT ON THE SERCHIO.
MUSIC.
SONNET TO BYRON.
FRAGMENT: ‘METHOUGHT I WAS A BILLOW IN THE CROWD’.
TO-MORROW.
STANZA.
FRAGMENT: A WANDERER.
FRAGMENT: LIFE ROUNDED WITH SLEEP.
FRAGMENT: ‘I FAINT, I PERISH WITH MY LOVE!‘.
FRAGMENT: THE LADY OF THE SOUTH.
FRAGMENT: ZEPHYRUS THE AWAKENER.
FRAGMENT: RAIN.
FRAGMENT: ‘WHEN SOFT WINDS AND SUNNY SKIES’.
FRAGMENT: ‘AND THAT I WALK THUS PROUDLY CROWNED’.
FRAGMENT: ‘THE RUDE WIND IS SINGING’.
FRAGMENT: ‘GREAT SPIRIT’.
FRAGMENT: ‘O THOU IMMORTAL DEITY’.
FRAGMENT: THE FALSE LAUREL AND THE TRUE.
FRAGMENT: MAY THE LIMNER.
FRAGMENT: BEAUTY’S HALO.
FRAGMENT: ‘THE DEATH KNELL IS RINGING’.
FRAGMENT: ‘I STOOD UPON A HEAVEN-CLEAVING TURRET’.
NOTE ON POEMS OF 1821, BY MRS. SHELLEY.
THE MAGNETIC LADY TO HER PATIENT.
LINES: ‘WHEN THE LAMP IS SHATTERED’.
TO JANE: THE INVITATION.
TO JANE: THE RECOLLECTION.
THE PINE FOREST OF THE CASCINE NEAR PISA.
WITH A GUITAR, TO JANE.
TO JANE: ‘THE KEEN STARS WERE TWINKLING’.
A DIRGE.
LINES WRITTEN IN THE BAY OF LERICI.
LINES: ‘WE MEET NOT AS WE PARTED’.
THE ISLE.
FRAGMENT: TO THE MOON.
EPITAPH.
NOTE ON POEMS OF 1822, BY MRS. SHELLEY.
THE COMPLETE
POETICAL WORKS
TRANSLATIONS.
HOMER’S HYMN TO CASTOR AND POLLUX.
HOMER’S HYMN TO THE MOON.
HOMER’S HYMN TO THE SUN.
HOMER’S HYMN TO THE EARTH: MOTHER OF ALL.
HOMER’S HYMN TO MINERVA.
HOMER’S HYMN TO VENUS.
FROM THE GREEK OF MOSCHUS.
FROM VERGIL’S TENTH ECLOGUE.
THE SAME.
FROM VERGIL’S FOURTH GEORGIC.
FRAGMENT: OMENS.
IN HOROLOGIUM.
A DIALOGUE.
TO THE MOONBEAM.
THE SOLITARY.
TO DEATH.
LOVE’S ROSE.
EYES: A FRAGMENT.
ORIGINAL POETRY BY VICTOR AND CAZIRE.
10. THE IRISHMAN’S SONG.
14. SAINT EDMOND’S EVE.
15. REVENGE.
WAR.
FRAGMENT: SUPPOSED TO BE AN EPITHALAMIUM OF FRANCIS RAVAILLAC AND CHARLOTTE CORDAY.
DESPAIR.
FRAGMENT.
THE SPECTRAL HORSEMAN.
MELODY TO A SCENE OF FORMER TIMES.
STANZA FROM A TRANSLATION OF THE MARSEILLAISE HYMN.
BIGOTRY’S VICTIM.
ON AN ICICLE THAT CLUNG TO THE GRASS OF A GRAVE.
LOVE.
ON A FETE AT CARLTON HOUSE: FRAGMENT.
TO A STAR.
A TALE OF SOCIETY AS IT IS: FROM FACTS, 1811.
TO THE REPUBLICANS OF NORTH AMERICA.
TO IRELAND.
ON ROBERT EMMET’S GRAVE.
THE RETROSPECT: CWM ELAN, 1812.
TO HARRIET.
THE DEVIL’S WALK.
ON LEAVING LONDON FOR WALES.
THE WANDERING JEW’S SOLILOQUY.
TO IANTHE.
SONG FROM THE WANDERING JEW.
FRAGMENT FROM THE WANDERING JEW.
TO THE QUEEN OF MY HEART.
INDEX OF FIRST LINES.
TRANSLATIONS.
HYMN TO MERCURY.
HOMER’S HYMN TO CASTOR AND POLLUX.
HOMER’S HYMN TO THE MOON.
HOMER’S HYMN TO THE SUN.
HOMER’S HYMN TO THE EARTH: MOTHER OF ALL.
HOMER’S HYMN TO MINERVA.
HOMER’S HYMN TO VENUS.
THE CYCLOPS.
EPIGRAMS.
1.—TO STELLA.
2.—KISSING HELENA.
3.—SPIRIT OF PLATO.
4.—CIRCUMSTANCE.
FRAGMENT OF THE ELEGY ON THE DEATH OF ADONIS.
FRAGMENT OF THE ELEGY ON THE DEATH OF BION.
FROM THE GREEK OF MOSCHUS.
FROM THE GREEK OF MOSCHUS.
PAN, ECHO, AND THE SATYR.
FROM THE GREEK OF MOSCHUS.
FROM VERGIL’S TENTH ECLOGUE.
THE SAME.
FROM VERGIL’S FOURTH GEORGIC.
SONNET.
THE FIRST CANZONE OF THE CONVITO.
MATILDA GATHERING FLOWERS.
FRAGMENT.
UGOLINO.
SONNET.
SCENES FROM THE MAGICO PRODIGIOSO.
SCENE 2.
SCENE 3.
STANZAS FROM CALDERON’S CISMA DE INGLATERRA.
SCENES FROM THE FAUST OF GOETHE.
SCENE 2.—MAY-DAY NIGHT.
QUEEN MAB.
TO HARRIET *****.
QUEEN MAB.
A DIALOGUE.
NOTE ON QUEEN MAB, BY MRS. SHELLEY.
FRAGMENT: OMENS.
EPITAPHIUM.
IN HOROLOGIUM.
A DIALOGUE.
TO THE MOONBEAM.
THE SOLITARY.
TO DEATH.
LOVE’S ROSE.
EYES: A FRAGMENT.
ORIGINAL POETRY BY VICTOR AND CAZIRE.
3. SONG.
4. SONG.
5. SONG.
DESPAIR.
6. SONG.
7. SONG.
8. SONG.
9. SONG.
10. THE IRISHMAN’S SONG.
11. SONG.
12. SONG.
13. SONG.
14. SAINT EDMOND’S EVE.
15. REVENGE.
16. GHASTA OR, THE AVENGING DEMON!!!
17. FRAGMENT, OR THE TRIUMPH OF CONSCIENCE.
POEMS FROM ST. IRVYNE, OR, THE ROSICRUCIAN.
1.—VICTORIA.
2.—ON THE DARK HEIGHT OF JURA.
3.—SISTER ROSA: A BALLAD.
4.—ST. IRVYNE’S TOWER.
5.—BEREAVEMENT.
6.—THE DROWNED LOVER.
POSTHUMOUS FRAGMENTS OF MARGARET MCHOLSON.
WAR.
FRAGMENT: SUPPOSED TO BE AN EPITHALAMIUM OF FRANCIS RAVAILLAC AND CHARLOTTE CORDAY.
DESPAIR.
FRAGMENT.
THE SPECTRAL HORSEMAN.
MELODY TO A SCENE OF FORMER TIMES.
STANZA FROM A TRANSLATION OF THE MARSEILLAISE HYMN.
BIGOTRY’S VICTIM.
ON AN ICICLE THAT CLUNG TO THE GRASS OF A GRAVE.
LOVE.
ON A FETE AT CARLTON HOUSE: FRAGMENT.
TO A STAR.
TO MARY WHO DIED IN THIS OPINION.
A TALE OF SOCIETY AS IT IS: FROM FACTS, 1811.
TO THE REPUBLICANS OF NORTH AMERICA.
TO IRELAND.
ON ROBERT EMMET’S GRAVE.
THE RETROSPECT: CWM ELAN, 1812.
FRAGMENT OF A SONNET.
TO HARRIET.
TO HARRIET.
SONNET.
SONNET.
THE DEVIL’S WALK.
FRAGMENT OF A SONNET.
ON LEAVING LONDON FOR WALES.
THE WANDERING JEW’S SOLILOQUY.
EVENING.
TO HARRIET.
TO IANTHE.
SONG FROM THE WANDERING JEW.
FRAGMENT FROM THE WANDERING JEW.
TO THE QUEEN OF MY HEART.
NOTES ON THE TEXT AND ITS PUNCTUATION.
ROSALIND AND HELEN.
JULIAN AND MADDALO.
PROMETHEUS UNBOUND.
THE CENCI.
THE MASK OF ANARCHY.
PETER BELL THE THIRD.
LETTER TO MARIA GISBORNE.
THE WITCH OF ATLAS.
EPIPSYCHIDION.
ADONAIS.
HELLAS.
CHARLES THE FIRST.
THE TRIUMPH OF LIFE.
QUEEN MAB.
A LIST OF THE PRINCIPAL EDITIONS OF SHELLEY’S POETICAL WORKS,
INDEX OF FIRST LINES.