You no longer count (Tu n'es plus rien!)

From the swoon into which the sudden, agonizing shock had thrown her, her soul escaped, shook itself free, as the mind shakes off a nightmare. There is first a sensation of relief from discomfort, then a cheering sense of safety, and one slips contentedly into a half-slumber. Then it all begins again, for one no longer believes that it answers to any reality.
Was she still asleep? Was it memory, was it imagination that unrolled before her vision pictures of the past which yet her musings had never till then evoked, and which suddenly presented themselves with annoying vividness? There were whisperings, murmuring voices in the next room. She was aware of them, yet to the unwonted sounds she paid no attention; the gentle, persistent pressure of an invisible hand turned back her thoughts to days gone by.
A hushed step upon the carpet, a finger questioning her pulse, no more disturbed her than the familiar cry of the huckster in the street. She did not wonder: What, am I ill? Are they anxious about me? Why am I in bed, in broad daylight, I so young, so unused to illness of any kind? She was recalling a certain time, days that seemed far remote, a period of her life that seemed to have been acted before her eyes, like a play in the theatre.
A summer month of one of the previous years. She saw again the last days in her suburban home, just outside of Paris, the sloping garden and the vista through the leafage over far-distant hills, splendid and ethereal. Every one was getting ready for the summer holiday; some of the men were going to the training-camps. What a world of talk! What discussions with friends who had been invited to the country for an afternoon of farewells! They were a world by themselves—young, alert, fond of pleasure, and of all things beautiful and adventurous, care-free, and charming. The oldest of the men was M. de la Villaumer, whose hair was beginning to turn gray, but who enjoyed himself only among kindly faces. Several were artists—musicians or painters. They loved the beautiful things of life and that life of the intellect which easily adapts itself to the beautiful. Love was king in their circle, a love rather kindly than passionate, whose ravages they had learned how to conceal. Yet many admirable couples were found among them. Odette Jacquelin and her husband were always cited as the most enamoured pair of the group. After them came Clotilde and George Avvogade, who cooed like turtle-doves, but were lovers only for a curtain-raiser, it used to be said. Rose Misson, whom they called good Rose, Simone de Prans, Germaine Le Gault, were all women who adored their husbands and asked for no other happiness, having no idea of anything else than happiness.