The Gallery

Aunt Matilda needed him desperately, but when he arrived she did not want him and neither did anyone else in his home town.
ILLUSTRATOR LLEWELLYN
I was in the midst of the fourth draft of my doctorate thesis when Aunt Matilda's telegram came. It could not have come at a worse time. The deadline for my thesis was four days away and there was a minimum of five days of hard work to do on it yet. I was working around the clock.
If it had been a telegram informing me of her death I could not have taken time out to attend the funeral. If it had been a telegram saying she was at death's door I'm very much afraid I would have had to call the hospital and order them to keep her alive a few days longer.
Instead, it was a tersely worded appeal. ARTHUR STOP COME AT ONCE STOP AM IN TERRIBLE TROUBLE STOP DO NOT PHONE STOP AUNT MATILDA.
So there was nothing else for me to do. I laid the telegram aside and kept on working on my thesis. That is not as heartless as it might seem. I simply could not imagine Aunt Matilda in terrible trouble. The end of the world I could imagine, but not Aunt Matilda in trouble.
Wherever he went Arthur felt the power behind the lens.
She was the classic flat-chested ageless spinster living alone in the midst of her dustless bric-a-brac and Spode in a frame house of the same vintage as herself at the edge of the classic small town of Sumac, near the southwest corner of Wisconsin. I had visited her for two days over a year ago, and she had looked exactly the same as she had when I stayed with her when I was six all summer, and there was no question but what she would some day attend my funeral when I died of old age, and she would still look the same as always.
There was no conceivable trouble of terrestrial origin that could touch her—or would want to. And, as it turned out, I was right in that respect.
I was right in another respect too. By finishing my thesis I became a Ph.D. on schedule, and if I had abandoned all that and rushed to Sumac the moment I received the telegram it could not have materially altered the outcome of things. And Aunt Matilda, hanging on the wall of my study, knitting things for the Red Cross, will attest to that.