The Medieval Latin Hymn
Ruth Ellis Messenger, Ph.D.
Te decet hymnus Deus in Sion
Psalm 65:1
CAPITAL PRESS 1731—14th St., N. W. WASHINGTON, D. C.
Copyright, 1953 by Ruth Ellis Messenger
ALL RIGHTS RESERVED LITHOGRAPHED IN THE UNITED STATES OF AMERICA
To J. Vincent Higginson
The purpose of this volume is to trace the history of the medieval Latin hymn from the point of view of usage. It must be evident to any student of a subject which is spread over a thousand years of human experience in the widening environment of an entire continent that a guiding thread is needed to show the way. One must not, at the same time, ignore the fact that a monumental religious literature in the poetic field is involved. But the hymn is functional, having its greatest significance as a lyric when employed in an act of worship. Latin hymnology, moreover, is an aspect of ecclesiastical studies following the history of the Church through the classical and medieval ages into modern times.
A wider cultural background than the immediate interest of theology and religion is reflected in the hymns of any age. Here often lie secrets of interpretation which make possible an appreciation of contemporary thought.
As the study of the medieval hymn is followed from the standpoint of life and usage, the antiquarian and the literary critic, who cannot fully satisfy the quest of the student for reality, must give place to the medieval worshiper himself who has revealed in its entirety each successive phase of a hymnological history not yet ended.
For information about the Christian hymn as it existed prior to the medieval era, the author’s Christian Hymns of the First Three Centuries, Paper IX , a publication of The Hymn Society of America, may be consulted. This account of primitive Christian hymnody, although pre-medieval, serves as an introduction to the subject matter of the present volume.
It is hoped that this brief study will have a modest part in opening up to the general reader a field which has never been fully explored in any language, especially English. An inclusive treatment is not offered here but one which represents the fruits of a generation of research.
Ruth Ellis Messenger
The Medieval Latin Hymn
Contents
Preface
I. The Early Hymn Writers
II. Metrical Forms
III. Hymns in Worship
IV. Themes
I. The Hymn Cycles
II. Mozarabic Contributions
III. Celtic Hymns
IV. Summary
I. Background of Carolingian Culture
II. The Later Hymnal
III. Characteristics
I. Origin
II. Sequences of the German School
I. Sequences of the French School
II. Later Hymns
III. Later Sequences
IV. Liturgical Collections
V. Influences affecting Hymnody
VI. Characteristics
I. Origins
II. Evolution in the Early Middle Ages
III. Evolution in the Later Middle Ages
I. Late Medieval Influence
II. Influence and Survival of Latin Hymns since the Middle Ages
Illustrative Hymns
Notes
Bibliography
I. Bibliographies
II. Collections and Indices
III. History and Authors of Latin Hymns
IV. Hymns and Liturgy
V. Hymns and Medieval Culture, especially Art, Drama, Literature and Music
Index
Index of Latin Hymns
General Index
Transcriber’s Notes