The Final Figure

Was it a wild talent that MacReedy had, or was it just prophetic genius that led him to figure out new, improved ordnance weapons and make models of them—before the armed forces had them? Whichever it was, MacReedy was both valuable and dangerous—and when the general saw MacReedy's final figure, the weapons following the mobile rocket A-missile launcher....
The General was in mufti. He stood briefly within the entrance of Models and Miniatures, Inc. , feeling a mild envy of the civilians who brushed past him, coming and going. They looked so easy, so relaxed, so casual in posture and dress. He was wistfully aware of the West Point ramrod that was his spine, the razor-edged bandbox neatness of his banker's grey suit, the Herbert Hoover four-squareness of his homburg, the stiff-symmetry of his dark-blue fore-in-hand.
He found compensation in visualizing some of these casual civilians in uniform—then shuddered, and moved on into the shop, poise and assurance restored.
Save for the display-counters and wall-cases, the shop was softly lighted. And although it was well filled with customers and lookers of all ages there was about it the hushed quality of a library—or a chapel. Even the children talked softly as they pointed at and discussed this 100-gauge English locomotive or that working jet-model of a Vought-Chance Cutlass . They were well-aware of being in sight of wish and dream-fulfillment.
He moved slowly toward the rear of the shop, past the glass counters that displayed gaily-painted models of carriages, coaches and early automobiles; past the fire-engines in red and gold; past the railroads; past the planes and past the tiny ships—from Phoenician galleys and Viking vessels with gaudily-decorative sails and shields to the latest bizarre-decked atomic aircraft carrier.
He stood in front of the miniature soldiers and, for a happy moment, recaptured the glamour of parades and gay uniforms that had beckoned him into a career whose color and band-music had long since been worn off by the nerve-wracking tragedy of battle and the endless ulcerating paper-work of peace.