The Latin Hymn-writers and Their Hymns
BY THE LATE SAMUEL WILLOUGHBY DUFFIELD, Author of “The Heavenly Land,” “Warp and Woof,” “The Burial of the Dead,” and “English Hymns: Their Authors and History.”
EDITED AND COMPLETED BY PROF. R. E. THOMPSON, D.D., Of the University of Pennsylvania.
“Et semper in hunc studiorum quare munitissimum portum ex hujus temporis tempestatibus lubenter confugissem.”—H. A. Daniel.
“In diesem Sinne betrachte ich diese, uns von der Vorzeit überlieferten ehrwürdigen und erhabenen Kirchlichen Dichtungen als ein geistiges Gemeingut.”—G. A. Konigsfeld.
Entered, according to Act of Congress, in the year 1889, by FUNK & WAGNALLS, In the Office of the Librarian of Congress at Washington, D. C.
Some months before the death of my true hearted friend, Rev. S. W. Duffield, he wrote to express his wish that I should complete this work, if he did not live to finish it. As I was not aware how grave, and even hopeless, was his illness, I did not feel that I was undertaking a serious responsibility in assenting to his wish. But his untimely death brought to me the duty of discharging a wish which “the emphasis of death” made imperative.
In our conferences over the book and its subject, which we had had for three years past, I had come to appreciate Mr. Duffield’s ideas as to its form and content, and read with much interest his preliminary studies in the Christian Intelligencer , the Sunday-School Times , and the New Englander . On coming into possession of his manuscript and notes, I found that the greater part of the book had been carried almost to the point of readiness for the printer, although several chapters had not been written and all needed careful revision.
I have revised throughout the chapters Mr. Duffield left, but in doing so I have been embarrassed by the very vitality and personal quality in Mr. Duffield’s style. He reminds one of what Archdeacon Hare says of the freshness and living force in a page of Luther’s. This has constrained me to leave intact many a phrase or expression I should not have used, but which was natural and even inevitable in him. It is my hope that I have not sacrificed this admirable quality of his writing to any pedantry of judgment.
Samuel Willoughby Duffield
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TABLE OF CONTENTS
EDITOR’S PREFACE.
INTRODUCTION.
I.
II.
III.
IV.
V.
DEUS CREATOR OMNIUM.
SPLENDOR PATERNAE GLORIAE.
HIC EST DIES VERUS DEI.
O LUX BEATA TRINITAS.
“VEXILLA REGIS PRODEUNT.”
VENI, CREATOR SPIRITUS.
THE ANTIDOTE OF ST. AUGUSTINE AGAINST THE TYRANNY OF SIN.
UPON HIS EXILE.
ON THE RESURRECTION OF OUR LORD.
VERBUM DEI, DEO NATUM.
SIMPLEX IN ESSENTIA.
ZYMA VETUS EXPURGETUR.
PLAUSU CHORUS LAETEBUNDE.
THE VANITY OF EARTH.
O DEUS, EGO AMO TE.
JAM LUCIS ORTO SIDERE.
ECCE JAM NOCTIS TENUATUR UMBRA.
COELESTIS URBS JERUSALEM.
CUR RELINQUIS, DEUS, COELUM.
QUA STELLA SOLE PULCHRIOR.
LABENTE JAM SOLIS.
O LUCE QUAE TUA LATES.
ADESTE COELITUM CHORI.
URBS BEATA, VERA PACIS.
CHRISTE QUI LUX ET DIES.
TELLURIS INGENS CONDITOR.
TO THE HOLY SPIRIT.
TRINITAS, UNITAS, DEITAS.
UNDE PLANCTUS ET LAMENTUM.
PUER NATUS IN BETHLEHEM.
CUM ME TENENT FALLACIA.
SIT IGNIS ATQUE LUX MIHI.
ALTITUDO, QUID HIC JACES?
PLAUDITE COELI!
APPENDIX.
BERNARDI MORLANENSIS DE VANITATE MUNDI ET APPETITU AETERNAE VITAE, LIBELLUS AUREOLUS.
GAUDE: CUR GAUDEAS VIDE.
APPENDIX III.
THE FOUR CRAZED BROTHERS.
FOOTNOTES
GENERAL INDEX.
INDEX TO LATIN HYMNS QUOTED OR MENTIONED.
Notes to the Electronic Edition