Bacon is Shake-Speare / Together with a Reprint of Bacon's Promus of Formularies and Elegancies
The plays known as Shakespeare's are at the present time universally acknowledged to be the Greatest birth of time, the grandest production of the human mind. Their author also is generally recognised as the greatest genius of all the ages. The more the marvellous plays are studied, the more wonderful they are seen to be.
Classical scholars are amazed at the prodigious amount of knowledge of classical lore which they display. Lawyers declare that their author must take rank among the greatest of lawyers, and must have been learned not only in the theory of law, but also intimately acquainted with its forensic practice. In like manner, travellers feel certain that the author must have visited the foreign cities and countries which he so minutely and graphically describes.
It is true that at a dark period for English literature certain critics denied the possibility of Bohemia being accurately described as by the sea, and pointed out the manifest absurdity of speaking of the port at Milan; but a wider knowledge of the actual facts has vindicated the author at the expense of his unfortunate critics. It is the same with respect to other matters referred to in the plays. The expert possessing special knowledge of any subject invariably discovers that the plays shew that their author was well acquainted with almost all that was known at the time about that particular subject.
And the knowledge is so extensive and so varied that it is not too much to say that there is not a single living man capable of perceiving half of the learning involved in the production of the plays. One of the greatest students of law publicly declared, while he was editor of the Law Times , that although he thought that he knew something of law, yet he was not ashamed to confess that he had not sufficient legal knowledge or mental capacity to enable him to fully comprehend a quarter of the law contained in the plays.
Of course, men of small learning, who know very little of classics and still less of law, do not experience any of these difficulties, because they are not able to perceive how great is the vast store of learning exhibited in the plays.
Sir Edwin Durning-Lawrence
BACON IS SHAKE-SPEARE
AND
PROMUS OF FOURMES AND ELEGANCYES BY FRANCIS BACON
TO THE READER
EDWIN DURNING-LAWRENCE.
BACON IS SHAKESPEARE.
CHAPTER II. — The Shackspere Monument, Bust, and Portrait.
CHAPTER III. — The so-called "Signatures."
CHAPTER IV. — Contemporary Allusions to Shackspere.
CHAPTER V. — "The Return from Parnassus" and "Ratsei's Ghost."
CHAPTER VI. — Shackspere's Correspondence!
CHAPTER VII. — Bacon acknowledged to be a Poet.
CHAPTER VIII. — The Author revealed in the Sonnets.
CHAPTER IX. — Mr. Sidney Lee and the Stratford Bust.
CHAPTER X — Bacon is Shakespeare.
CHAPTER XI.— On the revealing page 136 in "Loves Labour's lost."
CHAPTER XII. — The "Householder of Stratford."
CHAPTER XIII.— Conclusion, with further evidences from title pages.
CHAPTER XIV. — Postscriptum.
CHAPTER XV. — APPENDIX.
ADDENDA ET CORRIGENDA.
PROMUS OF FOURMES AND ELEGANCYES BY FRANCIS BACON.
PREFACE TO PROMUS
FOOTNOTES.