The Red and the Black: A Chronicle of 1830
Some slight sketch of the life and character of Stendhal is particularly necessary to an understanding of Le Rouge et Le Noir ( The Red and the Black ) not so much as being the formal stuffing of which introductions are made, but because the book as a book stands in the most intimate relation to the author’s life and character. The hero, Julien, is no doubt, viewed superficially, a cad, a scoundrel, an assassin, albeit a person who will alternate the moist eye of the sentimentalist with the ferocious grin of the beast of prey. But Stendhal so far from putting forward any excuses makes a specific point of wallowing defiantly in his own alleged wickedness. “Even assuming that Julien is a villain and that it is my portrait,” he wrote shortly after the publication of the book, “why quarrel with me. In the time of the Emperor, Julien would have passed for a very honest man. I lived in the time of the Emperor. So—but what does it matter?”
Henri Beyle was born in 1783 in Grenoble in Dauphiny, the son of a royalist lawyer, situated on the borderland between the gentry and that bourgeoisie which our author was subsequently to chastise with that malice peculiar to those who spring themselves from the class which they despise. The boy’s character was a compound of sensibility and hard rebelliousness, virility and introspection. Orphaned of his mother at the age of seven, hated by his father and unpopular with his schoolmates, he spent the orthodox unhappy childhood of the artistic temperament. Winning a scholarship at the Ecole Polytechnique at the age of sixteen he proceeded to Paris, where with characteristic independence he refused to attend the college classes and set himself to study privately in his solitary rooms.
In 1800 the influence of his relative M. Daru procured him a commission in the French Army, and the Marengo campaign gave him an opportunity of practising that Napoleonic worship to which throughout his life he remained consistently faithful, for the operation of the philosophical materialism of the French sceptics on an essentially logical and mathematical mind soon swept away all competing claimants for his religious adoration. Almost from his childhood, moreover, he had abominated the Jesuits, and “Papism is the source of all crimes,” was throughout his life one of his favourite maxims.
Stendhal
THE RED AND THE BLACK
A Chronicle of 1830
STENDHAL
THE RED AND THE BLACK
A SMALL TOWN
A MAYOR
THE POOR FUND
A FATHER AND A SON
A NEGOTIATION
ENNUI
THE ELECTIVE AFFINITIES
LITTLE EPISODES
AN EVENING IN THE COUNTRY
A GREAT HEART AND A SMALL FORTUNE
AN EVENING
A JOURNEY
THE OPEN WORK STOCKINGS
THE ENGLISH SCISSORS
THE COCK’S SONG
THE DAY AFTER
THE FIRST DEPUTY
A KING AT VERRIÈRES
THINKING PRODUCES SUFFERING
ANONYMOUS LETTERS
DIALOGUE WITH A MASTER
MANNERS OF PROCEDURE IN 1830
SORROWS OF AN OFFICIAL
A CAPITAL
THE SEMINARY
THE WORLD, OR WHAT THE RICH LACK
FIRST EXPERIENCE OF LIFE
A PROCESSION
THE FIRST PROMOTION
AN AMBITIOUS MAN
THE PLEASURES OF THE COUNTRY
ENTRY INTO SOCIETY
THE FIRST STEPS
THE HÔTEL DE LA MOLE
SENSIBILITY AND A GREAT PIOUS LADY
PRONUNCIATION
AN ATTACK OF GOUT
WHAT IS THE DECORATION WHICH CONFERS DISTINCTION?
THE BALL
QUEEN MARGUERITE
A YOUNG GIRL’S DOMINION
IS HE A DANTON?
A PLOT
A YOUNG GIRL’S THOUGHTS
IS IT A PLOT?
ONE O’CLOCK IN THE MORNING
AN OLD SWORD
CRUEL MOMENTS
THE OPERA BOUFFE
THE JAPANESE VASE
THE SECRET NOTE
THE DISCUSSION
THE CLERGY, THE FORESTS, LIBERTY
STRASBOURG
THE MINISTRY OF VIRTUE
MORAL LOVE
THE FINEST PLACES IN THE CHURCH
MANON LESCAUT
ENNUI
A BOX AT THE BOUFFES
FRIGHTEN HER
THE TIGER
THE HELL OF WEAKNESS
A MAN OF INTELLECT
A STORM
SAD DETAILS
A TURRET
A POWERFUL MAN
THE INTRIGUE
TRANQUILITY
THE TRIAL