The Westerners
THE WESTERNERS
Stewart Edward White
NEW YORK GROSSET & DUNLAP
Copyright, 1900 and 1901, by STEWART EDWARD WHITE THE COUNTRY LIFE PRESS, GARDEN CITY, NEW YORK
CONTENTS
ILLUSTRATIONS
A tourist of to-day, peering from the window of his vestibule train at the electric-lit vision of Three Rivers, as it stars the banks of the Missouri like a constellation against the blackness of the night, would never recognize, in the trim little modern town, the old Three Rivers of the early seventies.
To restore the latter, he should first of all sweep the ground bare of the buildings which now adorn it, leaving, perhaps, here and there an isolated old shanty of boards far advanced toward dissolution. He would be called upon to substitute, in place of the brick stores and dwellings of to-day, a motley collection of lean-tos, dug-outs, tents, and shacks, scattered broadcast over the virgin prairie without the slightest semblance of order. Where the Oriole furniture factory now stands, he must be prepared to see—and hear—a great drove of horses and oxen feeding on bottom-land grass. And for the latter-day citizens, whose police record is so discouraging to the ambitious chief, and so creditable to themselves, he must imagine a multitude more heterogeneous, perhaps, than could be gathered anywhere else in the world—tenderfeet from the East; mountaineers from Tennessee and Kentucky, bearing their historic long pea rifles; soft-voiced Virginians; keen, alert woodsmen from the North; wiry, silent trappers and scouts from the West; and here and there a straight Indian, stalking solemnly toward some one of the numerous whiskey joints. The court-house site he would find crowded with canvas wagons, noisy with the shrill calling of women and children. Where Judge Oglethorpe has recently erected his stone mansion, Frank Byers would be running a well-patronized saloon. Were he to complete the picture by placing himself mentally at the exact period of our story's opening, he would find the whole town, if such it might be called, seething, turbulent, eager, and—it must be confessed—ready for trouble.
Stewart Edward White
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"SHE'S MY GIRL!"
I
THE HALF-BREED
II
THE WOMAN
III
THE MAN WHO STOOD "99"
IV
ALFRED USES HIS SIX-SHOOTER
V
LAFOND DESERTS
A SIOUX COUNCIL
VI
THE WOMAN AND THE MAN
VII
THE REINS OF POWER
VIII
THE MAKING OF A HOSTILE
IX
THE BROTHER OF GODS
THAT BABY CRY, "MAMA!"
X
THE PRICE OF A CLAIM
XI
THE BEGINNING OF LAFOND'S REVENGE
XII
THE LEOPARD AND HIS SPOTS
XIII
THE DISSOLVING VIEW
"COME ACROSS, OR I'LL..."
XIV
INTO THE SHADOW OF THE HILLS
XV
IN WHICH CHEYENNE HARRY LOSES HIS PISTOL
XVI
AND GETS IT BACK AGAIN
"WATCH ME HIT THAT SQUIRREL!"
XVII
BLACK MIKE MEETS AN OLD ACQUAINTANCE AND STARTS A COLLECTION
XVIII
TIRED WINGS
XIX
THE BROAD WHITE ROAD
XX
THE EATING OF THE APPLE
XXI
LAFOND MAKES A FRIEND
XXII
IN WHICH THE TENDERFEET CONDUCT A SHOOTING MATCH AND GLORIFY PETER
JIM PUT UP A GOOD FIGHT.
XXIII
A FOOL FOR LUCK
XXIV
BILLY STARTS IN ON HIS FIFTY THOUSAND
XXV
JACK GRAHAM SPEAKS OUT
XXVI
AND HAS TO GO TO WORK
XXVII
PROSPERITY
XXVIII
LAFOND GOES EAST
XXIX
BISMARCK ANNE ARRIVES
XXX
ANCESTRAL VOICES
"ARE YOU STILL MAD?"
XXXI
LAFOND'S FIRST CARD
XXXII
IN WHICH THERE IS SOME SHOOTING
XXXIII
FUTILITY
XXXIV
LOVE'S EYES UNBANDAGED
XXXV
OUT OF THE PAST
XXXVI
UNDER THE ETERNAL STARS
"MY LITTLE MOLLY," HE CHOKED.
XXXVII
ASHES