Chronicle of the Cid

Produced by Charles Aldarondo, Tiffany Vergon, Marvin A.
Hodges, Charles Franks, and the Online Distributed Proofreading Team
Translated from the Spanish
Robert Southey's Chronicle of the Cid is all translation from the Spanish, but is not translation from a single book. Its groundwork is that part of the Crónica General de España , the most ancient of the Prose Chronicles of Spain, in which adventures of the Cid are fully told. This old Chronicle was compiled in the reign of Alfonso the Wise, who was learned in the exact science of his time, and also a troubadour. Alfonso reigned between the years 1252 and 1284, and the Chronicle was written by the King himself, or under his immediate direction. It is in four parts. The first part extends from the Creation of the World to the occupation of Spain by the Visigoths, and is dull; the second part tells of the Goths in Spain and of the conquest of Spain by the Moors, and is less dull; the third part brings down the story of the nation to the reign of Ferdinand the Great, early in the eleventh century; and the fourth part continues it to the date of the accession of Alfonso himself in the year 1252. These latter parts are full of interest. Though in prose, they are based by a poet on heroic songs and national traditions of the struggle with the Moors, and the fourth part opens with an elaborate setting forth of the history of the great hero of mediaeval Spain, the Cid Campeador. The Cid is the King Arthur, or the Roland, of the Spaniards, less mythical, but not less interesting, with incidents of a real life seen through the warm haze of Southern imagination. King Alfonso, in his Chronicle, transformed ballads and fables of the Cid into a prose digest that was looked upon as history. Robert Southey translated this very distinct section of the Chronicle, not from the Crónica General itself, but from the Chronica del Cid , which, with small variation, was extracted from it, being one in substance with the history of the Cid in the fourth part of the General Chronicle, and he has enriched it. This he has done by going himself also to the Poem of the Cid and to the Ballads of the Cid, for incidents, descriptions, and turns of thought, to weave into the texture of the old prose Chronicle, brightening its tints, and adding new life to its scenes of Spanish chivalry.