English Prose / A Series of Related Essays for the Discussion and Practice of the Art of Writing

Produced by John Hagerson, Kevin Handy, Gene Smethers and PG Distributed
Proofreaders
1913
The selections in the present volume, designed primarily for the discussion and practice in college classes of the art of composition, have been arranged under a scheme which the editors believe to be new. There are nine related groups. Each successive group represents a different phase of life, beginning with character and personality, and concluding with art and literature. The whole together, as the table of contents will show, thus presents a body of ideas that includes practically all the great departments of human thought and interest.
It is evident that certain ideals of teaching composition underlie the scheme. The editors believe heartily with Pater that the chief stimulus of good style is to possess a full, rich, complex matter to grapple with . Instruction in writing, it is to be feared, too often neglects this sound doctrine and places an emphasis upon formal matters that seems disproportionate, especially when form is made to appear as a thing apart. Form and content go together and one must not suffer at the expense of the other. But a sustained interest in the ways and means of correct expression is aroused only when the student feels that he has something to express. Instructors often contend indeed that the ideas of undergraduates are far to seek, and that most of the time in the class-room is therefore best spent upon formal exercises and drill. The editors do not share this view. They believe that there is no class of people more responsive to new ideas and impressions than college students, and none more eager, when normally stimulated, to express themselves in writing. They have therefore aimed to present a series of related selections that would arouse thought and provoke oral discussion in the class-room, as well as furnish suitable models of style. In most cases the pieces are too long to be adequately handled in one class hour. A live topic may well be discussed for several hours, until its various sides have been examined and students are awakened to the many questions at issue. The editors have aimed, also, to supply selections so rich and vital in content that instructors themselves will feel challenged to add to the class discussion from their own knowledge and experience, and so turn a stream of fresh ideas upon stock notions . Thus English composition, which in many courses in our larger institutions is now almost the only non-special study, can be made a direct means of liberalization in the meaning and art of life, as well as an instrument for correct and effective writing.