Specimens with Memoirs of the Less-known British Poets, Volume 1

Produced by Jonathan Ingram, Marc D'Hooghe and the PG
Online Distributed Proofreaders

With an Introductory Essay,

We propose to introduce our 'Specimens' by a short Essay on the Origin and Progress of English Poetry on to the days of Chaucer and of Gower. Having called, in conjunction with many other critics, Chaucer 'the Father of English Poetry,' to seek to go back further may seem like pursuing antenatal researches. But while Chaucer was the sun, a certain glimmering dawn had gone before him, and to reflect that, is the object of the following pages.
Britain, when the Romans invaded it, was a barbarous country; and although subjugated and long held by that people, they seem to have left it nearly as uncultivated and illiterate as they found it. 'No magnificent remains,' says Macaulay, 'of Latian porches and aqueducts are to be found in Britain. No writer of British birth is to be reckoned among the masters of Latin poetry and eloquence. It is not probable that the islanders were, at any time, generally familiar with the tongue of their Italian rulers. From the Atlantic to the vicinity of the Rhine the Latin has, during many centuries, been predominant. It drove out the Celtic—it was not driven out by the Teutonic—and it is at this day the basis of the French, Spanish, and Portuguese languages. In our island the Latin appears never to have superseded the old Gaelic speech, and could not stand its ground before the German.' It was in the fifth century that that modification of the German or Teutonic speech called the Anglo-Saxon was introduced into this country. It soon asserted its superiority over the British tongue, which seemed to retreat before it, reluctantly and proudly, like a lion, into the mountain-fastnesses of Wales or to the rocky sea-beach of Cornwall. The triumph was not completed all at once, but from the beginning it was secure. The bards of Wales continued to sing, but their strains resembled the mutterings of thunder among their own hills, only half heard in the distant valleys, and exciting neither curiosity nor awe. For five centuries, with the exception of some Latin words added by the preachers of Christianity, the Anglo-Saxon language continued much as it was when first introduced. Barbarous as the manners of the people were, literature was by no means left without a witness. Its chief cultivators were the monks and other religious persons, who spent their leisure in multiplying books, either by original composition or by transcription, including treatises on theology, historical chronicles, and a great abundance and variety of poetical productions. These were written at first exclusively in Latin, but occasionally, in process of time, in the Anglo- Saxon tongue. The theology taught in them was, no doubt, crude and corrupted, the history was stuffed with fables, and the poetry was rough and bald in the extreme; but still they furnished a food fitted for the awakening mind of the age. When the Christian religion reached Great Britain, it brought necessarily with it an impulse to intellect as well as to morality. So startling are the facts it relates, so broad and deep the principles it lays down, so humane the spirit it inculcates, and so ravishing the hopes it awakens, that, however disguised in superstition and clouded by imperfect representation, it never fails to produce, in all countries to which it comes, a resurrection of the nation's virtue, and a revival, for a time at least, of the nation's political and intellectual energy and genius. Hence we find the very earliest literary names in our early annals are those of Christian missionaries. Such is said to have been Gildas, a Briton, who lived in the first part of the sixth century, and is the reputed author of a short history of Britain in Latin. Such was the still more apocryphal Nennius, also called, till of late, the writer of a small Latin historical work. Such was St Columbanus, who was born in Ireland in 560; became a monk in the Irish monastery of Benchor; and afterwards, at the head of twelve disciples, preached Christianity, in its most ascetic form, in England and in France; founded in the latter country various monasteries; and, when banished by Queen Brunehaut on account of his stern inflexibility of character, went to Switzerland, and then to Lombardy, proselytising the heathen, and defending, by his letters and other writings, the peculiar tenets of the Irish Church in reference to the time of the celebration of Easter and to the popular heresies of the day. He died October 2, 615, in the monastery of Bobbio; and his religious treatises and Latin poetry gave an undoubted impulse to the age's progress in letters.

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SPECIMENS WITH MEMOIRS OF THE LESS-KNOWN BRITISH POETS.


INTRODUCTORY ESSAY


THE SPOUTS AND SOLEMNITIES WHICH FOLLOWED KING ARTHUR'S CORONATION.


AN OLD TRADITION.


ARTHUR'S INTRIGUE WITH YGERNE.


THE PROLOGUE.


KING VORTIGERN'S MEETING WITH PRINCESS KODWEN.


THE ATTACK OF RICHARD I. ON A CASTLE HELD BY THE SARACENS.


THE SOLDAN SALADIN SENDS KING RICHARD A HORSE.


DEGORE AND THE DRAGON.


A BATTLE


HUMAN LIFE.


ALLEGORICAL PICTURES.


COVETOUSNESS.


THE PRELATES.


MERCY AND TRUTH.


I.


II.


III.


IV.


V.


VI.


ADVERTISEMENT.


CONTENTS.


SECOND PERIOD.


SPECIMENS, WITH MEMOIRS, OF THE LESS-KNOWN BRITISH POETS.


JOHN GOWER


THE CHARIOT OF THE SUN.


OF THE GRATIFICATION WHICH THE LOVERS PASSION RECEIVES FROM THE SENSE OF HEARING.


JOHN BARBOUR.


APOSTROPHE TO FREEDOM.


DEATH OF SIR HENRY DE BOHUN.


ANDREW WYNTOUN.


BLIND HARRY.


BATTLE OF BLACK-EARNSIDE.


THE DEATH OF WALLACE.


JAMES I. OF SCOTLAND.


THE KING THUS DESCRIBES THE APPEARANCE OF HIS MISTRESS, WHEN HE FIRST SAW HER FROM A WINDOW OF HIS PRISON AT WINDSOR.


JOHN THE CHAPLAIN—THOMAS OCCLEVE.


JOHN LYDGATE.


CANACE, CONDEMNED TO DEATH BY HER FATHER AEOLUS, SENDS TO HER GUILTY BROTHER MACAREUS THE LAST TESTIMONY OF HER UNHAPPY PASSION.


THE LONDON LYCKPENNY.


DINNER GIVEN BY THE TOWN MOUSE TO THE COUNTRY MOUSE.


[FROM THE MORAL.]


THE GARMENT OF GOOD LADIES.


WILLIAM DUNBAR


THE DANCE OF THE SEVEN DEADLY SINS THROUGH HELL.


I.


III.


IV.


V.


VI.


VII.


VIII.


THE MERLE AND NIGHTINGALE.


GAVIN DOUGLAS.


MORNING IN MAY.


SKELTON.


TO MISTRESS MARGARET HUSSEY.


SIR DAVID LYNDSAY.


MELDRUM'S DUEL WITH THE ENGLISH CHAMPION TALBART.


SUPPLICATION IN CONTEMPTION OF SIDE TAILS,[1] (1538.)


THOMAS TUSSER.


DIRECTIONS FOR CULTIVATING A HOP-GARDEN.


HOUSEWIFELY PHYSIC.


MORAL REFLECTIONS ON THE WIND.


GEORGE GASCOIGNE.


GOOD-MORROW.


GOOD-NIGHT.


THOMAS SACKVILLE, LORD BUCKHURST AND EARL OF DORSET.


ALLEGORICAL CHARACTERS FROM THE MIRROR FOR MAGISTRATES.


HENRY DUKE OP BUCKINGHAM IN THE INFERNAL REGIONS.


JOHN HARRINGTON.


SONNET ON ISABELLA MARKHAM,


VERSES ON A MOST STONY-HEARTED MAIDEN WHO DID SORELY BEGUILE THE NOBLE KNIGHT, MY TRUE FRIEND.


I.


II.


III.


IV.


V.


SIR PHILIP SIDNEY.


TO SLEEP.


SONNETS.


I.


II.


III.


IV.


V.


VI.


ROBERT SOUTHWELL.


LOOK HOME.


THE IMAGE OF DEATH.


LOVE'S SERVILE LOT.


TIMES GO BY TURNS.


THOMAS WATSON.


THE NYMPHS TO THEIR MAY-QUEEN.


SONNET.


THOMAS TURBERVILLE.


IN PRAISE OP THE RENOWNED LADY ANNE, COUNTESS OF WARWICK.


HARPALUS' COMPLAINT OF PHILLIDA'S LOVE BESTOWED ON CORIN, WHO LOVED HER NOT, AND DENIED HIM THAT LOVED HER.


A PRAISE OF HIS LADY.


THAT ALL THINGS SOMETIME FIND EASE OF THEIR PAIN, SAVE ONLY THE LOVER.


FROM 'THE PHOENIX' NEST.'


FROM THE SAME.


THE SOUL'S ERRAND.


SECOND PERIOD.


FRANCIS BEAUMONT.


TO BEN JONSON.


ON THE TOMBS IN WESTMINSTER.


AN EPITAPH.


SIR WALTER RALEIGH.


THE COUNTRY'S RECREATIONS.


THE SILENT LOVER.


A VISION UPON 'THE FAIRY QUEEN.'


LOVE ADMITS NO RIVAL.


JOSHUA SYLVESTER.


TO RELIGION.


ON MAN'S RESEMBLANCE TO GOD. (FROM DU BARTAS.)


THE CHARIOT OF THE SUN.


RICHARD BARNFIELD.


ADDRESS TO THE NIGHTINGALE.


ALEXANDER HUME.


THANKS FOR A SUMMER'S DAY.


OTHER SCOTTISH POETS.


SAMUEL DANIEL.


RICHARD II., THE MORNING BEFORE HIS MURDER IN POMFRET CASTLE.


EARLY LOVE.


SELECTIONS FROM SONNETS.


SIR JOHN DAVIES.


INTRODUCTION TO THE POEM ON THE SOUL OF MAN.


THE SELF-SUBSISTENCE OF THE SOUL.


SPIRITUALITY OF THE SOUL.


GILES FLETCHER.


THE NATIVITY.


I.


II.


IV.


V.


VI.


VII.


VIII.


SONG OF SORCERESS SEEKING TO TEMPT CHRIST.


CLOSE OF 'CHRIST'S VICTORY AND TRIUMPH.'


II.


III.


IV.


V.


VI.


VII.


VIII.


JOHN DONNE.


HOLY SONNETS.


I.


II.


III.


IV.


V.


VI.


VII.


VIII.


THE PROGRESS OF THE SOUL.


I.


IV.


V.


VI.


VII.


VIII.


MICHAEL DRAYTON,


DESCRIPTION OF MORNING.


EDWARD FAIRFAX.


RINALDO AT MOUNT OLIVET.


SIR HENRY WOTTON


FAREWELL TO THE VANITIES OF THE WORLD.


A MEDITATION.


RICHARD CORBET.


DR CORBET'S JOURNEY INTO FRANCE.


FAREWELL TO THE FAIRIES.


BEN JONSON.


EPITAPH ON THE COUNTESS OF PEMBROKE.


THE PICTURE OF THE BODY.


TO PENSHURST.


TO THE MEMORY OF MY BELOVED MASTER, WILLIAM SHAKSPEARE, AND WHAT HE HATH LEFT US.


ON THE PORTRAIT OF SHAKSPEARE.


THOMAS RANDOLPH.


THE PRAISE OF WOMAN.


TO MY PICTURE.


TO A LADY ADMIRING HERSELF IN A LOOKING-GLASS.


ROBERT BURTON.


ON MELANCHOLY.


THOMAS CAREW.


PERSUASIONS TO LOVE.


SONG.


TO MY MISTRESS SITTING BY A RIVER'S SIDE.


SONG.


A PASTORAL DIALOGUE.


SONG.


SIR JOHN SUCKLING.


SONG.


A BALLAD UPON A WEDDING.


SONG.


WILLIAM CARTWRIGHT.


LOVE'S DARTS.


ON THE DEATH OF SIR BEVIL GRENVILLE.


A VALEDICTION.


WILLIAM BROWNE.


SONG.


SONG.


POWER OF GENIUS OVER ENVY.


EVENING.


FROM 'BRITANNIA'S PASTORALS.'


A DESCRIPTIVE SKETCH.


WILLIAM ALEXANDER, EARL OF STIRLING.


SONNET.


WILLIAM DRUMMOND.


THE RIVER OF FORTH FEASTING.


SONNETS.


I.


II.


III.


IV.


V.


VI.


SPIRITUAL POEMS.


I.


II.


III.


IV.


V.


PHINEAS FLETCHER


DESCRIPTION OF PARTHENIA.


INSTABILITY OF HUMAN GREATNESS.


HAPPINESS OF THE SHEPHERD'S LIFE.


MARRIAGE OF CHRIST AND THE CHURCH.


END OF VOL. I.

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Язык

Английский

Год издания

2006-01-01

Темы

English poetry

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