The Year's at the Spring: An Anthology of Recent Poetry
AND I SHALL HAVE SOME PEACE THERE, FOR PEACE COMES DROPPING SLOW
The best poetry is always about the earth itself and all the strange and lovely things that compose and inhabit it. When a 'great poet' sets himself the task of some 'big theme' he needs only to hold, as it were, a magnifying glass to the earth. We who are born and live here like very much to imagine other worlds, and we have even mentally constructed such another in which to exist after dying on this one; but we were careful to make it a glorified version of our own earth, with everything we most love here intensified and improved to the utmost stretch of human imagination.
To each man his 'best poetry' is that which he is able most to enjoy. The first object of poetry is to give pleasure. Pleasure is various, but it cannot exist where the emotions or the imagination have not been powerfully stirred. Whether it be called sensual or intellectual, pleasure cannot be willed. It is impossible to feel happy because one wants to feel happy, or sad because one wishes to feel sad. But such bodily or mental conditions may be induced from outside through a natural agency such as poetry, or music.
Now those dreary people who would maintain that poetry should deal (some say exclusively) with what they call 'big themes,' or 'the larger life', are merely advocating more use of the magnifying glass as against intensive cultivation of the natural eye. The poet is essentially he who examines carefully, and learns to know fully, every detail of common life. He seeks to name in a variety of manners, and to define, the objects about him, to compare them with other objects, near or remote, and to find, for the mere sake of enjoyment, wonderful varieties of description and comparison. When he imagines better places than his earth, or invents gods, the impersonation and combination of the fortunate qualities in man, he is then using the magnifying glass with talent, occasionally with rare genius. But the poet who seeks, without genius, to magnify is simply a fool who sees everything too big, and boasts, in the loudest voice he can raise, of his diseased eyesight.