Lippincott's Magazine of Popular Literature and Science, Volume 11, No. 25, April, 1873

Transcriber's Note: The Table of Contents and the list of illustrations were added by the transcriber.
THE ROUMI IN KABYLIA.
BERRYTOWN by REBECCA HARDING DAVIS.
A PRINCESS OF THULE, by WILLIAM BLACK.
MADEMOISELLE STYLITES by MARGARET VANDEGRIFT.
OUR MONTHLY GOSSIP.


Sleepy travelers on the great route to Washington, having passed Philadelphia and expecting Baltimore, are attracted, if it is a way-train, by a phenomenon. The engine is observed to slacken, and a little elderly man with a lantern, looking in the twilight like an Arabian Night's phantom with one red eye in the middle of its body, places himself just in advance of the locomotive. He trots nimbly along, defending himself from incessant death by the sureness of his legs, and after a long race guides up to the station the clattering train, which is all the time threatening to catch him by the heel. Wilmington! shouts the brakesman. Every train into Wilmington is thus attended, as the palfrey of an Eastern pasha by the running footman. The man's life is passed in a perpetual race with destruction, and having beaten innumerable locomotives, he still survives, contentedly wagging his crimson eye, and hardly conscious that his existence is a perpetual escape.
Something quaint, peremptory, old-world and feudal strikes the traveler as adhering in this custom, by which Wilmington constantly pays for the general safety of her promenaders with the offering of a citizen's life and limbs. This impression is right. The city is the best-defined spot on the American map where the South begins and the North ends. Wilmington is, for its own part, a perfect crystal of Yankee grit, run out and fixed in a country which in the highest degree represents the soft, contented, lazy, incoherent Bourbon temper. We select it for our subject because it is so complete a terminal image. There is no other instance in the country of such sharp, close contrast. A man might step out to the city limit, and stand with one leg in full Yankeeland, thrilling with enterprise and emulation, and the other planted, as it were, in the Patriarchal Times. Elsewhere along the effaced line of Mason and Dixon the sections die away into each other: here they stand face to face, and stare.