Punch, or the London Charivari, Vol. 108, April 27, 1895
( For the Use of Schools. )
Example I.— Amari a-liquid.
( A Dramatic Study of Cause and Effect. )
Scene— Interior of a Private Box at a Popular Theatre.
Enter Angelina and her people .
Paterfamilias. Well, now that we are here, I hope you are satisfied. As for myself, I hate these problem plays.
Materfamilias. They are entirely the vogue just now, and we must see them. What everybody does we must do.
Angelina. So I told Edwin—I should say, Mr. Domum—when he complained of our going.
Mater. Of course. We have to follow the fashion.
Pater. Hush! You must not talk any more, see the curtain has risen.
( Five minutes pass. )
Various
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CLASSIC QUOTATIONS ILLUSTRATED.
THE LATEST CRAZE.
HEXAMETERS TO DATE; AND A PREHISTORIC PEEP.
OUR BOOKING-OFFICE.
THE JAP IN THE CHINA SHOP.
SCORCHING.
THE JAP IN THE CHINA SHOP; OR, THE NEW "OPEN SESAME."
"STRANGE DISAPPEARANCES."
BLIND ALLEY-GORIES.
No. II.—The Illustrious Stranger.
THE WOULD-BE SOLDIER'S VADE MECUM.
RAILWAY BALLADS.
THESE DULL TIMES.
ROBERT AND THE COUNTY COUNSELLS.
PRACTICE MAKES PERFECT.
THE NEW CONDUCTOR.
PARTY POLITICS.
THE NEW CONDUCTOR.
A BUSINESS ANNOUNCEMENT.
TRADE BETRAYED.
MY PIPE.
PARLIAMENTARY "LIBERTY MEN" COMING ABOARD AFTER TEN DAYS' LEAVE.
A SONG OF SPRING.
TO A BANTLING.
SEXOMANIA.
DOMESTIC TROUBLES.
OSTRICH FEATHERS.
CARMENCITA.
THE BALLAD OF THE KAISER'S MERCY.
REFLECTIONS OF A STATESMAN.
