Punch, or the London Charivari, Volume 1, July 17, 1841
As we hope, gentle public, to pass many happy hours in your society, we think it right that you should know something of our character and intentions. Our title, at a first glance, may have misled you into a belief that we have no other intention than the amusement of a thoughtless crowd, and the collection of pence. We have a higher object. Few of the admirers of our prototype, merry Master PUNCH, have looked upon his vagaries but as the practical outpourings of a rude and boisterous mirth. We have considered him as a teacher of no mean pretensions, and have, therefore, adopted him as the sponsor for our weekly sheet of pleasant instruction. When we have seen him parading in the glories of his motley, flourishing his baton (like our friend Jullien at Drury-lane) in time with his own unrivalled discord, by which he seeks to win the attention and admiration of the crowd, what visions of graver puppetry have passed before our eyes! Golden circlets, with their adornments of coloured and lustrous gems, have bound the brow of infamy as well as that of honour—a mockery to both; as though virtue required a reward beyond the fulfilment of its own high purposes, or that infamy could be cheated into the forgetfulness of its vileness by the weight around its temples! Gilded coaches have glided before us, in which sat men who thought the buzz and shouts of crowds a guerdon for the toils, the anxieties, and, too often, the peculations of a life. Our ears have rung with the noisy frothiness of those who have bought their fellow-men as beasts in the market-place, and found their reward in the sycophancy of a degraded constituency, or the patronage of a venal ministry—no matter of what creed, for party must destroy patriotism.
The noble in his robes and coronet—the beadle in his gaudy livery of scarlet, and purple, and gold—the dignitary in the fulness of his pomp—the demagogue in the triumph of his hollowness—these and other visual and oral cheats by which mankind are cajoled, have passed in review before us, conjured up by the magic wand of PUNCH.
Various
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VOL. 1.
JULY 17, 1841.
THE MORAL OF PUNCH.
COMMERCIAL INTELLIGENCE.
SOMETHING WARLIKE.
HUME’S TERMINOLOGY.
NATIVE SWALLOWS.
LORD MELBOURNE TO “PUNCH.”
A RAILROAD NOVEL
SPECIMEN.
LESSONS IN PUNMANSHIP.
A SYNOPSIS OF VOTING, ARRANGED ACCORDING TO THE CATEGORIES OF “CANT.”
VOTING MAY BE CONSIDERED AS
THE PROFESSIONAL SINGER
AN AN-TEA ANACREONTIC.
A CONVERSATION BETWEEN TWO HACKNEY-COACH HORSES.
KINDLY COMMUNICATED BY OUR DOG “TOBY.”
COURT CIRCULAR.
A QUARTER-DAY COGITATION.
STREET POLITICS.
A DRAMATIC DIALOGUE BETWEEN PUNCH AND HIS STAGE MANAGER.
SONGS FOR THE SENTIMENTAL.
A PUBLIC CONVENIENCE.
CANDIDATES UNDER DIFFERENT PHASES
FINE ARTS.
FOR THE HALF CONDEMNED:
THE TOTALLY CONDEMNED:
A COMMENTARY ON THE ELECTIONS.
TO THE BLACK-BALLED OF THE UNITED SERVICE.
ON THE INTRODUCTION OF PANTOMIME INTO THE ENGLISH LANGUAGE.
AN ALLIGATOR CHAIRMAN.
AN ODE.
PICKED UP IN KILLPACK’S DIVAN.
MR. HUME.
“PRIVATE.”
“AND DOTH NOT A MEETING LIKE THIS MAKE AMENDS?”
THE DRAMA.
QUALIFICATIONS FOR AN M.P.
THE ENTIRE ANIMAL.