Punch, or the London Charivari, Volume 100, April 11, 1891
I was asleep and dreaming—dreaming dreadful, horrible, soul-shattering dreams—dreams that flung me head-first out of bed, and then flung me back into bed off the uncarpeted floor of my chamber. But I did not wake—why should I?—it was unnecessary—I wanted to dream—I had to dream and therefore I dreamt. I was walking home from a cheap restaurant in one of the poorer quarters of Paris. Poorer quarters is a nice vague term. There are many poorer quarters in a large city. This was one of them. Let that suffice to the critical pedants who clamour for accuracy and local colour. Accuracy! pah! Shall the soaring soul of a three-volumer be restrained by the debasing fetters of a grovelling exactitude? Never! I will tell you what. If I choose, I who speak to you, moi qui vous parle , the Seine shall run red with the blood of murdered priests, and there shall be a tide in it where no tide ever was before, close to Paris itself, the home of the Marrons Glacés , and into the river I shall plunge a corpse with upturned face and glassy, staring, haunting, dreadful eyes, and the tide shall turn, the tide that never was on earth, or sky, or sea, it shall turn in my second volume for one night only, and carry the corpse of my victim back, back, back under bridges innumerable, back into the heart of Paris. Dreadful, isn't it? Allons, mon ami. Qu'est-ce-qu'il-y-a. Je ne sais quoi. Mon Dieu! There's idiomatic French for you, all sprinkled out of a cayenne pepper-pot to make the local colour hot and strong. Bah! let us return to our muttons!
What was that? Something yellow, and spotted—something sinuous and lithe, with crawling, catlike motion. No, no! Yes, yes!! A leopard of the forest had issued from a side-street, a cul de sac , as the frivolous sons of Paris, the Queen of Vice, call it. It was moving with me, stopping when I stopped, galloping when I galloped, turning somersaults when I turned them. And then it spoke to me—spoke, yes, spoke, this thing of the desert—this wild phantasm of a brain distraught by over-indulgence in marrons glacés , the curse of ma patrie , and its speech was as the scent of scarlet poppies, plucked from the grave of a discarded mistress.
Various
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Vol. 100.
April 11, 1891.
MR. PUNCH'S PRIZE NOVELS.
No. XVI.—GERMFOOD.
MORE KICKS THAN HALFPENCE.
MORE KICKS THAN HALFPENCE.
TRUE SENTIMENT.
LEAVES FROM A CANDIDATE'S DIARY.
[CONTINUED.]
MR. PUNCH'S POCKET IBSEN.
No. II.—NORA; OR, THE BIRD-CAGE (ET DIKKISVÖIT).
TAKING THE CENSUS.
"UP, GUARDS, AND ACT 'EM!"
"Such a Dawg!"
Ignotus.
A Brummagem Bolus.
PICTURE SUNDAY.
A FAIR EXCHANGE.
A FAIR EXCHANGE.
A COMPLAINT OF THE CENSUS.
MICKY FREE IN PARIS.
HERRICK UP TO DATE.
MAGAZINE MANNERS.
ANOTHER'S!
SALISBURY AT ST. MARTINS'S-LE-GRAND.
CENSUS DAY HOW SOME WERE CAUGHT.
Earl Granville.
BORN IN 1815. DIED 31ST MARCH, 1891.
PATERFAMILIAS ON HIS CENSUS PAPER.
"FACTA NON VERBA"; OR, PIERROT IN LONDON.
OUR BOOKING-OFFICE.
WHAT IT WILL COME TO!
THE DIARY OF AN OLD JOKE.