The Atlantic Monthly, Volume 04, No. 25, November, 1859 / A Magazine of Literature, Art, and Politics

Produced by Joshua Hutchinson, Tonya Allen, and Project
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Late in the autumn of 1836, an Austrian brig-of-war cast anchor in the harbor of New York; and seldom have voyagers disembarked with such exhilarating emotions as thrilled the hearts of some of the passengers who then and there exchanged ship for shore. Yet their delight was not the joy of reunion with home and friends, nor the cheerful expectancy of the adventurous upon reaching a long-sought land of promise, nor the fresh sensation of the inexperienced when first beholding a new country; it was the relief of enfranchised men, the rapture of devotees of freedom, loosened from a thrall, escaped from surveillance , and breathing, after years of captivity, the air where liberty is law, and self-government the basis of civic life. These were exiles; but the bitterness of that lot was forgotten, at the moment, in the proud consciousness of having incurred it through allegiance to freedom, and being destined to endure it in a consecrated asylum. In that air, when first respired, on that soil, when first trod, they were unconscious of the lot of strangers: for there the vigilant eye of despotism ceased to watch their steps; prudence checked no more the expression of honest thought or high aspiration; manhood resumed its erect port, mind its spontaneous vigor; nor did many moments pass ere friendly hands were extended, and kindly voices heard, and domestic retreats thrown open. Their welfare had been commended to generous hearts; and the simple facts of their previous history won them respectful sympathy and cordial greeting.
Underlying the external apathy and apparently frivolous life of the Italian peninsula, there has ever been a resolute, clear, earnest patriotism, fed in the scholar by memories of past glory, in the peasant by intense local attachment, and kindled from time to time in all by the reaction of gross wrongs and moral privations. Sometimes in conversation, oftener in secret musing, now in the eloquent outburst of the composer, and now in the adjuration of the poet or the vow of the revolutionist, this latent spirit has found expression. Again and again, spasmodic and abortive émeutes , the calm protest of a D'Azeglio and the fanaticism of an Orsini, sacrifices of property, freedom, and life,—all the more pathetic, because to human vision useless,—have made known to the oppressor the writhings of the oppressed, and to the world the arbitrary rule which conceals injustice by imposing silence. The indirect, but most emphatic utterance of this deep, latent self-respect of the nation we find in Alfieri, whose stern muse revived the terse energy of Dante; and in our own day, this identical inspiration fired the melancholy verse of Leopardi, the letters of Foscolo, the novels of Guerrazzi, and the tender melody of Bellini. Recent literature has exhibited the conditions under which Italian Liberals strive, and the method of expiating their self-devotion. The novels of Ruffini, the letters of the Countess d'Ossoli, the rhetoric of Gavazzi, and the parliamentary reports of Gladstone, the leading reviews, the daily journals, intercourse with political refugees, and the personal observations of travel, have, more or less definitely, caused the problem called the Italian Question to come nearer to our sympathies than any other European exigency apart from practical interests. Moreover, the complicated and dubious aspect of the subject, viewed by transatlantic eyes, has, within the last ten years, been in a great measure dispelled by experimental facts. That Italy needs chiefly to be let alone , to achieve independence and realize a noble development, civic, economical, and social, every intelligent traveller who crosses the Austrian frontier and enters the Sardinian state, knows.