The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 406, December 26, 1829
This consecrated relic of genius stands on the hill of Posilipo, in the environs of Naples. Its recent state is so beautifully described by Eustace, that we shall not, like gipsys do stolen children, disfigure it to prevent recognition.
Proceeding westward along the Chiaia and keeping towards the beach, says Eustace, we came to the quarter called Mergyllina. To ascend the hill of Posilipo we turned to the right, and followed a street winding as a staircase up the steep, and terminating at a garden gate. Having entered, we pursued a path through a vineyard and descending a little, came to a small square building, flat-roofed, placed on a sort of platform on the brow of a precipice on one side, and on the other sheltered by a super-incumbent rock. An aged ilex, spreading from the sides of the rock, and bending over the edifice, covers the roof with its ever verdant foliage. Numberless shrubs spring around, and interwoven with ivy clothe the walls and hang in festoons over the precipice. The edifice before us was an ancient tomb—the tomb of VIRGIL! We entered; a vaulted cell and two modern windows alone presented themselves to view: the poet's name is the only ornament of the place. No sarcophagus, no urn, and even no inscription to feed the devotion of the classical pilgrim. The epitaph which though not genuine is yet ancient, was inscribed by the order of the Duke of Pescolangiano, then proprietor of the place, on a marble slab placed in the side of the rock opposite the entrance of the tomb, where it still remains. Every body is acquainted with it—
Mantua me genuit, Calabri rapuere, tenet nunc Parthenope, cecini
pascua, rura, duces.
But there are authors who venture to assert, that the tomb of which we are now speaking, is not the sepulchre of Virgil. Of this number are the classic Addison and the laborious and accurate Cluverius. The authority of two such eminent persons, without doubt, carries great weight with it, but that weight is upon this occasion considerably lessened by the weakness of the arguments on which their opinion is grounded. These arguments may be found in Cluverius, and Addison merely expresses his opinion without entering into any discussion. They are drawn from a few verses of Statius.
Various
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VIRGIL'S TOMB.
LAST CHRISTMAS DAY.
THE FALL OF ZARAGOZA.
RETROSPECTIVE GLEANINGS.
TOUCHING FOR THE KING'S EVIL.
BOOKSELLERS' MARKS OR SIGNS.
THE NATURALIST.
DIFFERENT COLOURS OF THE EGGS OF BIRDS.
EFFECTS OF SEA AIR.
THE DUGONG, THE MERMAID OF EARLY WRITERS.
SPIDERS.
SWARMING OF BEES.
THE CHAMELEON'S ANTIPATHY TO BLACK.
RULES FOR THE WEATHER.
SPIRIT OF THE PUBLIC JOURNALS
PERIODICAL LITERATURE.
DR. LARDNER'S CYCLOPAEDIA.
THE YOUNG LADY'S BOOK.
THE ZOOLOGICAL KEEPSAKE.
THE LOST LAMB; OR, THE CHILD SAVED.
THE GATHERER.
SPILLING THE SALT.
KANGAROOS.
THE EARL OF MANSFIELD.
"IN SPITE OF HIS TEETH."
SWAN RIVER.
SIAMESE YOUTHS.