Philip: The Story of a Boy Violinist

PHILIP The Story of a Boy Violinist
By T. W. O.
Lamson, Wolffe and Company Boston, New York and London MDCCCXCVIII
Copyright, 1898 By Lamson, Wolffe and Company All rights reserved Press of Rockwell and Churchill BOSTON

Philip The Story of a Boy Violinist
HIS days were nearly all spent in a place where there were great heights and depths, long corridors and galleries, with many people passing to and fro, many chambers above and below, and elevators running up and down. A great hotel, do you say? No, nothing so grand or pleasant as that, but a deep, dark, dismal mine; and there, from dawn till after nightfall, Philip and his mother spent the long, sun-bright days in a sort of living death. It was really like that, for what is life worth in a place where the sun never comes, where there is no grass nor flowers nor trees, where the beautiful blue sky with its snow-white flying cloudlets or great, gray, snow-capped cloud-mountains cannot be seen, and where there is nothing but the darkness of night all the day long!
But Philip was quite accustomed to this strange underground life, and as he knew nothing of anything different or better he was as happy as the day was long. After all, our lives are very much what we make them, and Philip was blessed with a very sweet and cheerful nature, which could make its own sunshine even at the bottom of a deep, dark mine; he had beside a very strong and healthy fancy, and he had peopled the dark recesses of the mine with all kinds of imaginary beings, who were real companions for the lonely child. Instead, however, of creating, as some foolish children would have done, only gnomes and goblins to inhabit the deep caverns and underground chambers, Philip chose rather to pretend that the soft sound of dropping water, which could always be heard if one listened, was the musical language of the coal-fairies who guarded the secrets of the mine, a language which only those who were very pure and good could understand.