In The Seven Woods: Being Poems Chiefly of the Irish Heroic Age
Copyright, 1903, By THE MACMILLAN COMPANY. Set up, electrotyped, and published August, 1903.
J. S. Cushing & Co.—Berwick & Smith Co. Norwood, Mass. U.S.A.
From the play of The Country of the Young.
I made some of these poems walking about among the Seven Woods, before the big wind of nineteen hundred and three blew down so many trees, & troubled the wild creatures, & changed the look of things; and I thought out there a good part of the play which follows. The first shape of it came to me in a dream, but it changed much in the making, foreshadowing, it may be, a change that may bring a less dream-burdened will into my verses. I never re-wrote anything so many times; for at first I could not make these wills that stream into mere life poetical. But now I hope to do easily much more of the kind, and that our new Irish players will find the buskin and the sock.
SCENE: A great hall by the sea close to Dundalgan. There are two great chairs on either side of the hall, each raised a little from the ground, and on the back of the one chair is carved and painted a woman with a fish’s tail, and on the back of the other a hound. There are smaller chairs and benches raised in tiers round the walls. There is a great ale vat at one side near a small door, & a large door at the back through which one can see the sea. Barach, a tall thin man with long ragged hair, dressed in skins, comes in at the side door. He is leading Fintain, a fat blind man, who is somewhat older.
BARACH.
W. B. Yeats
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IN THE SEVEN WOODS
IN THE SEVEN WOODS
W. B. YEATS
THE MACMILLAN COMPANY
IN THE SEVEN WOODS
IN THE SEVEN WOODS.
THE OLD AGE OF QUEEN MAEVE.
BAILE AND AILLINN.
THE ARROW.
THE FOLLY OF BEING COMFORTED.
THE WITHERING OF THE BOUGHS.
ADAM’S CURSE.
THE SONG OF RED HANRAHAN.
THE OLD MEN ADMIRING THEMSELVES IN THE WATER.
UNDER THE MOON.
THE PLAYERS ASK FOR A BLESSING ON THE PSALTERIES AND THEMSELVES.
THE RIDER FROM THE NORTH.
ON BAILE’S STRAND: A PLAY.
ESSAYS, ETC.
THE CELTIC TWILIGHT
IDEAS OF GOOD AND EVIL
WHERE THERE IS NOTHING