Quentin Durward
The scene of this romance is laid in the fifteenth century, when the feudal system, which had been the sinews and nerves of national defence, and the spirit of chivalry, by which, as by a vivifying soul, that system was animated, began to be innovated upon and abandoned by those grosser characters who centred their sum of happiness in procuring the personal objects on which they had fixed their own exclusive attachment. The same egotism had indeed displayed itself even in more primitive ages; but it was now for the first time openly avowed as a professed principle of action. The spirit of chivalry had in it this point of excellence, that, however overstrained and fantastic many of its doctrines may appear to us, they were all founded on generosity and self denial, of which, if the earth were deprived, it would be difficult to conceive the existence of virtue among the human race.
Among those who were the first to ridicule and abandon the self denying principles in which the young knight was instructed and to which he was so carefully trained up, Louis XI of France was the chief. That sovereign was of a character so purely selfish—so guiltless of entertaining any purpose unconnected with his ambition, covetousness, and desire of selfish enjoyment—that he almost seems an incarnation of the devil himself, permitted to do his utmost to corrupt our ideas of honour in its very source. Nor is it to be forgotten that Louis possessed to a great extent that caustic wit which can turn into ridicule all that a man does for any other person's advantage but his own, and was, therefore, peculiarly qualified to play the part of a cold hearted and sneering fiend.
The cruelties, the perjuries, the suspicions of this prince, were rendered more detestable, rather than amended, by the gross and debasing superstition which he constantly practised. The devotion to the heavenly saints, of which he made such a parade, was upon the miserable principle of some petty deputy in office, who endeavours to hide or atone for the malversations of which he is conscious by liberal gifts to those whose duty it is to observe his conduct, and endeavours to support a system of fraud by an attempt to corrupt the incorruptible. In no other light can we regard his creating the Virgin Mary a countess and colonel of his guards, or the cunning that admitted to one or two peculiar forms of oath the force of a binding obligation which he denied to all other, strictly preserving the secret, which mode of swearing he really accounted obligatory, as one of the most valuable of state mysteries.
Walter Scott
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QUENTIN DURWARD
AUTHOR'S INTRODUCTION
CHAPTER I: THE CONTRAST
CHAPTER II: THE WANDERER
CHAPTER III: THE CASTLE
CHAPTER IV: THE DEJEUNER
CHAPTER V: THE MAN AT ARMS
CHAPTER VI: THE BOHEMIANS
CHAPTER VII: THE ENROLMENT
CHAPTER VIII: THE ENVOY
CHAPTER IX: THE BOAR HUNT
CHAPTER X: THE SENTINEL
CHAPTER XI: THE HALL OF ROLAND
CHAPTER XII: THE POLITICIAN
CHAPTER XIII: THE JOURNEY
CHAPTER XIV: THE JOURNEY
CHAPTER XV: THE GUIDE
CHAPTER XVI: THE VAGRANT
CHAPTER XVII: THE ESPIED SPY
CHAPTER XVIII: PALMISTRY
CHAPTER XIX: THE CITY
CHAPTER XX: THE BILLET
CHAPTER XXI: THE SACK
CHAPTER XXII: THE REVELLERS
CHAPTER XXIII: THE FLIGHT
CHAPTER XXIV: THE SURRENDER
CHAPTER XXV: THE UNBIDDEN GUEST
CHAPTER XXVI: THE INTERVIEW
CHAPTER XXVII: THE EXPLOSION
CHAPTER XXVIII: UNCERTAINTY
CHAPTER XXIX: RECRIMINATION
CHAPTER XXX: UNCERTAINTY
CHAPTER XXXI: THE INTERVIEW
CHAPTER XXXII: THE INVESTIGATION
CHAPTER XXXIII: THE HERALD
CHAPTER XXXIV: THE EXECUTION
CHAPTER XXXV: A PRIZE FOR HONOUR
CHAPTER XXXVI: THE SALLY
CHAPTER XXXVII: THE SALLY