The Girl of the Golden Gate
NEW YORK GROSSET & DUNLAP PUBLISHERS
Copyright, 1913, by WILLIAM BROWN MELONEY
Copyright, 1913, by EDWARD J. CLODE
The general steamship agency on The Bund was a hive of bustling travelers, their faces alight with the eagerness with which they desired to be gone their many ways up and down the world. A stranger might have imagined that most of Yokohama's European or white population had been possessed of a sudden desire to flee beyond the seas.
It was a scene common enough, however, for that season in the gateways of the Far East. Spring, with its heart call to distant homelands, had come again to break the spell of the Orient for many and to stir an unutterable longing in the breasts of others—the men and women who dream always of the day they will go back, but who never do.
The crowd was a conglomerate, as crowds go, and not lacking in picturesque touches—here where a Chinese of mandarin rank went with a silky retinue; there where a pair of turbaned Sikhs stood near two begoggled Korean priests, muttering in gutturals over their tickets for the South. The placidity and impenetrable calm of these few Oriental faces served but to accentuate the mobile expressiveness of the dominant Caucasian countenance.
Still there was one white man whose features betrayed no expression of interest in the scene. He stood head and shoulders over those around him in a line of applicants at a booking desk toward the rear. There was an air of detachment about him. Apparently he was untouched of the spirit of mystic restlessness and excitement which pervaded the place—that resistless, undeniable spirit which takes hold of even the most unimaginative and lackadaisical in railway depots or wherever else men in numbers set out upon journeys. There was no gleam of the homeward-bounder in his eye—that gleam which is more like the light of love than anything else; there was no expectancy; no sign of eagerness.
At a first glance this man's face seemed no more than a mask. At a second one realized that the features were those of one who must have won unto the priceless possession of self-control. The nose was large and yet as sensitively formed as the freshly shaven lips and chin. The ears were perfectly lobed—the ears of a thoroughbred. The jaw was that of the natural fighter, not heavy and jowly, but cut in a sharp, straight line from the hinge to the point. Tiny wrinkles in the outer corners of the eyelids, which come from facing long distances on sea or land, kept forming and reforming as his gray eyes wandered idly over the heads of the crowd. It is thus that the tribes of the earth's big spaces are marked.
William Brown Meloney
THE GIRL OF THE GOLDEN GATE
THE GIRL OF THE GOLDEN GATE
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
CHAPTER XII
CHAPTER XIII
CHAPTER XIV
CHAPTER XV
CHAPTER XVI
CHAPTER XVII
CHAPTER XVIII
CHAPTER XIX
CHAPTER XX
CHAPTER XXI
CHAPTER XXII
CHAPTER XXIII
CHAPTER XXIV
CHAPTER XXV
CHAPTER XXVI
CHAPTER XXVII
CHAPTER XXVIII
CHAPTER XXIX
CHAPTER XXX
CHAPTER XXXI
CHAPTER XXXII
THE END