The Coast of Bohemia

NEW YORK AND LONDON HARPER & BROTHERS, PUBLISHERS 1899
Copyright, 1893, 1899, by William Dean Howells.
All rights reserved.
INTRODUCTORY SKETCH.
In one of the old-fashioned books for children there was a story of the adventures of a cent (or perhaps that coin of older lineage, a penny) told by itself, which came into my mind when the publishers suggested that the readers of a new edition of this book might like to know how it happened to be written. I promptly fancied the book speaking, and taking upon itself the burden of autobiography, which we none of us find very heavy; and no sooner had I done so than I began actually to hear from it in a narrative of much greater distinctness than I could have supplied for it.
You must surely remember, it protested to my forgetfulness, that you first thought of me in anything like definite shape as you stood looking on at the trotting-races of a county fair in Northern Ohio, and that I began to gather color and character while you loitered through the art-building, and dwelt with pitying interest upon the forlorn, unpromising exhibits there.
But previous to this, my motive existed somewhere in that nebulous fore-life where both men and books have their impalpable beginning; for even you cannot have forgotten that when a certain passionately enterprising young editor asked you for a novel to be printed in his journal, you so far imagined me as to say that I would be about a girl. When you looked over those hapless works of art at the Pymantoning County Fair, you thought, 'What a good thing it would be to have a nice village girl, with a real but limited gift, go from here to study art in New York! And get in love there! And married!' Cornelia and her mother at once stepped out of the inchoate; Ludlow advanced from another quarter of Chaos, and I began really to be.
The getting me down on paper was a much later affair—nearly two years later. There were earlier engagements to be met; there was an exciting editorial episode to be got behind you; and there was material for a veridical representation of the ardent young life of the New York Synthesis of Art Studies to be gathered as nearly at first hands and as furtively as possible.