The collected works of William Hazlitt, Vol. 11 (of 12)
Transcriber’s Note:
New original cover art included with this eBook is granted to the public domain.
THE
COLLECTED WORKS OF WILLIAM HAZLITT
IN TWELVE VOLUMES
VOLUME ELEVEN
All rights reserved
EDITED BY A. R. WALLER
AND ARNOLD GLOVER
WITH AN INTRODUCTION BY
W. E. HENLEY
Fugitive Writings
William Hazlitt
---
BIBLIOGRAPHICAL NOTE
ON ABSTRACT IDEAS
ON THE WRITINGS OF HOBBES
ON LIBERTY AND NECESSITY
ON LOCKE’S ESSAY ON THE HUMAN UNDERSTANDING
ON TOOKE’S ‘DIVERSIONS OF PURLEY’
ON SELF-LOVE
MADAME DE STAËL’S ACCOUNT OF GERMAN PHILOSOPHY AND LITERATURE.
THE SAME SUBJECT CONTINUED
THE SAME SUBJECT CONTINUED
THE SAME SUBJECT CONTINUED (ON ABSTRACTION)
FINE ARTS. BRITISH INSTITUTION
THE STAGE.
FINE ARTS—THE LOUVRE
WILSON’S LANDSCAPES, AT THE BRITISH INSTITUTION
ON GAINSBOROUGH’S PICTURES
MR. KEMBLE’S PENRUDDOCK
INTRODUCTION TO AN ACCOUNT OF SIR JOSHUA REYNOLDS’S DISCOURSES
ON GENIUS AND ORIGINALITY
ON THE IMITATION OF NATURE
ON THE IDEAL.
CHARLEMAGNE: OU L’ÉGLISE DÉLIVRÉE.
THE SAME SUBJECT CONTINUED
LUCIEN BUONAPARTE’S COLLECTION, ETC.
BRITISH INSTITUTION
THE SAME SUBJECT CONTINUED
THE SAME SUBJECT CONTINUED
ON MR. WILKIE’S PICTURES
ON ROCHEFOUCAULT’S MAXIMS.
ON THE PREDOMINANT PRINCIPLES AND EXCITEMENTS IN THE HUMAN MIND
THE LOVE OF POWER OR ACTION AS MAIN A PRINCIPLE IN THE HUMAN MIND AS SENSIBILITY TO PLEASURE OR PAIN
ESSAY ON MANNERS
KEAN’S BAJAZET AND ‘THE COUNTRY GIRL’
DOCTRINE OF PHILOSOPHICAL NECESSITY
PARALLEL PASSAGES IN VARIOUS POETS
MR. LOCKE A GREAT PLAGIARIST
SHAKESPEAR’S FEMALE CHARACTERS
MISS O’NEILL’S WIDOW CHEERLY
PENELOPE AND THE DANSOMANIE.
OROONOKO.
‘THE PANNEL’ AND ‘THE RAVENS’
JOHN GILPIN
DON GIOVANNI AND KEAN’S EUSTACE DE ST. PIERRE
CHARACTER OF THE COUNTRY PEOPLE
MR. MACREADY’S MACBETH.
GUY FAUX
THE SAME SUBJECT CONTINUED
THE SAME SUBJECT CONCLUDED
CHARACTER OF MR. CANNING
THE DANDY SCHOOL.
ACTORS AND THE PUBLIC
FRENCH PLAYS
THE THEATRES AND PASSION-WEEK
CHARLES KEAN
SOME OF THE OLD ACTORS.
THE COMPANY AT THE OPERA.
THE BEGGARS’ OPERA
THE TAMING OF THE SHREW AND L’AVARE
MRS. SIDDONS
MR. KEAN
MUNDEN’S SIR PETER TEAZLE
YOUNG’S HAMLET
DOWTON IN THE HYPOCRITE
MISS BRUNTON’S ROSALIND
MAYWOOD’S ZANGA
KEAN’S RICHARD III.
THE WONDER
VENICE PRESERVED
SHE STOOPS TO CONQUER
KEAN’S MACBETH
KEAN’S OTHELLO
KEAN AND MISS O’NEILL
THE HONEY MOON
MR. KEAN
KING JOHN
THE PRESS—COLERIDGE, SOUTHEY, WORDSWORTH, AND BENTHAM
MR. COLERIDGE’S LECTURES
CHILDE HAROLD’S PILGRIMAGE (Canto iv.)
THE OPERA
ON THE QUESTION WHETHER POPE WAS A POET
ON RESPECTABLE PEOPLE.
ON FASHION
ON NICKNAMES
THOUGHTS ON TASTE
THE SAME SUBJECT CONTINUED
THE SAME SUBJECT CONTINUED
ON THE PRESENT STATE OF PARLIAMENTARY ELOQUENCE
HAYDON’S ‘CHRIST’S AGONY IN THE GARDEN’
ON CONSISTENCY OF OPINION
ON THE SPIRIT OF PARTISANSHIP
‘THE PIRATE’
‘PEVERIL OF THE PEAK’
COMMON PLACES
NOTES
ON ABSTRACT IDEAS
ON THE WRITINGS OF HOBBES
ON LIBERTY AND NECESSITY
ON LOCKE’S ESSAY ON THE HUMAN UNDERSTANDING
ON TOOKE’S DIVERSIONS OF PURLEY
ON SELF-LOVE
MADAME DE STAËL’S ACCOUNT OF GERMAN PHILOSOPHY AND LITERATURE
THE SAME SUBJECT CONTINUED
THE SAME SUBJECT CONTINUED
THE SAME SUBJECT CONTINUED
FINE ARTS.—BRITISH INSTITUTION
THE STAGE
THE FINE ARTS. THE LOUVRE
WILSON’S LANDSCAPES AT THE BRITISH INSTITUTION
ON GAINSBOROUGH’S PICTURES
MR. KEMBLE’S PENRUDDOCK
INTRODUCTION TO AN ACCOUNT OF SIR JOSHUA REYNOLDS’S DISCOURSES
ON GENIUS AND ORIGINALITY
ON THE IMITATION OF NATURE
ON THE IDEAL
CHARLEMAGNE: OU L’ÉGLISE DÉLIVRÉE
THE SAME SUBJECT CONTINUED
LUCIEN BUONAPARTE’S COLLECTION, ETC.
BRITISH INSTITUTION
THE SAME SUBJECT CONTINUED
THE SAME SUBJECT CONTINUED
ON MR. WILKIE’S PICTURES
[CHARACTER OF MR. WORDSWORTH’S NEW POEM, THE EXCURSION]
ON ROCHEFOUCAULT’S MAXIMS
ON THE PREDOMINANT PRINCIPLES, Etc.
THE LOVE OF POWER, Etc.
ESSAY ON MANNERS
KEAN’S BAJAZET, Etc.
DOCTRINE OF PHILOSOPHICAL NECESSITY
PARALLEL PASSAGES IN VARIOUS POETS
MR. LOCKE A GREAT PLAGIARIST
[THE SAME SUBJECT CONTINUED]
SHAKESPEAR’S FEMALE CHARACTERS
MISS O’NEILL’S WIDOW CHEERLY
PENELOPE AND THE DANSOMANIE
OROONOKO
THE PANNEL AND THE RAVENS
JOHN GILPIN
DON GIOVANNI AND KEAN’S EUSTACE DE ST. PIERRE
CHARACTER OF THE COUNTRY PEOPLE
MR. MACREADY’S MACBETH
GUY FAUX
THE SAME SUBJECT CONTINUED
THE SAME SUBJECT CONCLUDED
CHARACTER OF MR. CANNING
THE DANDY SCHOOL
ACTORS AND THE PUBLIC
FRENCH PLAYS
THE THEATRES AND PASSION WEEK
CHARLES KEAN
SOME OF THE OLD ACTORS
THE COMPANY AT THE OPERA
THE BEGGAR’S OPERA
THE TAMING OF THE SHREW AND L’AVARE
MRS. SIDDONS
THE THREE QUARTERS, Etc.
MR. KEAN
MUNDEN’S SIR PETER TEAZLE
YOUNG’S HAMLET
DOWTON IN THE HYPOCRITE
MISS BRUNTON’S ROSALIND
MAYWOOD’S ZANGA
KEAN’S RICHARD III.
THE WONDER
VENICE PRESERVED
SHE STOOPS TO CONQUER
KEAN’S MACBETH
KEAN’S OTHELLO
KEAN AND MISS O’NEILL
THE HONEY MOON
MR. KEAN
KING JOHN
THE PRESS, Etc.
MR. COLERIDGE’S LECTURES
CHILDE HAROLD’S PILGRIMAGE
THE OPERA
ON THE QUESTION WHETHER POPE WAS A POET
ON RESPECTABLE PEOPLE
ON FASHION
ON NICKNAMES
THOUGHTS ON TASTE
THE SAME SUBJECT CONTINUED
THE SAME SUBJECT CONTINUED
[HISTORICAL ILLUSTRATIONS OF SHAKESPEARE]
ON THE PRESENT STATE OF PARLIAMENTARY ELOQUENCE
[MR. CRABBE]
HAYDON’S CHRIST’S AGONY IN THE GARDEN
POPE, LORD BYRON, AND MR. BOWLES
ON CONSISTENCY OF OPINION
ON THE SPIRIT OF PARTISANSHIP
THE PIRATE
PEVERIL OF THE PEAK
COMMON PLACES
