Mozart: The Man and the Artist, as Revealed in His Own Words

This etext was produced by John Mamoun (mamounjo@umdnj.edu), Charles
Franks and the Online Distributed Proofreading Team.
The following is the text of Mozart: The Man and the Artist, as Revealed in his own Words, compiled and annotated by Friedrich Kerst and translated into english, and edited, with new introduction and additional notes, by Henry Edward Krehbiel. Each page was cut out of the original book with an X-acto knife and fed into an Automatic Document Feeder Scanner to make this e-text, so the original book was disbinded in order to save it.
Some adaptations from the original text were made while formatting it for an e-text. Italics in the original book were ignored in making this e-text, unless they referred to proper nouns, in which case they are put in quotes in the e-text. Italics are problematic because they are not easily rendered in ASCII text.
This electronic text was prepared by John Mamoun with help from numerous other proofreaders, including those associated with Charles Franks' Distributed Proofreaders website. Thanks to C. Franks, S. Harris, A. Montague, S. Morrison, J. Roberts, R. Rowe, R. Tremblay, R. Zimmerman and several others for proof-reading.
Corrections for version 11 of this text made by Andrew Sly.
The German composer Wolfgang Amadeus Mozart (1756-1791) was not only a musical genius, but was also one of the pre-eminent geniuses of the Western world. He defined in his music a system of musical thought and an entire state of mind that were unlike any previously experienced. A true child prodigy, he began composing at age 5 and rapidly developed his unmistakable style; by 18 he was composing works capable of altering the mind-states of entire civilizations. Indeed, he and his predecessor Bach accomplished the Olympian feat of adding to the human concepts of civility and civilization. So these two were not just musical geniuses, but geniuses of the humanities.
Mozart's music IS civilization. It encompasses all that is humane about an idealized civilization. And it probably was Mozart's main purpose to create and propagate a concept of a great civilization through his music. He wanted to show his fellow Europeans, with their garbage-polluted citystreets, their violent mono-maniacal leaders and their stifling, non-humane bureaucracies, new ideas on how to run their civilizations properly. He wanted them to hear and feel a sense of civilized movement, of the musical expressions of man moving as he would if upholding the highest values of idealized societies. One need only listen to the revolutionary opening bars of his famous Eine Kleine Nachtmusik to see this.