V

A hundred years later than La Bruyère, in 1787, another generous mind, another traveller of liberal views, less profound than the French philosopher, yet accurate, alert, and well-informed: brief, an English country gentleman—a

certain Mr. Arthur Young, of Bradfield Hall, Suffolk—was to visit the provinces of France and to give us his impressions of the French peasant. Arthur Young, like his forerunner, is a man of feeling. The social state of the poor preoccupies him no less than the condition of French agriculture, which was the original cause of his journey. Great is his wrath against the noble absentees who neglect the lands which their extravagance exhausts. For still Versailles, like some deep-rooted ulcer, absorbs and corrupts the forces of France; and the noble continues to spend the revenues of a farm on the lace and ribbons of a coat, or to turn out a country-side of crofters in order to enlarge a deer forest. Of late a new fashion had indeed revived the prestige of the long-neglected country-house. Two writers—Rousseau and the elder Mirabeau—had expressed perhaps, rather than directed, a movement of reaction; people began to think again of the life of the fields, of country pleasures, and country freedom. So Arthur Young shows us a France where many of the great nobles were agriculturists; the mode, says he, obliges the great of the earth to spend a summer month or two in rusticating at their rural seats; the Queen has a dairy-farm at Trianon; milkmaids and shepherds are the rage. The Duke of Larochefoucauld-Liancourt shares Young’s enthusiasm for turnips, and His Grace’s sister-in-law is no less passionate for luzern, of which, says Young, she grew more than any other person in Europe: “What was my surprise at finding this young Viscountess a great farmer!” No subject in France was then more modish than the rotation of crops. And no doubt even this superficial contact between the noble and Nature, the peasant and his landlord, was better than an absolute divorce; only it came too late. Both the noble and the peasant had deteriorated during the two centuries that they have lived apart. On the one hand, the careless selfishness of the cavalier; on the other, a rancorous squalor, a sordid if sometimes a servile disrespect. The “foppery and nonsense” of the country gentry struck Arthur Young no less painfully than the folly of those “glittering beings of Versailles,” to whose fine coats the well-being and decency of rural France were sacrificed. There were, no doubt, in the number of them a fair percentage of good landlords, just and coarse, proud and poor, such as M. Pierre de Vaissière shows us in his recent volume, “Les Gentilhommes Campagnards,” and a few great souls, like Liancourt. But an honourable and mediocre minority could not suffice to heal the breach, widened by centuries of absence, which divided peasant from landlord.

The new-fangled residence of the rich in their summer seats did, as a rule, but little to ameliorate the condition of their poorer neighbours. Too often, the peasants to them were as the pigs, for whom a sty is all sufficient. Our English gentleman-farmer pauses at Combourg, the old patrimonial hall of Chateaubriand, at that time a youth under twenty, occupied with his earliest literary efforts. This is how the historic manor of René’s father strikes the owner of Bradfield Hall:—

“One of the most brutal, filthy places that can be seen: mud houses, no windows, and a broken pavement. Yet here is a château, and inhabited. Who is this Mons. de Chateaubriand, the owner, that has nerves strung for a residence amidst such filth and poverty?... Below this hideous heap of wretchedness is a fine lake, surrounded by well-wooded inclosures.” Nor is this an isolated instance. Everywhere in France he tells the same tale—“the poor people seem poor indeed!”—“what a vice is it, and even a crime that the gentry, instead of being the cherishers and benefactors of their poor neighbours, should thus, by the abomination of feudal rights, prove mere tyrants.”

Thus the landlord’s summer residence on this estate was too often merely a convenience to himself and no advantage to the tenantry. He went home to wear out his old clothes, to consume the produce of his lands, to economize more or less sordidly for a forthcoming burst of splendour at Versailles. The only country luxury he cared for was the game-preserve or the deer-forest. In many districts the peasants might not weed or hoe their crops lest they disturb the young partridges; nor manure their lands near the forest, lest the flavour of the game be impaired; nor mow their hay before a certain date, however favourable the season; nor plough the stubble after harvest, lest they ruin the shelter of the young birds. Should the wild boar or the deer quit their native glades, and take to the fields, destroying the farmer’s crops, he might not shoot them or do them any injury. Such things, in any country, demand a revolution. Says Arthur Young: “Great lords love too much an environ of forest, boars, and huntsmen, instead of marking their residence by the accompaniment of neat and well-cultivated farms, clean cottages, and happy peasants.” Had the nobles planted turnips on the waste heaths and moors, there might (he thought) have been no Reign of Terror.

The feudal privileges of the French nobles seemed as shocking and unnatural to our free-born English squire as, early in the sixteenth century, they had appeared to Erasmus. The privileged classes were exempt from all taxation, of which the burden fell chiefly on the humbler sort. The corvées had originally been a convenient exchange of service between master and man—so much toil for so much land or so much protection, or so many specified perquisites and privileges; but they had degenerated into a tyrannous abuse, enforced with endless fines and quit-rents. The poor farmer or cotter had to manage countless payments of so many fowls, so much butter, so much corn, so much transport, due to the landlord; mend the manorial roads and weirs; pay death-duties and marriage-dues; submit to the servitude of employing only the manorial mill, the manorial winepress, the manorial baking-oven. Moreover, in addition to all this (which was, in fact, his rent paid in kind and labour), the peasant of the eighteenth century was abusively charged a fixed and heavy rent in coin. In this way he paid twice over for his miserable cabin and few acres of land; while, as time went on, fresh corvéescorvées by custom, corvées by usage of the fief, corvées by seigneurial decree, and servitudes of every sort, complicated his intolerable condition. No wonder that Jacques Bonhomme began to murmur and, in his dim slow way, to meditate the possibility of a change.

On the 12th of July, 1787, our kind apostle of turnips was walking up a long hill near Chalons in order to relieve his tired beast, and, so walking, was joined by a woman of the people, with whom he entered into conversation. She began, as is the manner of her sort, to complain of hard times, and said that France was indeed a most distressful country. This woman at no great distance might have been taken for sixty or seventy, so bent was her figure, her face so furrowed and roughened by labour in the fields. “Demanding her reasons, she said that her husband had but a morsel of land, one cow, and a poor little horse; yet they had a franchar of wheat (about 42 lbs.) and three chickens to pay as a quit-rent to one seigneur, and four franchars of oats, one chicken and a sol to pay to another, besides very heavy tailles and other taxes. She had seven children, and the cow’s milk helped to make the soup.

“‘But why, instead of a horse, do you not keep another cow?’

“‘Oh, her husband could not carry his produce so well without a horse, and asses are little used in the country. It was said at present’, she went on, ‘that something was to be done by some great folks for the poor, but she did not know how or who. But God send us better, car les tailles et les droits nous écrasent.’”

And these words recall to our minds another picture—that of the family of humble peasants whose furniture is seized, who are turned out of house and home by the king’s officers, in Laclos’ Liaisons Dangereuses “par ce qu’elle ne pouvoit payer la taille.” Valmont, that worse Don Juan, in order to seduce the chaste and lovely Présidente de Tourvel, essays the talisman of virtue. By stealth, to all appearance (and yet well aware that he is followed) he hurries to the rescue, reaching the woodland village at the very moment when the peasants, in silent yet indignant groups, witness their neighbour’s eviction.

“Je fais venir le Collecteur; et cédant à ma généreuse compassion, je paye noblement cinquante-six livres (about £2 4s.) pour lesquelles on réduisit cinq personnes à la paille et au désespoir. Quelles larmes de reconnaissance coulaient des yeux du vieux chef de cette famille et embellissaient cette figure de Patriarche qu’un moment auparavant l’empreinte farouche du désespoir rendait vraiment hideuse!... J’ai senti en moimême un mouvement involontaire mais délicieux; et j’ai été étonné du plaisir qu’on éprouve en faisant le bien.”

Here, good reader, is a companion picture to Aucassin and his driver of a team.

Yet, even before ’89, the French peasant was, most often, a merry lout. For, by nature, the blood of a Frenchman runs an alert and mirthful course, so that he takes advantage of the least excuse for cheerfulness. The Duke of Larochefoucauld-Liancourt, that virtuous Revolutionary, was exiled from his country by the Reign of Terror because, although a Revolutionary, he was a Duke; standing among the fields of free America in the harvest month of 1793, he marvelled at the mournfulness of that land of Liberty. These grim, gaunt Yankee farmers, counting their stooks of corn in silence, filled the good Gaul with something like dismay:

“Quelle différence du travail grave de ce peuple et de l’activité gaie, riante, chantante, des moissoneurs de mon pays. Tout le monde y était content!... Les rires, quoique perpétuels, ne dérangeaient pas le travail! Et les foins! Et les vendanges! Quel peuple au monde sait plus jouir du bonheur.”