CHAPTER I

I

Sabre, ambling his bicycle along the pleasant lanes towards Tidborough one fine morning in the early summer of 1912, was met in his thoughts by observation, as he topped a rise, of the galloping progress of the light railway that was to link up the Penny Green Garden Home with Tidborough and Chovensbury. In the two years since Lord Tybar had, as he had said, beneficially exercised his ancestors in their graves by selling the land on which the Garden Home Development was to develop, Penny Green Garden Home had sprung into being at an astonishing pace.

The great thing now was the railway.

And the railway's unsightly indications strewn across the countryside—ballast heaps, excavations, noisy stationary engines, hand-propelled barrows bumping along toy lines, gangs of men at labour with pick and shovel—met Sabre's thoughts on this June morning because he was thinking of the Penny Green Garden Home and of Mabel, and of Mabel and of himself in connection with the Penny Green Garden Home. Puzzling thoughts.

Here was a subject, this ambitiously projected and astonishingly popular Garden Home springing up at their very doors, that interested him and that intensely interested Mabel, and yet it could never be mentioned between them without.... Only that very morning at breakfast.... And June—he always remembered it—was the anniversary month of their wedding.... Eight years ago.... Eight years....

II

What interested Sabre in the Garden Home was not the settlement itself—he rather hated the idea of Penny Green being neighboured and overrun by crowds of all sorts of people—but the causes that gave rise to the modern movement of which it was a shining example. The causes had their place in one of the sections he had planned for "England" and it encouraged his ideas for that section to see the results here at his doors. Overcrowding in the towns; the desire of men to get away from their place of business; the increasing pressure of business and the increasing recreational variety of life that, deepening and widening through the years, actuated the desire; the extension of traffic facilities that permitted the desire; all the modern tendencies that made work less of a pleasure and more of a toil,—and out of that the whole absorbing question of the decay of joy in craftsmanship, and why.—Jolly interesting!

These were the pictures and the stories that Sabre saw in the roads and avenues and residences and public buildings leaping from mud and chaos into order and activity in the Garden Home; these were the reasons the thing interested him and why he rather enjoyed seeing it springing up about him. But these, he thought as he rode along, were not the reasons the thing interested Mabel. And when he mentioned them to her.... And when she, for her part, spoke of it to him—and she was always speaking of it—the reasons for her enthusiasm retired him at once into a shell. Funny state of affairs!

Mabel was convinced he loathed and detested the Penny Green Garden Home Development; and actually he rather liked the Penny Green Garden Home Development; and yet he couldn't tell her so; and she did not understand in the least when he tried to tell her so. Funny—eight years ago this month....

His thoughts went on. And, come to think of it, the relations between them were precisely similar in regard to nearly everything they ever discussed. And yet they would be called, and were, a perfectly happy couple. Perfectly? Was every happy married couple just what they were? Was married happiness, then, merely the negation of violent unhappiness? Merely not beating your wife, and your wife not drinking or running up debts? He thought: "No, no, there's something more in it than that." And then his forehead wrinkled up in his characteristic habit and he thought: "Of course, it's my fault. It isn't only this dashed Garden Home. It's everything. It isn't only once. It's always. It can't possibly be her fault always. It's mine. I can see that.

"Take this morning at breakfast. Perfectly good temper both of us. Then she said, 'Those houses in King's Close are going to be eighty pounds a year; and, what do you think, Mrs. Toller is going to take one!' Immediately I was riled. Why should I get riled because she says that Mrs. Toller is going to take a house for eighty pounds a year? I just rustled the newspaper. Why on earth couldn't I say, 'Good lord, is she?' or something like that? Why on earth couldn't I even not rustle the newspaper? She knows what it means when I rustle the paper. I meant her to know. Why should I? It's the easiest thing on earth for me to respond to what she says. I know perfectly well what she's getting at. I could easily have said that Mrs. Toller would have old Toller in the workhouse one of these days if he didn't watch it. I could have said, 'She'll be keeping three servants next, and she can't keep one as it is.' Mabel would have loved that. She'd have laughed."

He thought, "Why should she love that sort of tripe—gossip?"

He thought, "Damn it, why shouldn't she? Why should I mind? Why should I rustle the newspaper? She can't enter into things that interest me; but I can, I could enter into things that interest her. Why don't I? Of course I can see perfectly clearly how she looks at things. It's just as rotten for her that I can't talk with her about her ideas as it is rotten for me that she doesn't see my ideas. And it isn't rotten for me. I don't mind it. I don't expect it. I don't expect it...."

And at that precise moment of his thoughts, the garrulous Hapgood, seeing his face, could have said to another, as he said before, "There! See what I mean? Looks as though he'd lost something and was wondering where it was. Ha!"

III

A genial shouting and the clatter of agitated hoofs jerked Sabre from his thoughts.

"Hullo! Hi! Help! Out collision-mats! Stop the cab! Look out, Sabre! Sabre!"

He suddenly became aware—and he jammed on his brakes and dismounted by straddling a leg to the ground—that in the narrow lane he was between two plunging horses. Their riders had divided to make way for his bemused approach. They had violently sundered, expecting him to stop, until he was almost on top of them, and one of the pair was now engaged in placating his horse, which resented this sudden snatching at bit and prick of spur, and persuading it to return to the level road.

On one side the lane was banked steeply up in a cutting. The horse of the rider on this side stood on its hind legs and appeared to be performing a series of postman's double knocks on the bank with its forelegs. Lord Tybar, who bestrode it, and who did not seem to be at all concerned by his horse copying a postman, looked over his shoulder at Sabre, showing an amused grin, and said, "Thanks, Sabre. This is jolly. I like this. Come on, old girl. This way down. Keep passing on, please."

The old girl, an extraordinarily big and handsome chestnut mare, dropped her forelegs to the level of the road, where she exchanged the postman's knocking for a complicated and exceedingly nimble dance, largely on two legs.

Lord Tybar, against her evident intentions, skilfully directed the steps of this dance into a turning movement so that she and her rider now faced Sabre; and while she bounded through the concluding movements of the pas seul he continued in the same whimsical tone and with the same engaging smile, "Thanks still more, Sabre. This is extraordinarily good for the liver. Devilish graceful, aren't I? See, I'm only holding on with one hand! Marvellous. No charge for this." And as the mare came to rest and quivered at Sabre with her beautiful nostrils, "Ah, the music's stopped. Delicious. How well your step suits mine!"

"Ass!" laughed a voice above them; and Sabre, who had almost forgotten there was another horse when he had abruptly wakened and dismounted, looked up at it.

The other horse was standing with complete and entirely unconcerned statuesqueness on the low bank which bounded the lane on his other side. Lady Tybar had taken it—or it had taken Lady Tybar—out of danger in a sideways bound, and horse and rider remained precisely where the sideways bound had taken them as if it were exactly where they had intended to go all that morning, and as if they were now settled there for all time as a living equestrian statue,—a singularly striking and beautiful statue.

"We are up here," said Lady Tybar. Her voice had a very clear, fine note. "We are rather beautiful up here, don't you think? Rather darlings? No one takes the faintest notice of us; we might be off the earth. But we don't mind a bit. Hullo, Derry and Toms, Marko is actually taking off his hat to us. Bow, Derry."

Her horse, as if he perfectly understood, tossed his head, and she drew attention to it with a deprecatory little gesture of her hand and then said, "Shall we come down now? Is your dance quite finished, Tony? Are you content, Marko? All right. We'll descend. This is us descending. Lady Tybar, who is a superb horsewoman, descending a precipice on her beautiful half-bred Derry and Toms, a winner at several shows."

Derry and Toms stepped down off the bank with complete assurance and superb dignity. With equal precision, moving his feet as though there were marked for them certain exact spots which he covered with infinite lightness and exactitude, he turned about and stood beside his partner in exquisite and immobile pose.

IV

Thus the two riders faced Sabre, smiling upon him. He stood holding his bicycle immediately in front of them. The mare continued to quiver her beautiful nostrils at him; every now and then she blew a little agitated puff through them, causing them to expand and reveal yet more exquisitely their glorious softness and delicacy.

Sabre thought that the riders, with their horses, made the most striking, and somehow affecting picture of virile and graceful beauty he could ever have imagined.

Lord Tybar, who was thirty-two, was debonair and attractive of countenance to a degree. His eyes, which were grey, were extraordinarily mirthful, mischievous. A supremely airy and careless and bold spirit looked through those eyes and shone through their flashes and glints and sparkles of diamond light. His face was thin and of tanned olive. His face seemed to say to the world, challengingly, "I am here! I have arrived! Bring out your best and watch me!" There were people—women—who said he had a cruel mouth. They said this, not with censure or regret, but with a deliciously fearful rapture as though the cruel mouth (if it were cruel) were not the least part of his attraction.

Lord Tybar's lady, who was twenty-eight, carried in her countenance and in her hair the pleasing complement of her lord's tan and olive hue and of his cropped black poll. She was extraordinarily fair. Her skin was of the hue and of the sheen of creamy silk, and glowed beneath its hue. It presented amazing delicacy and yet an exquisite firmness. Children, playing with her, and she delighted in playing with children (but she was childless), often asked to stroke her face. They would stare at her face in that immensely absorbed way in which children stare, and then ask to touch her face and just stroke it; their baby fingers were not more softly silken. Of her hair Lady Tybar had said frequently, from her girlhood upwards, that it was "a most sickening nuisance." She bound it tightly as if to punish and be firm with the sickening nuisance that it was to her. And these close, gleaming plaits and coils children also liked to touch with their soft fingers.

Her name was Nona.

Out of a hundred people who passed her by quite a considerable number would have denied that she was beautiful. Her face was round and saucy rather than oval and classical. Incontestable the striking attraction of her complexion and of her hair; but not beautiful,—quite a number would have said, and did say. Oh, no; pretty, perhaps, in a way, but that's all.

But her face was much more than beautiful to Sabre.

V

Until this moment, standing there with his bicycle, she on her beautiful horse, he had not seen her, nor Lord Tybar, for two years. They had been travelling. Now seeing her, thus unexpectedly and thus gallantly environed, his mind, with that astonishing precision of detail and capriciousness of selection with which the mind retains pictures, reproduced certain masculine discussion of her looks at a time when, as Nona Holiday of Chovensbury Court, daughter of Sir Hadden Holiday, M.P. for Tidborough, she had contributed to local gossip by becoming engaged to Lord Tybar.

"Pretty girl, you know," masculine discussion had said; and Sabre had thought, "Fools!"

"Oh, hardly pretty," others had maintained; and again "Fools!" he had thought. "Pretty—pretty! Hardly pretty—hardly—!" Furious, he had flung away from them.

The time and the place of the discussion had been when the news of her engagement had just been brought into the clubhouse of the Penny Green Golf Club. He had flung out into the rain which had caused the pavilion to be crowded. Fools! Was she pretty! Did they mean to say they couldn't see in her face what he saw in her face? And then he thought, "But of course they haven't loved her. It's nothing to them what they've only just heard, but what she told me herself this morning.... And she knew what it meant to me when she told me.... Although we said nothing. Of course I see her differently."

He saw her "differently" now after two years of not seeing her, and ten years since that day of gossip at the golf club. Pretty!... Strange how he could always remember that smell of the rain as he had come out of the clubhouse ... and a strange fragrance in the air as now he looked upon her.

Upon the warm and trembling air, as he stood with his bicycle before the horses, were borne to him savour of hay newly turned in the fields about, and of high spring-tide blowing in the hedgerows; and with them delicious essence from the warm, gleaming bodies of the horses, and pungent flavour of the saddlery, and the mare's sweet breath puffed close to his face in little gusty agitations.

The shining, tingling picture of strength and beauty superbly modelled that the riders and their horses made, seemed, as it were, to arise out of and be suspended shimmering in the heart of the warm incense that he savoured. So when a sorcerer casts spiced herbs upon the flame, and scented vapour uprises, and in the vapour images appear.

Exquisite picture of strength and beauty superbly modelled: the horses' glossy coats glinting all a polished chestnut's hues; the perfect artistry and symmetry of slender limbs, and glorious, arching necks, and noble heads, and velvet muzzles; the dazzling bits and chains and buckles; the glinting bridles, reins and saddles; Lord Tybar's exquisitely poised figure, so perfectly maintaining and carrying up the symmetry of his horse as to suggest the horse would be disfigured, truncated, were he to dismount; his taking swagger, his gay, fine face; and she....

An incantation: jingle of bits mouthed in those velvet muzzles; a hoof pawed sharply on the road; swish of long, restless tails; creaking of saddlery; and sudden bursts of all the instruments in unison when heads were tossed and shaken. Remotely the whirr of a reaping machine. And somewhere birds....

Pretty!

VI

Greetings had been exchanged; his apologies for his blundering descent upon them laughed at. Lord Tybar was saying, "Well, it's a tiger of a place, this Garden Home of yours, Sabre—"

"It's not mine," said Sabre. "God forbid."

"Ah, you've not got the same beautiful local patriotism that I have. It's one of my most elegant qualities, my passionate devotion to my countryside. That was what that corker of a vicar of yours, Boom Bagshaw, told me I was when I wept with joy while he was showing me round. Yes, and now I'm a patron of the Garden Home Trust or a governor or a vice-priest or something. I am really. What is it I am, Nona?"

"You're a bloated aristocrat and a bloodsucker," Nona told him in her clear, fine voice. "And you're living on estates which your brutal ancestors ravaged from the people. That's what you are, Tony. I showed it you in the Searchlight yesterday. And, I say, don't use 'elegant'; that's mine."

"Oh, by gad, yes, so I am," said Lord Tybar. "Bloodsucker! Good lord, fancy being a bloodsucker!"

He looked so genuinely rueful and abashed that Sabre laughed; and then said to Nona, "Why is elegant 'yours', Lady Tybar?"

She made a little pouting motion at him with her lips. "Marko, I wish to goodness you wouldn't call me Lady Tybar. Dash it, we've called one another Nona and Marko for about a thousand years, long before I ever knew Tony. And just because I'm married—"

"And to a mere loathsome bloodsucker, too," Lord Tybar interposed.

"Yes, especially to a bloodsucker. Just remember to say Nona, will you, otherwise there'll be a cruel scene between us. I told you about it before I went away. You don't suppose Tony minds, do you?"

"And Sabre," said Lord Tybar, "what the devil does it matter what a bloated robber minds, anyway? That's the way to look at me, Sabre. Trample me underfoot, my boy. I'm a pestilent survivor of the feudal system, aren't I, Nona?"

"Absolutely. So, Marko, don't be a completer noodle than you already are."

"Ah, you're getting it now." Lord Tybar murmured. "I'm a noodle, too, the Searchlight says."

He somehow gave Sabre the impression of taking an even deeper enjoyment in the incident between his wife and Sabre than the enjoyment he clearly had in his own facetiousness. He was slightly turned in his saddle so as to look directly at Nona, and he listened and interposed, and turned his eyes from her face to Sabre's, and from Sabre's back to hers, with his handsome head slightly cocked to one side and with much gleaming in his eyes; rather as if he had on some private mock.

Fantastical notion! What mock could he have?

"Well, about my word 'elegant'," Nona was going on, "and why it is mine—weren't you asking?"

Sabre said he had. "Yes, why yours?"

"Why, you see, Derry and Toms is a case of it." She tickled her horse's ears with her riding switch, and he stamped a hoof on the ground and arched his neck as though he knew he was a case of it and was proud of being a case of it. "I wanted an elegant name for him and I always think two names are so elegant for a firm—"

"Bloodsucker and Noodle are mine," said Lord Tybar in a very gloomy voice; and they laughed.

"—So I called him Derry and Toms."

Sabre pointed out that this still left her own possession of the word unexplained.

"Oh, Marko, you're dreadfully matter-of-fact. You always were. Why, Tony and I get fond of a word and then we have it for our own, whichever of us it is, and use it for everything. And elegant's mine just now. I'm dreadfully fond of it. It's so—well, elegant: there you are, you see!"

Lord Tybar announced that he had just become attached to a new word and desired to possess it. He was going to have blood. "You see, if I live by sucking blood—"

"Tony, you're disgusting!"

"I know. I'm the most frightful things. I'm just beginning to realise it. Yes, blood's mine, Nona. Copyright. All rights reserved. Blood."

"Well, so long as you stick to the noun and don't use the adjective," she said; and they all laughed again.

Lord Tybar gathered up his reins and stroked his left hand along them. "Well, kindness to animals!" he said. "That's another of my beautiful qualities. The perfect understanding between me and my horses tells me the mare has seen enough of you, Sabre. She tells me all her thoughts in her flanks and they Marconi up my nervous and receptive legs. I must write and tell the Searchlight that. Perhaps they'll think better of me."—The mare, feeling his hand, began to dance coquettishly. "You'll come up and see us often, now you know we're back, won't you? Nona likes seeing you, don't you, Nona?" And again he looked from Nona to Sabre and back at Nona again with that look of mocking drollery.

"Oh, you're all right, Marko," Nona agreed, "when you're not too matter-of-fact. Yes, do come up. There's always a harsh word and a blow for you at Northrepps."

The mare steadied again. She stretched out her neck towards Sabre and quivered her nostrils at him, sensing him. He put up a hand to stroke her beautiful muzzle and she threw up her head violently and swerved sharply around.

Not in the least discomposed, Lord Tybar, his body in perfect rhythm with her curvettings, laughed at Sabre over his shoulder. "She thinks you're up to something, Sabre. She thinks you've got designs on us. Marvellous how I know! Whisper and I shall hear, loved one. You'll hurt yourself in a minute."

The light in his smiling eyes was surely a mocking light. "Thinks you're up to something! Thinks you've got designs on us!"

The mare was wheedled round again to her former position; against her will, but somehow as the natural result of her dancing. Marvellous how he directed her caprices into his own intentions and against her own. But Lord Tybar was now looking away behind him to where the adjoining meadow sloped far away and steeply to a copse. In the hollow only the tops of the trees could be seen. His eyes were screwed up in distant vision. He said, "Dash it, there's that old blighter Sooper. He's been avoiding me. Now I've got him. Nona, you won't mind getting back alone? I must speak to Sooper. I'm going to have his blood over that fodder business. Blood! My word! Good!"

He twisted the mare in a wonderfully quick and dexterous movement. "Good-by, Sabre. You don't mind, Nona?" And he flashed back a glance. He lifted the mare over the low bank with a superbly easy motion. He turned to wave his hand as she landed nimbly in the meadow, and he cantered away, image of grace, poetry of movement. Fortune's favourite!

The two left watched him. At the brow of the meadow he turned again in his saddle and waved again jauntily. They waved reply. He was over the brow. Out of sight.

VII

The features of the level valley beyond the brow where only he could have seen the individual he sought, were, at that distance, of Noah's Ark dimensions. "How he could have recognised any one!" said Nona, her gaze towards the valley. "I can't even see any one. He's got eyes like about four hawks!"

Sabre said, "And rides like a—what do they call those things?—like a centaur."

She turned her head towards him. "He does everything better than any one else," she said. "That's Tony's characteristic. Everything. He's perfectly wonderful."

These were enthusiastic words; but she spoke them without enthusiasm; she merely pronounced them. "Well, I'm off too," she said. "And what about you, Marko? You're going to work, aren't you? I don't think you ought to be able to stop and gossip like this. You're not getting an idler, are you? You used to be such a devoted hard-worker. My word!" and she laughed as though at some amused memory of his devotion to work.

He laughed too. They certainly had many recollections in common, though not all laughable. "I don't think I'm quite so—so earnest as I used to be," he smiled.

"Ah, but I like you earnest, Marko."

There was the tiniest silence between them. Yet it seemed to Sabre a very long silence.

She was again the one to speak, and her tone was rather abrupt and high-pitched as if she, too, were conscious of a long silence and broke it deliberately, as one breaks, with an effort, constraint.

"And how's Mabel?"

"She's all right. She's ever so keen on this Garden Home business."

"She would be," said Nona.

"And so am I!" said Sabre. Something in her tone made him say it defiantly.

She laughed. "I'm sure you are, Marko. Well, good-by"; and as Derry and Toms began to turn with his customary sedateness of motion she made the remark, "I'm so glad you don't wear trouser clips, Marko. I do loathe trouser clips."

He told her that he rode "one of those chainless bikes."

He said it rather mumblingly. Exactly in that tone she used to say things like, "I do like you in that brown suit, Marko."

VIII

He resumed his ride. A mile farther on he overtook, on a slight rise, an immense tree trunk slung between three pairs of wheels and dragged by two tremendous horses, harnessed tandemwise. As he passed them came the smell of warm horseflesh and his thought was "Pretty!"

He shot ahead and a line came into his mind:

"Was this the face that launched a thousand ships?"

Well, he had had certain aspirations, dreams, visions....

He was upon the crest whence the road ran down into Tidborough. Beneath him the spires of the Cathedral lifted exquisitely above the surrounding city.

"Those houses in King's Close are going to be eighty pounds a year, and what do you think, Mrs. Toller is going to take one!"...