CHAPTER III
THE majority of the students at the College of the City of New York was already made up of Jewish boys, mostly from the tenement-houses. One such student often called at the cloak-shop in which I was employed, and in which his father—a tough-looking fellow with a sandy beard, a former teamster—was one of the pressers. A classmate of this boy was supported by an aunt, a spinster who made good wages as a bunch-maker in a cigar-factory.
To make an educated man of her nephew was the great ambition of her life.
All this made me feel as though I were bound to that college with the ties of kinship. Two of my other shopmates had sons at high school. The East Side was full of poor Jews—wage-earners, peddlers, grocers, salesmen, insurance agents—who would beggar themselves to give their children a liberal education. Then, too, thousands of our working-men attended public evening school, while many others took lessons at home. The Ghetto rang with a clamor for knowledge
To save up some money and prepare for college seemed to be the most natural thing for me to do. I said to myself that I must begin to study for it without delay. But that was impossible, and it was quite some time before I took up the course which the presser's boy had laid out for me. During the first three months I literally had no time to open a book. Nor was that all.
My work as a cloak-maker had become a passion with me, so much so that even on Saturdays, when the shop was closed, I would scarcely do any reading.
Instead, I would seek the society of other cloak-makers with whom
I might talk shop
I was developing speed rather than skill at my sewing-machine, but this question of speed afforded exercise to my brain. It did not take me long to realize that the number of cloaks or jackets which one turned out in a given length of time was largely a matter of method and system. I perceived that Joe, who was accounted a fast hand, would take up the various parts of a garment in a certain order calculated to reduce to a minimum the amount of time lost in passing from section to section. So I watched him intently, studying his system with every fiber of my being. Nor did I content myself with imitating his processes. I was forever pondering the problem and introducing little improvements of my own. I was making a science of it. It was not merely physical exertion. It was a source of intellectual interest as well. I was wrapped up in it. If I happened to meet a cloak-operator who was noted for extraordinary speed I would feel like an ambitious musician meeting a famous virtuoso. Some cloak-operators were artists. I certainly was not one of them. I admired their work and envied them, but I lacked the artistic patience and the dexterity essential to workmanship of a high order. Much to my chagrin, I was a born bungler. But then I possessed physical strength, nervous vitality, method, and inventiveness—all the elements that go to make up speed
I was progressing with unusual rapidity. Joe criticized my work severely, often calling me botcher, but I knew that this was chiefly intended to veil his satisfaction at the growing profits that my work was yielding him
I now earned about ten dollars a week, of which I spent about five, saving the rest for the next season of idleness
At last that season set in. There was not a stroke of work in the shop. I was so absorbed in my new vocation that I would pass my evenings in a cloak-makers' haunt, a café on Delancey Street, where I never tired talking sleeves, pockets, stitches, trimmings, and the like. There was a good deal of card-playing in the place, but somehow I never succumbed to that temptation.
But then, under the influence of some of the fellows I met there, I developed a considerable passion for the Jewish theater. These young men were what is known on the East Side as "patriots," that is, devoted admirers of some actor or actress and members of his or her voluntary claque. Several of the other frequenters were also interested in the stage, or at least in the gossip of it; so that, on the whole, there was as much talk of plays and players as there was of cloaks and cloak-makers. Our shop discussions certainly never reached the heat that usually characterized our debates on things theatrical
The most ardent of the "patriots" was a young contractor named Mindels. He attended nearly every performance in which his favorite actor had a part, selling dozens of tickets for his benefit performances and usually losing considerable sums on these sales, loading him with presents and often running his errands. I once saw Mindels in a violent quarrel with a man who had scoffed at his idol
Mindels's younger brother, Jake, fascinated me by his appearance, and we became great chums. He was the handsomest fellow I ever had seen, with a fine head of dark-brown hair, classic features, and large, soft-blue eyes; too soft and too blue, perhaps. His was a manly face and figure, and his voice was a manly, a beautiful basso; but this masculine exterior contained an effeminate psychology. In my heart I pronounced him "a calf," and when I had discovered the English word "sissy," I thought that it just fitted him.
Yet I adored him, and even looked up to him, all because of his good looks
He was a Talmudist like myself, and we had much in common, also, regarding our dreams of the future
"Oh, I am so glad I have met you," I once said to him
"I am glad, too," he returned, flushing
I found that he blushed rather too frequently, which confirmed my notion of him as a sissy. Like most handsome men, he bestowed a great deal of time on his personal appearance. He never uttered a foul word nor a harsh one. If he heard a cloak-maker tell an indecent story he would look down, smiling and blushing like a girl
Formerly he had been employed in his brother's shop, while now he earned his living by soliciting and collecting for a life-insurance company