CHAPTER XL.
There is in the city a conduit erected by Theagenes, of whom I mentioned before that he married his daughter to Cylon an Athenian. This Theagenes when he was king erected this conduit, well worth seeing for its size and beauty and the number of its pillars. And the water that flows into is called after the Sithnidian Nymphs, who, according to the Megarian tradition, are natives, and one of them bare a son to Zeus, whose name was Megarus, and who escaped Deucalion’s flood by getting to the top of Mount Gerania (Cranemountain), which was not the original name of the mountain, but was so called because he followed in his swimming the flight of some cranes by their cry. And not far from this conduit is an ancient temple, and there are some statues in it of Roman Emperors, and an image of Artemis in brass by the name of Saviour. The story goes that some men in the army of Mardonius who had overrun Megaris wished to return to Thebes to join Mardonius, but by the contrivance of Artemis wandered about all night, and lost their way, and got into the mountainous part of the country, and, endeavouring to ascertain if the enemy’s army was about, shot some arrows, and the rock shot at returned a groan, and they shot again and again furiously. And at last their arrows were expended in shooting at their supposed foes. And when day dawned, and the Megarians really did attack them, (well armed against men badly armed and now minus ammunition), they slew most of them. And this is why they put up an image to Artemis the Saviour. Here too are images of the so-called 12 gods, the production of Praxiteles. He also made an Artemis of the Strongylii. And next, as you enter the sacred enclosure of Zeus called the Olympieum, there is a temple well worth seeing: the statue of Zeus is not finished in consequence of the war between the Peloponnesians and the Athenians, in which the Athenians every year by land and by sea injured the Megarians both publicly and privately, ravaging their territory, and bringing them individually to the greatest poverty. And the head of this statue of Zeus is of ivory and gold, but the other parts are of clay and earthenware: and they say it was made by Theocosmus a native, assisted by Phidias. And above the head of Zeus are the Seasons and the Fates: it is plain to all that Fate is his servant, and that he orders the Seasons as is meet. In the back part of the temple there are some wooden figures only half finished: Theocosmus intended to finish them when he had adorned the statue of Zeus with ivory and gold. And in the temple there is the brazen ram of a trireme, which was they say taken at Salamis, in the sea fight against the Athenians. The Athenians do not deny that there was for some time a defection on the part of Salamis to the Megarians, but Solon they say by his elegiac verses stirred the Athenians up, and they fought for it, and eventually retook it. But the Megarians say that some of their exiles, called Doryclei, mixed themselves among the inhabitants and betrayed Salamis to the Athenians. And next to the enclosure of Zeus, as you ascend the Acropolis still called the Carian from Car the son of Phoroneus, is the temple of Nyctelian Dionysus, and the temple of Aphrodite the Procuress, and the Oracle of Night, and a roofless temple of dusty Zeus. And statues of Æsculapius and Hygiea, both the work of Bryaxis. Here too is the sacred Hall of Demeter: which they say was erected by Car when he was king.