CHAPTER XVIII.
Near the two figures of Pausanias is a statue of Youth-prolonging Aphrodite, made at the bidding of an oracle, and statues of Sleep and Death. People have reckoned them to be brothers according to Homer’s lines in the Iliad.[39] And on the way to Alpium as it is called you come to the temple of Athene the Eye-preserver, erected they say by Lycurgus who had one of his eyes knocked out by Alcander, because he did not find Lycurgus’ legislation agreeable. And he took refuge at this place, and the Lacedæmonians prevented his losing his remaining eye, so he built a temple to Athene the Eye-preserver. And as you go on from thence you come to the temple of Ammon. The Lacedæmonians seem from time immemorial to have used his oracle in Libya most of all the Greeks. And it is said that, when Lysander was besieging Aphytis in Pallene, Ammon appeared to him by night, and told him it would be better for him and Lacedæmon to raise the siege. And accordingly he did so, and induced the Lacedæmonians to honour the god even more than before. And the people of Aphytis honour Ammon as much as the Ammonians themselves in Libya. And the following is the tradition about Cnagian Artemis. Cnageus they say was a native of Sparta, and went on the expedition against Aphidna with Castor and Pollux, and was taken prisoner in the battle and sold into slavery in Crete, and was slave at the temple of Artemis in Crete, and in course of time ran off with the priestess who also took with her the image of the goddess. This is why they call her Cnagian Artemis. But I cannot help thinking this Cnageus must have gone to Crete in some other way, and not as the Lacedæmonians say, for I do not think a battle was fought at Aphidna, as Theseus was detained in Thesprotia, and the Athenians were not unanimous for him, but inclined rather to Menestheus. Not but that, if a contest took place, one might readily believe that prisoners were taken by the conquerors, especially as it was a decisive victory, for Aphidna was captured. Let this suffice for the subject.
On the road from Sparta to Amyclæ you come to the river Tiasa. Tiasa was they think the daughter of Eurotas, and near the river is a temple of the Graces Phaenna and Clete, whom Alcman has celebrated. And they think that Lacedæmon erected this temple to the Graces and gave them these names. The things worth seeing at Amyclæ are the statue of Ænetus on a pillar (he won all the prizes in the pentathlum, and died they say directly after being crowned for his victory at Olympia,) and some brazen tripods, three[40] of which are older they say than the Messenian War. Under the first of these is a statue of Aphrodite, under the second one of Artemis, both the design and work of Gitiadas. And the third is by Callon of Ægina, and under it is a statue of Proserpine the daughter of Demeter. And the Parian Aristander has represented a woman with a lyre to signify Sparta no doubt, and Polycletus the Argive has represented Aphrodite called the Aphrodite near Amyclæan Apollo. These 3 tripods are bigger than any of the rest, and were dedicated in consequence of the victory at Ægos-potamoi. And Bathycles the Magnesian, who made the throne of Amyclæan Apollo, also carved some of the Graces on the throne and a statue of Artemis Leucophryene. Who he learnt his art from, or in whose reign he made this throne I pass by, but I have seen it and will describe it. Before and behind it are two Graces and two Seasons, on the left is the Hydra and Typhos, and on the right the Tritons. But to narrate every detail of this work of art would tire my readers, to make therefore a short summary, since most are well known, Poseidon and Zeus are carrying off Taygetes, the daughter of Atlas, and her sister Alcyone. There also is Atlas delineated, and the combat between Hercules and Cycnus, and the fight of the Centaurs with Pholus. There too is the Minotaur represented by Bathycles (I know not why) as fettered and led alive by Theseus. And there is a dance of Phæacians on the throne, and Demodocus is singing. There too is Perseus’ victory over Medusa. And not to mention the contest of Hercules with the giant Thurius, and of Tyndareus with Eurytus, there is the rape of the daughters of Leucippus. And there is Hermes carrying to heaven Dionysus as a boy, and Athene taking Hercules to dwell among the gods. And there is Peleus handing over Achilles for his education to Chiron, who is said to have been his tutor. And there is Cephalus carried off by Aurora for his beauty. And there are the gods bringing their gifts at the wedding of Harmony. There too is the single combat between Achilles and Memnon, and Hercules slaying Diomede, King of Thrace, and Nessus by the river Evenus, and Hermes bringing up the goddesses to Paris for the trial of beauty, and Adrastus and Tydeus stopping the fight between Amphiarus and Lycurgus the son of Pronax. And Hera is gazing at Io already changed into a heifer, and Athene is running away from the pursuit of Hephæstus. There too is Hercules fighting with the hydra, and bringing up Cerberus from Hades. There too are Anaxis and Mnasinous each of them on horseback, and Megapenthes, the son of Menelaus, and Nicostratus both on one horse. And there is Bellerophon killing the Chimæra in Lycia, and Hercules driving off the cattle of Geryon. And on each side of the upper portions of the throne are Castor and Pollux on horseback: under their horses are some Sphinxes and some wild beasts running above, on Castor’s side a leopard, but near Pollux a lioness. And at the very top of the throne is a company of the Magnesians who assisted Bathycles in this work of art. And if you go under the throne to see its interior parts where the Tritons are, there is the boar of Calydon, and Hercules slaying the sons of Actor, and Calais and Zetes driving away the Harpies from Phineus, and Pirithous and Theseus carrying off Helen, and Hercules throttling the Nemean lion. And there are Apollo and Artemis transfixing Tityus. And there is the contest of Hercules with the Centaur Oreus, and of Theseus with the Minotaur, and the wrestling of Hercules with Achelous, and Hera bound by Hephæstus as the story goes, and the games established by Acastus in memory of his father, and what we read in the Odyssey about Menelaus and the Egyptian Proteus. Lastly there is Admetus yoking to his chariot a boar and a lion, and the Trojans making their offerings at the grave of Hector.