THE LUXURY OF NÎMES
When the Romans captured a place and established themselves in it they generally built, first an Arch of Triumph in celebration of their victory; then an arena and a theater for pleasure; finally a temple for worship. Sometimes, when they really favored the place and made it a resort, they constructed baths. I do not find that they built an Arch of Triumph at Nîmes, but they built an arena, baths, and a temple, for they still stand. The temple is the smallest. It is called the "Maison Carrée," and it is much like the temple we saw at Vienne that day in the rain, but in a finer state of preservation. Indeed, it is said to be one of the best preserved Roman temples in existence. It is graceful and exquisite, and must have suited Henry James, who did not care for Roman arenas because they are not graceful and exquisite, as if anything built for arena purposes would be likely to be anything less than solid and everlasting. We did not go into the Maison Carrée. It is a museum now, and the fact that it has also been used as a warehouse and stable somehow discouraged us. It would be too much done over. But the outside was fascinating.
We thought the garden of the Roman baths and fountain would be well to see in the evening. We drove along the quay by the side of the walled river which flows down the middle of the street, and came to the gates of the garden and, leaving the car, entered.
At first it seemed quite impossible to believe that a modern city of no great size or importance should have anything so beautiful as this garden, or, having it, should preserve it in such serene beauty and harmony. But then one remembered that this was France, and of France it was the Provence and not really a part of the sordid, scrambling world at all.
It is a garden of terraces and of waterways and of dim, lucent pools to which stairways descend, and of cypresses, graying statuary, and marble bridges and fluted balustrades; and the water is green and mysterious, and there is a background of dark, wooded hills, with deep recesses and lost paths. We climbed part way up the hillside and found a place where we could look out on the scene below. In the fading light it seemed a place of enchantment.
It is not easy to tell what part of this garden the Romans built and what was added from time to time during the centuries. It seems to have been liberally reconstructed a hundred or so years ago, and the statuary is none of it of the Roman period. But if there was ever any incongruity the blurring hand of time has left it invisible to our unpracticed eyes. We lingered in this magic garden, and spoke softly of the generations that for nineteen centuries have found their recreation there, and we turned often for a last look, reluctant to leave something that seemed likely to vanish the moment one turned away.
Our hotel was on the square in which stands the arena, so that it was but a step away at any time. We paid it one thorough visit, and sat in the seats, and scaled the upper heights, and looked down on the spot where tragedy and horror had been employed as means of pleasure for a good portion of the world's history. I am sorry the Provence is still rather cruel minded, though I believe they do not always kill the bull now in the Sunday-afternoon fights. It is only a few times in each season that they have a fight to the death. They had one the Sunday before our arrival, according to the bills still posted at the entrance. In the regular Sunday games anyone has the privilege of snatching a bow of red ribbon from the bull's forehead. I had a fever to try it, but, this being only Tuesday, it did not seem worth while to wait.
On the whole I think we did not find the arena at Nîmes as interesting as the one at Arles, perhaps because we had seen Arles first. It is somewhat smaller than the Arles circus, and possibly not so well preserved, but it is of majestic proportions, and the huge layers of stone, laid without cement in the Roman fashion, have never moved except where Vandal and Saracen and the building bishops have laid despoiling hands.
Not all the interest of Nîmes is ancient; Alphonse Daudet was born in Nîmes, and the city has set up a statue and named a street in his honor. Daudet's birthplace is not on the street that bears his name, but on the Boulevard Gambetta, one of the wide thoroughfares. Daudet's house is a part of the Bourse du Commerce now, and I do not think it was ever the "habitation commode, tout ombragée de plantanes" of which he writes so fondly in Le Petit Chose—the book which we have been told is, in part, at least, his own history. There is nothing now to indicate that it was ever the birthplace of anyone, except the plaque at the door, and as we sat reading this we realized that by a coincidence we had come at a fortunate time. The plaque said, "Born May 13, 1840." Now, seventy-four years later, the date was the same. It was the poet's birthday!