PORTRAITS
1. King Charles III.
The King is standing in hunting costume, wearing a black three-cornered hat, ample grey cloak, gaiters, etc. In his right hand a carbine, in his left, white gloves. At his feet his favourite white dog is lying, with collar inscribed ‘Rey nuestro señor.’
Background, an arid landscape, with shrubs; mountains beyond. (A copy is to be found in the Royal Palace, Madrid, and another in the possession of the Duque de Fernan Nuñez.)
The Prado, Madrid. Doubtful.
2. King Charles III.
The King wears court dress.
Portrait painted in 1787.
The Bank of Spain, Madrid.
3. The Family of King Charles IV.
This important composition includes fourteen full-length figures. The King standing in the centre; at his right the Queen, holding by the hand the Infante Don Francisco de Paula. To the right of the Queen, the Infanta Doña Maria Isabella; the Prince of the Asturias and his wife, Marie Antoinette; the Infante Don Carlos; the Infanta Maria Josefa, sister of the King; further on, the artist painting. To the left of the King, the Infante Don Antonio; Prince Louis of Parma and his wife, carrying their infant in her arms; and the Infanta Charlotte-Joaquine.
Canvas 2·80 by 3·36.
The Prado, Madrid.
4. Studies for the preceding picture.
(a) King Charles IV.
(b) Queen Maria Luisa.
(c) The Infante Ferdinand.
(d) The Infante Don Carlos. The Prado, Madrid.
(e) The Infante Don Francisco de Paula.
(f) The Infante Don Antonio, Brother of Charles IV.
The Prado, Madrid.
(g) Prince Louis of Parma, Son-in-law of Charles IV.
The Prado, Madrid.
(h) Princess Isabella, afterwards Queen of Naples.
(i) Doña Maria Josefa, Sister of Charles IV.
(j) The Infant Son of Prince Louis of Parma, represented with a toy guitar in his hands.
This sketch was sold in Paris in 1873 for 12,800 francs.
(k) Maria Luisa, Princess of Parma.
The Prado, Madrid.
5. King Charles IV.
The King in Court dress.
Ministerio de Hacienda, Madrid.
6. Repetition of the preceding.
The University of Madrid.
7. Repetition of the preceding.
Escuela de Ingenieros de Caminos.
8. King Charles IV.
The King wears a gorgeous crimson costume.
Boadilla del Monte.
9. King Charles IV.
The King, in Court dress, is represented standing.
The War Office, Madrid.
10. King Charles IV.
The King wears the uniform of the Royal Body-guard. He is standing.
11. King Charles IV.
The property of the Marqués de Casa Torres, Madrid.
12. King Philip IV.
The King is hunting the wild boar. This picture by Goya is a copy of the painting by Velazquez, now in the National Gallery, London, which was in the Royal Palace, Madrid, until it was presented by Ferdinand VII. to the late Lord Cowley, of whom it was purchased for the National Gallery in 1846.
The hunt is taking place in an enclosed space of ground, in the front of which there are many spectators; hills and foliage fill the background. Among the numerous small figures in the picture are portraits of King Philip IV., the Count-Duke of Olivares, the Cardinal Infante, Don Fernando de Bourbon; the arquebus-carrier of the King, Don Juan Mateos.
Queen Isabella de Bourbon and her maids of honour are present in their coaches.
Prado, Madrid.
13. King Charles IV.
A life-size figure of the King, standing; he wears hunting costume.
Capodimonte, Naples.
14. King Charles IV.
A repetition of the preceding.
15. King Charles IV.
The King wears the uniform of the Royal Body-guard. He is standing, bare-headed, with a cane in his hand.
The Prado, Madrid.
16. King Charles IV.
This is a repetition of the preceding, on canvas.
The Royal Palace, Madrid.
17. King Charles IV.
The King, mounted on a piebald horse, is in the uniform of the Royal Body-guard.
The Prado, Madrid.
18. Maria Luisa of Parma, wife of Charles IV.
The Queen carries an open fan in her right hand.
Academia de la Historia, Madrid.
19. Maria Luisa of Parma.
A repetition of the preceding.
20. Maria Luisa of Parma.
A repetition of the preceding.
Don Luis de Navas, Madrid.
21. Maria Luisa of Parma.
The Queen wears a large hat, and has a fan in her hands, which are crossed.
Boadilla del Monte.
22. Maria Luisa of Parma.
Repetition of the preceding. Canvas.
Don Aureliano de Beruete, Madrid.
23. Maria Luisa of Parma.
This is a copy of the preceding.
24. Maria Luisa of Parma.
Ministerio de Hacienda, Madrid.
25. Maria Luisa of Parma.
Repetition of the preceding.
26. Maria Luisa of Parma.
Repetition of the preceding (full-length portrait).
The Queen wears a hat with feathers.
The War Office, Madrid.
27. Maria Luisa of Parma.
Repetition of the preceding.
The Queen wears a lace dress.
The figure is three-quarter length.
Inscribed ‘Maria Luisa de Parma.’
Casa de la Diputacion, Madrid.
28. Maria Luisa of Parma.
This is a companion picture to No. 10 (Charles IV.).
The Queen wears a turban as head-dress.
A three-quarter length portrait.
The Marqués de Casa Torres, Madrid.
29. Maria Luisa of Parma.
The Queen wears a bright-coloured gown, and for head-dress a turban.
This is the companion picture to No. 11 (Charles IV.).
Capodimonte, Naples.
29A. Maria Luisa of Parma.
Repetition of No. 28.
The Royal Palace, Madrid.
30. Maria Luisa of Parma.
The Queen is represented full face, a turban on her head; heavy ear and finger rings; a fan in her right hand.
The property of Mr. Havemeyer, New York.
31. Maria Luisa of Parma.
The Queen is dressed in black, and wears a mantilla.
Formerly in the possession of Godoy, Prince of the Peace.
32. Maria Luisa of Parma.
Equestrian portrait of the Queen in the uniform of the Royal Body-guard.
The Prado, Madrid.
33. Maria Luisa of Parma.
The Queen wears a black dress and mantilla.
The Royal Palace, Madrid.
34. Maria Luisa of Parma.
The Queen is reclining on a couch.
35. Maria Luisa of Parma.
The property of General Sir J. Meade, London.
36. Maria Luisa of Parma.
The Queen carries a child in her arms.
The property of M. Billotte, Paris.
37. Equestrian Portrait of King Ferdinand VII.
The King is mounted on a charger. He wears a tight-fitting coat, riding breeches and boots; a hat with a white feather. The right arm is extended.
Academia de San Fernando, Madrid.
38. King Ferdinand VII.
Sketch of the preceding in oils.
39. King Ferdinand VII.
The King is standing dressed in general’s uniform.
The Prado, Madrid.
40. King Ferdinand VII.
In coronation robes.
The Prado, Madrid.
41. King Ferdinand VII.
Repetition of the preceding.
Signed ‘F. Goya.’
Palacio del Canal Imperial de Aragon, Zaragoza.
42. King Ferdinand VII.
A study of the entire figure.
The Post Office, Madrid.
43. King Ferdinand VII.
Casa de la Diputacion, Pamplona.
44. King Ferdinand VII.
A study on canvas.
Ministerio de la Gobernacion, Madrid.
45. King Ferdinand VII.
Study on canvas.
46. King Ferdinand VII.
A bust. On his shoulders the royal purple cloak with ermine collar. He wears the insignia of the Golden Fleece.
The property of the Vizconde de Val de Erro, Madrid.
47. The Infanta Margarita and Playmates.
After Velazquez (Las Meninas).
The property of Herr Steinmeier, Cologne.
48. The Family of the Infante Don Luis de Bourbon, Brother of Charles III.
Don Luis and his wife are seated at a round table; their two children near them. A hairdresser is powdering the lady’s hair; she wears a dressing-gown. Members of the household are present, and Goya himself is represented with his palette and brushes in hand. Heavy curtains in crimson and blue velvet form the background.
Boadilla del Monte.
49. The Infante Don Luis de Bourbon.
A study.
It bears on the reverse the inscription: ‘Retrato del Serenissimo Señor Infante Don Luis Antonio de Borbon, que de q a 12 de la Mañana, dia 11 de Sept. del año 1783, hacia Don Francisco Goya.’
50. The Infante Don Luis de Bourbon.
Repetition of the preceding.
51. The Infante Don Luis de Bourbon.
Three-quarter portrait, in Court costume.
Boadilla del Monte.
52. The Infante Don Luis de Bourbon and the Architect Don Ventura Rodriguez.
The property of M. Joan Stchoukine, Paris.
53. The Infante Don Luis Maria de Bourbon, Archbishop of Toledo, as a Child.
With the inscription: ‘Al S D Luis Maria, hijo del Ser Infante D Luis y de la muy ilustre S D Mar. Ter. Vallabriga a los seis años y tres meses de edad.’
Boadilla del Monte.
54. The Infante Don Luis Maria de Bourbon.
Boadilla del Monte.
55. The Infante Don Luis Maria de Bourbon.
Repetition of the preceding.
The property of the Marqués de Casa Torres, Madrid.
(Another copy in the Church of Monserrat at Rome.)
56. Doña Maria Teresa de Vallabriga, Condesa de Chinchon, Wife of the Infante Don Luis de Bourbon.
Companion picture to No. 49. Bears the date 1783. It bears an inscription and the artist’s name.
57. Doña Maria Teresa de Vallabriga, Condesa de Chinchon.
Repetition of the preceding.
58. Doña Maria Teresa de Vallabriga, Condesa de Chinchon.
Three-quarter length portrait.
59. Doña Maria Teresa de Vallabriga, Condesa de Chinchon.
Equestrian portrait.
60. Doña Maria Teresa de Bourbon.
Bears an inscription by the painter.
Boadilla del Monte.
61. Doña Maria Teresa de Bourbon.
Full-length figure, standing.
Boadilla del Monte.
62. Doña Maria Teresa de Bourbon.
Boadilla del Monte.
63. Doña Maria Teresa de Bourbon.
The entire figure, seated.
Boadilla del Monte.
64. King Joseph Buonaparte.
This portrait is in private hands.
65. The Emperor Francis of Austria.
Doubtful.
His right hand holds a telescope, his left rests on a cannon marked with the letter N. White uniform.
66. Doña Manuela Giron y Pimentel, Duquesa de Abrantes.
Bears her name and the painter’s signature, 1816.
The property of the Dowager Duquesa de Abrantes, Madrid.
67. Æsop.
After Velazquez.
The property of M. Sortez, Paris.
68. 13th Duque de Berwick y Alba.
Half-figure, on canvas.
The property of the Duque de Medina Sidonia, Madrid.
69. 13th Duque de Berwick y Alba.
Private property, Madrid.
70. Doña Maria Teresa Cagetana de Silva, Duquesa de Berwick y Alba.
Painted in 1795.
She is represented full face, her hair falling on her shoulders; a coral necklace and gold bracelets. Her right hand points to the painter’s signature. She is dressed in white with a large flame-coloured sash. At her feet is a pet-dog. Landscape background.
Signed left-hand bottom corner.
71. Doña Maria Teresa Cagetana de Silva, Duquesa de Berwick y Alba.
The property of Sir Julius Wernher, Bart., London.
72. The Duquesa de Alba.
In black, and wearing a mantilla. On her forefinger is a ring, on the bezel of which is inscribed the name ‘Alba.’
Signed by the artist.
The property of M. P. Soliège, Paris.
73. The Duquesa de Alba.
The property of Don Rafael Barrio, Madrid.
74. The Duquesa de Alba.
Life-size bust.
The property of the Duque de Medina Sidonia, Madrid.
75. The Duquesa de Alba.
Half-length figure, life size.
Dressed in green. She wears a fichu. Her hair is powdered.
The property of M. Bamberger, Paris.
76. The Duquesa de Alba.
Formerly in the Urzaiz Collection in Seville.
77. Conde de Altamira.
He is seated. The head is shown in profile. Full-length, life-size figure on canvas.
The Bank of Spain, Madrid.
78. Doña Maria Ignacia Alvares de Toledo, Condesa de Altamira.
On canvas, full-length figure, life size.
The Countess is represented with her daughter.
The property of M. Leopold Goldschmidt, Paris.
79. Altamirano, Auditor to the Court of Seville.
He is bare-headed, wears a brown suit, with a frill and light-flowered vest.
Oval canvas, life-size bust.
The property of Messieurs Boussod and Valadon, Paris.
80. Don José Maria Arango, the Andalusian Painter.
Painted in 1816, when he was twenty-nine.
The property of Don J. Masensio, Seville.
81. Don Gabriel de Aristizabal, Lieutenant-General of Marines.
Standing, half-length, he wears the gala uniform of a lieutenant-general of the Armada. In a buttonhole is seen the Cross of Charles II.
It bears an inscription.
Formerly in the Naval Museum, Madrid.
82. Azara, the Naturalist.
He wears the uniform of a naval brigadier. Half-length portrait.
Azara family, Madrid.
83. The Marquesa de Baena.
The property of Don J. Zuloaga, Eibar.
84. Doña Feliciana Bayeu.
She wears a silk handkerchief round her neck; in her hair blue and pink ribbons.
An inscription in left-hand bottom corner.
Life-size bust, on canvas.
The property of Don C. Ferriz, Madrid.
85. Don Francisco Bayeu y Subias, Goya’s Brother-in-law.
He is seated almost full face, wears a grey suit, and holds a brush in his right hand.
The Prado, Madrid.
86. Don Francisco Bayeu y Subias.
He stands before a canvas; holds a brush in his right hand.
The Museum, Valencia.
87. Don Ramon Bayeu and his Wife.
88. Father-in-law and Mother-in-law of Goya.
Two miniatures.
The property of Don Alejandro de Pidal, Madrid.
89. Don Manuel Lapeña, Marquis of Bondad Real.
Bears the inscription ‘D. Manuel Lapeña. P^r Goya año 1779.’
Photo by Moreno.
Canvas 2·25 by 1·40.
The property of Don Joaquín Argamasilla, Madrid.
90. The Marquesa de Caballero.
Bears the inscription ‘Exma Sra. Mar de Caballero, Goya 1807.’
Canvas 1·06 by 0·54.
Photo by Moreno. Reproduction Plate 55.
The property of the Marqués de Cervera, Madrid.
91. Don Francisco, Conde de Cabarrus.
Painted in 1788 for the sum of 4500 reales.
Photo by Moreno.
Canvas 2·10 by 1·27.
The Bank of Spain, Madrid.
92. The Marquesa de Cadalso.
Half-length figure, life size.
She wears flowers in her hair, and carries a fan in her hand.
The property of ‘D. G.,’ Madrid.
93. Don Juan Camaron y Melia, Director of the Academia de San Carlos in Valencia.
Bears the inscription ‘D. Joh. Camaron y Melia en la Edad de 38 A.’
Canvas 0·65 by 0·56.
The property of Feligre Calvo, Madrid.
94. Don Pedro Rodriguez, Count of Campomanes.
Viñaza, p. 269.
95. Doña Francisca Caudado.
Dressed in gauze, with a black mantilla and long yellow kid gloves. She is seated at the foot of a tree.
Viñaza, p. 264. Canvas 1·63 by 1·18.
The Museum, Valencia.
96. Doña F. Caudado.
Yriarte, p. 147.
Canvas 1·020 by 0·745.
Herr Gans, Frankfurt am Main.
97. Don Manuel Cantin y Lucientes.
Canvas 0·55 by 0·44.
98. Don M. Careda.
99. Don Isidoro de Castagnedo.
100. Don Juan Augustin Cean Bermudez.
101. The Wife of D. Juan Augustin Cean Bermudez.
102. Don Felix Colon y Lariategui, the Author.
103. Don Joaquin, Archbishop of Valencia.
104. The Secretary of the Archbishop of Valencia.
105. Doña Lorenza Correa, the Singer.
106. Joaquin Rodriguez Costellares, the Bull-fighter.
107. Don Joaquin Maria de Ferrer, President of the Council of Ministers.
108. Doña Manuela de Alvarez Coiñas y Tomas de Ferrer.
109. Don Mariano Ferrer.
110. Don José Moñino, Conde de Floridablanca y Goya.
111. Don José Moñino, Conde de Floridablanca.
112. Don José Moñino, Conde de Floridablanca.
113. Don Antonio Faraster.
114. Jacques Galos, the Printer.
115. Don Manuel Garcia, the celebrated Musician.
116. Don Ignacio Garcini, the Engineer.
117. Doña Josefa Castilla Portugal de Garcini.
118. Joaquin Rodriguez Costellares, the Bull-fighter.
119. Joaquin Rodriguez Costellares, the Bull-fighter.
120. Don Juan Antonio Cuervo, Director of the Academia de San Fernando.
121. Doña Maria Ildefonsa Dabalos y Santa Maria.
122. Don Juan Martin, nicknamed El Empecinado.
123. Doña Tadea Arias de Enriquez.
124. Don Carlos España, Conde de España.
125. Doña Josefa de Alvarado Lero, Marquesa de Espeja.
126. Don Rafael Esteve y Vilella.
127. Fray Miguel Fernandez.
128. Don Carlos Gutierrez de los Rios, Duque de Fernán Nuñez.
129. Monsieur Gasparini.
130. Don Miguel de Muzquiz, Conde de Gausa.
131. Don Manuel Godoy, Prīncipe de la Paz.
132. Don Manuel Godoy, Prīncipe de la Paz.
133. Doña Juana Galarza de Goicoechea.
134. Don Cornelio van der Gosen.
135. Don Francisco de Goya y Lucientes.
136. Don Francisco de Goya y Lucientes.
137. Don Francisco de Goya y Lucientes.
138. Don Francisco de Goya y Lucientes.
139. Don Francisco de Goya y Lucientes.
140. Don Francisco de Goya y Lucientes.
141. Don Francisco de Goya y Lucientes.
142. Don Francisco de Goya y Lucientes.
143. Don Francisco de Goya y Lucientes.
144. Don Francisco de Goya y Lucientes.
145. Don Francisco de Goya y Lucientes.
146. Don Francisco de Goya y Lucientes.
147. Don Francisco de Goya y Lucientes.
148. Don Francisco de Goya y Lucientes.
149. Don Francisco de Goya y Lucientes and the Duquesa de Alba.
150. D. Francisco de Goya y Lucientes and Dr. Arieta.
151. Doña Josefa Bayeu y Goya, the Painter’s Wife.
152. Doña Hermengilda Goya y Bayeu, Daughter of the Painter, aged 18 months.
153. Don Francisco Javier de Goya y Bayeu, Son of the Artist.
154. Don Francisco Javier de Goya y Bayeu.
155. Don Francisco Javier de Goya y Bayeu.
156. Doña Gracia Lucientes y Goya, Mother of the Painter (?).
157. Doña Gracia Lucientes y Goya (?).
158. Doña Gumersinda de Goicoechea y Goya, Daughter-in-law of the Painter.
159. Mariano de Goya y Goicoechea, Marques de Espinar, Grandson of the Painter, as a Child (ten years).
160. Doña Rita de Goya.
161. Don J. M. de Goicoechea.
1789.
162. The same.
Signed, 1810.
163. Mariano de Goya, Grandson of the Painter.
164. Ferdinand Guillemardet, French Ambassador.
1798.
165. Condesa de Haro.
Madrid.
166. The Minister Jovellanos.
Madrid.
167. The same.
Gijon.
168. The Painter Asensio Julia, ‘el Pescadoret.’
Signed. The Comtesse de Paris.
169. The same.
M. Bamberger.
170. The Milkmaid of Bordeaux.
Madrid.
171. Francisco Larrumbe.
The Bank of Spain, Madrid.
172. The Marquesa de Lazan.
Madrid.
173. The Bookseller of the Calle Carretas.
174. The Actress Rita Luna.
175. Manuel Lucientes, aged twelve.
Zaragoza.
176. Llorente, Historian of the Inquisition.
Doubtful. Madrid.
177. The Duque de San Carlos.
1815. Zaragoza.
178. The Actor Isidoro Maiquez.
Madrid.
179. Don Juan Antonio Melon.
180. Menippus (after Velazquez).
181. The Conde de Miranda.
182. The Condesa Miranda de Castañar.
183. Don Pedro Mocarte, the Singer.
184. Doña Maria Amalia Zuargo de Acedo, Marquesa de Monte Hermoso.
185. Doña Vincenta Solis, Duquesa de Montellano.
186. The Family of the Condesa de Montijo.
187. Don Leandro Fernandez de Moratin, the Poet.
188. Don Leandro Fernandez de Moratin, the Poet.
189. Marshal Mouchy, Governor of French Guiana.
190. Don Juan Bautista de Muguiro.
191. Don José Luis de Munárriz.
192. Marqués de Nibbiano.
193. Don Manuel Osorio.
194. Don Pedro de Alcantara Tellez Giron y Pacheco, Marqués de Penafiel, 9th Duque de Osuna; with his wife, Doña Maria Josefa Pimentel Tellez Giron Borga, Condesa and Duquesa of Benavente and Osuna, and their four eldest children—D. Francisco de Borga, 10th Duque; D. Pedro de Alcantara, Prīncipe de Anglona; Da. Josefa Manuela, later Marquesa de Camarasa; and Da. Joaquina Maria del Pilar, Marquesa de Santa Cruz.
195. Cardinal Lorenzana.
Toledo.
196. Admiral Mazaredo.
Madrid.
197. The Toreador Martineto.
Madrid.
198. The Poet Melendez Valdez.
Barnard Castle.
199. José Pio de Molina.
199A. Don Evaristo Perez de Castro.
Madrid.
200. The 9th Duque de Osuna.
Paris.
201. The 10th Duque de Osuna, aged ten.
Doubtful. Madrid.
202. The same.
Paris.
203. The Duquesa del Parque.
Madrid.
204. Doctor Peral.
National Gallery, London. Presented in 1904.
205. General Palafox, Duque de Zaragoza.
Equestrian portrait. The Prado.
206. Manuel Garcia de la Prada.
1810. Paris.
207. Antonio Cobos de Porcel.
Painted on wood.
208. Doña Isabel de Porcel.
National Gallery, London.
209. Don Manuel de la Prada.
Paris.
210. Tiburcio Perez.
Madrid.
211. Don Mariano de Urquijo.
Academia de la Historia, Madrid.
212. Tomas Perez Estala.
Madrid.
213. Don Pantaleon Perez de Nenin.
1808. Madrid.
214. Don Ramon de Pignatelli.
Several copies at Zaragoza and Madrid.
215. The Marquesa de Pontejos.
216. Don Martin Zapater y Claveria.
1790. Zaragoza.
217. The same.
1797. An oval. Zaragoza.
217A. Don Ramon de Posada y Solo.
Madrid.
218. The Conde de Puñonrostro.
Madrid.
219. General Ricardos.
Madrid.
220. The Architect Ventura Rodriguez.
Madrid.
221. The same.
Copy of a picture which is lost.
Academia de San Fernando, Madrid.
222. Bishop Rojas.
Doubtful.
Academia de la Historia, Madrid.
223. Don Manuel Romero, Minister of Joseph Buonaparte.
Madrid.
224, 225, 226. The Toreador José Romero.
Madrid and Seville.
227. The Marqués de San Adrian.
Madrid.
228. The Marquesa de San Adrian.
Madrid.
229. Doña Joaquina Tellez Giron, Marquesa de Santa Cruz.
Madrid.
230. Marquesa de Santiago,
Mentioned by Conde de la Viñaza.
231. Don Miguel Cayetano Soler.
Mentioned by Goya himself.
232. Don Ramon Satué, Alcalde de Corte.
1823. Madrid.
233. Manuel Silvela.
Madrid.
234. Doña Maria Apodaca de Sesma.
Madrid.
235. The Marquesa de la Solana.
Madrid.
236. The Engraver Selma.
Engraved by Selma himself.
237. Don Bartolomé Sureda.
In possession of Señora Sureda.
238. Doña Teresa Sureda, Wife of preceding.
Companion picture of preceding; in possession of Señora Sureda.
239. The Conde de Teba.
Mentioned by the Conde de la Viñaza.
240. The Actress Maria del Rosario Fernandez, surnamed La Tirana.
Academia de San Fernando, Madrid.
241. The same.
Painted in 1794. Madrid.
242. ‘Tio Paquete,’ a well-known Madrid Mendicant.
Madrid.
243. The Duque de Trastamara, aged twelve.
Madrid.
244. The Marques de Tolosa.
The Bank of Spain, Madrid.
245. General Urrutia.
The Prado, Madrid.
246. Don José de Vargas Ponce, Naval Officer and Man of Letters.
Signed by Goya.
Academia de la Historia, Madrid.
247. The Architect Don Juan de Villanueva.
Academia de San Fernando, Madrid.
248. The Marqués and Marquesa de Villafranca with their Son.
In the possession of the Duque de Medina Sidonia, Madrid.
249. The Marquesa de Villafranca.
Same owner.
250. The Dowager Marquesa de Villafranca.
Same owner.
251. Doña Catalina Viola.
Mentioned by the Conde de la Viñaza.
252. The Duke of Wellington.
Unfinished. Equestrian portrait.
Strathfieldsaye.
253. The same.
Madrid.
254. Don Bernardo Yriarte, a Collector of Pictures.
Paris.
255. Don Toro Zambrano.
The Bank of Spain, Madrid.
256. Doña Antonia Zarate.
Madrid.
257. The same.
Madrid.
258. Doña Lola Jiménez.
Paris.
259. A Lady about twenty-five years of age, believed to have been the Painter’s Mistress.
M. Bamberger, Paris.
260. A Lady playing a Guitar, said to have been the Painter’s Mistress.
M. de Pommereal, Paris.
261. Ferdinando IV., King of Naples.
Marqués de la Vega Inclan, Madrid.
Portraits unidentified:—
262. Group of Heads.
Formerly at San Telmo, Seville. Comtesse de Paris.
263. An Actor.
Formerly in the collection of Don V. de Carderera.
Madrid.
264. A Child.
A boy of about seven years.
Mme. de Lacy, Bordeaux-Caudéron.
265. Victoriano Her ...
An infant. Signed ‘F. Goya, Año 1806.’ Doubtful.
Herr Kleinschmidt. Cassel.
266. A Spanish Gentleman.
Painted in 1815. Museum, Castres.
267. A Spanish Gentleman of the Old School.
Don Manuel Soler y Alarcon, Madrid.
268. A Spanish Gentleman.
Doubtful.
Formerly in collection of Don Sebastian de Borbon y Braganza, Aranjuez.
269. A Spanish Gentleman of the early years of the nineteenth century.
M. Ch. Cherfils, Biarritz.
270. A Spanish Gentleman in costume of the seventeenth century.
Doubtful.
Formerly in Collection Cepero, Seville.
271. A Spanish Gentleman.
Don José Toran, Valencia.
272. A Spanish Gentleman.
Don Enrique Salazar, Bilbao.
273. A Spanish Gentleman.
Formerly in Collection Candamo, Paris.
274. An Old Man.
Formerly in collection of Don Sebastian de Borbon y Braganza, Aranjuez.
275. An Old Man.
Signed ‘Fco. Goya.’
Don José Lázaro Galdeano, Madrid.
276. A Little Girl.
In a white dress.
Don Patricio de Lozano, Madrid.
277. A Little Girl.
Of five or six years, in peasant’s dress.
Marqués de Casa Torres, Madrid.
278. A Little Girl.
Of about five years.
Mme. de Lacy, Bordeaux-Caudéron.
279. A Little Girl.
In company of a dog.
Mme. de Lacy, Bordeaux-Caudéron.
280. A Girl.
Royal Museum of Painting and Sculpture, Brussels.
281. A Girl.
This portrait was long regarded as a presentment of Charlotte Corday.
Heirs of Baron N. de Rothschild, Paris.
282. A Girl.
M. C. G——, Paris.
283. A Woman. Seated figure.
Purchased Antwerp, 1898—29,000 francs.
The Louvre, Paris.
284. A Woman. Standing figure.
The Louvre, Paris.
285. A Woman, in a garden.
M. C. G——, Paris.
286. A Woman, seated on a sofa.
Purchased in Paris, 1882—1100 francs
M. C. G——, Paris.
287. A Woman.
Head covered with white mantilla.
This picture was at the San Telmo, Seville.
Comtesse de Paris.
288. A Woman.
White dress, black ribbons.
Don Aureliano de Beruete, Madrid.
289. A Woman.
Don Joaquin Gutierrez Martin, Madrid.
290. A Woman.
In décolletée dress; black mantilla.
M. Dannat, Paris.
291. A Woman.
In ‘Maja’ costume.
Don José Maria Cienfuegos, Gijon.
292. A Woman.
This canvas has been considerably cut from its original dimensions.
M. H. Rouart, Paris.
293. A Woman.
In décolletée dress.
M. H. Rouart, Paris. Doubtful.
294. A Woman.
Her face framed in black mantilla.
Painted on panel.
Formerly in Wilson Collection. Paris sale, 1881.
295. A Woman.
With curling chestnut hair upon her forehead; bodice décolletée.
Signed ‘Goya.’
Purchased in Paris, 1900—7500 francs.
Formerly in Debrousse Collection.
296. A Woman.
In pink dress, with hair powdered.
Marqués de la Ve a Inclan, Madrid.
297. A Woman.
In ‘Maja’ costume; her long black hair falls about her shoulders.
Mme. de Lacy, Bordeaux-Caudéron.
298. A Woman.
Seated figure; a little dog in her lap. M. C. G——, Paris.
299. A General of the French Republic.
Sold in Paris for 3600 francs.
Tapestry Cartoons.
300. A Nun.
Painted at Bordeaux.
Aranjuez.
The following Oval Busts were formerly in the Palace of San Telmo, Seville:—
1. King Charles IV.
Oval Bust. Life size.
In the possession of the Comtesse de Paris.
2. Queen Maria Luisa.
Oval Bust. Life size.
Companion picture to the foregoing.
Comtesse de Paris.
3. The Infante Fernando, Prince of the Asturias (afterwards Fernando VII.).
Oval bust. Life size.
Comtesse de Paris.
4. The Infanta Doña Isabel, afterwards Queen of Naples.
Comtesse de Paris.