RELIGIOUS SUBJECTS
1. Apparition of Our Lady of the Column.
Painted upon the altar-screen of the church of Fuendetodos, Aragón.
2. Our Lady of Sorrows.
Goya mentions this painting in a letter to his friend Zapater in 1775, but its situation is unknown.
3. The Symbol of the Trinity.
The emblematic triangle: angels and archangels adore the holy token.
A fresco in the church of Notre-Dame del Pilar, Zaragoza.
4. Our Lady, Queen of Martyrs.
The Virgin, seated enthroned on clouds, is surrounded by angels, saints, and martyrs.
A fresco in the church of Notre-Dame del Pilar, Zaragoza.
5. Our Lady, Queen of Martyrs.
Goya’s study for the preceding fresco.
Chapter of the church of Notre-Dame del Pilar, Zaragoza.
6. Two Divine and two Cardinal Virtues: Faith, Charity; Fortitude and Patience.
Frescoes in the church of Notre-Dame del Pilar, Zaragoza.
7. St. Brulno, Bishop of Zaragoza.
Full length. Is in the attitude of benediction; in his left hand a pastoral staff.
Church of Notre-Dame del Pilar, Zaragoza.
8. St. Bernard of Sienna preaching before Alfonso, King of Aragon.
The king and his courtiers are surrounded by a large congregation attending the sermon. In the crowd Goya is himself represented.
Church of San Francisco el Grande.
9. St. Bernard.
A study for the preceding picture.
In the collection of the Marqués de Torrecilla, Madrid.
10. St. Bernard.
A second study for the same subject.
Belonging to the Zapater family, Zaragoza.
11. St. Bernard.
A third study for the same subject. The figure of Goya is omitted.
In the collection of the Marqués de Torrecilla, Madrid.
12. The Assumption.
Altar-screen of Chinchon parish church.
13. The Immaculate Conception.
Full length, life size.
Calatrava College, Salamanca.
14. St. Benedict.
Full length, life size.
Calatrava College, Salamanca.
15. St. Bernard.
Full length, life size.
16. St. Raymond.
Full length, life size.
Calatrava College, Salamanca.
17. The Marques de Lombay, afterwards canonised as St. Francis of Borgia, quitting his Family in order to live the Spiritual Life.
Valencia cathedral.
18. A study for the preceding subject.
In the possession of the Marqués de Santa Cruz, Madrid.
19. St. Francis of Borgia exhorting a Dying Man to Repentance.
Valencia cathedral.
20. A study for the preceding subject.
Marqués de Santa Cruz, Madrid.
21. The Betrayal of Christ.
Jesus in the midst of a crowd. Judas points Him out to the Roman soldiery.
Toledo cathedral.
22. A sketch for the preceding subject.
Don Luis Rotondo, Madrid.
23. Christ crucified.
This picture, although ascribed by some to Goya, is believed to be by his brother-in-law, Francisco Bayeu.
Toledo cathedral.
24. A Pietá.
Archbishop’s palace, Toledo.
25. Death of St. Joseph.
Church of Santa Ana, Valladolid.
26. Death of St. Joseph.
27. SS. Bernard and Robert.
A kneeling man receiving baptism from the saints.
Church of Santa Ana, Valladolid.
28. St. Luitgarde praying before a Crucifix.
A palm branch in the foreground.
Church of Santa Ana, Valladolid.
29. St. Omeline praying.
Church of Santa Ana, Valladolid.
30. Miracle of St. Antony.
A corpse, resuscitated, rises from the tomb at the bidding of the saint.
Church of St. Antonio de la Florida, Madrid.
31. Miracle of St. Antony.
Sketch for the principal group of preceding.
Conde de Villagonzalo, Madrid.
32. Angels and Cherubim.
Church of St. Antonio de la Florida, Madrid.
33. Sketch for preceding.
Conde de Villagonzalo, Madrid.
34. Christ crucified.
The Prado, Madrid.
35. Holy Family.
The Prado, Madrid.
36. Holy Family.
Duque de Noblejas, Madrid.
37. Saints Justa and Rufina, the Guardians of Seville.
In the distance, the Giralda. Signed.
38. Sketch for preceding.
Don Pablo Bosch, Madrid.
39. St. Joseph de Calasanz.
Church of St. Antonio, Madrid.
40. Study for preceding, with some differences.
M. Leon Bonnat, Paris.
41. St. Peter offering Bread to a Figure emerging from a Tomb.
Cathedral, Valladolid.
42. St. Blas.
Church of Urrea de Gaen, Aragon.
43. St. Francis. Pictures said to be in America.
44. St. John. Pictures said to be in America.
45. The Possessed.
A priest expelling devils.
The Prado, Madrid.
46. Tobias and the Angel.
Pascual Galvo family, Valladolid.
47. Tobias and the Angel.
Sketch. Zapater family, Zaragoza.
48. Apparition of St. Isidore to King Ferdinand III. under the Walls of Seville.
Don A. Canovas, Madrid.
49. The Nativity.
Don P. Lozaño, Madrid.
50. St. Peter.
Don A. Pidal, Madrid. Signed.
51. The Garden of Olives.
Schools of San Antonio, Madrid. Signed.
52. St. Isabel tending Lepers.
Sketch. Don C. Velasco, Madrid.
53. Bishop in Ecstasy.
Zapater family, Zaragoza.
54. Head of John the Baptist.
Conde de Villagonzalo, Madrid.
55. The Murder of St. Thomas à Becket.
Sold in Paris, 1892.
56. St. Hermengilde in Prison.
Sketch. Don C. Velasco, Madrid.
57. A Thanksgiving.
In a church a young woman with her infant kneels before the priest, who pronounces the benediction.
Formerly in the Madrazo Gallery, Madrid.
58 and 59. Studies for the preceding.
Respectively in the possession of the Marques de Torrecilla and Conde Esteban de Gollantes, Madrid.
60. The Viaticum.
A priest, accompanied by many figures, carries the Viaticum to a dying man.
Mme. de Lacy, Bordeaux-Caudéron. Doubtful.
61. Interior of the Church of La Seo, Zaragoza.
A priest preaching to his congregation.
Mme. de Lacy, Bordeaux-Caudéron. Doubtful.
62. Interior of a Church, with Figures.
Formerly in the Aroza Collection, Paris.