| PAGE |
| CHAPTER I. INTRODUCTION | [9] |
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| CHAPTER II. THE PSYCHOLOGY OF ECSTASY | [18] |
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| CHAPTER III. ECSTASY, NOT RHYTHM, ESSENTIAL TO POETRY | [42] |
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| CHAPTER IV. PROSE THE NATURAL LANGUAGE OF THE LITERATURE OF ECSTASY | [77] |
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| CHAPTER V. PROSE PRECEDES VERSE HISTORICALLY | [96] |
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| CHAPTER VI. BLANK VERSE AND FREE VERSE AS FORMS OF PROSE | [111] |
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| CHAPTER VII. MORAL AND PHILOSOPHICAL IDEAS AS POETRY WHEN WRITTEN WITH ECSTASY | [123] |
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| CHAPTER VIII. POETRY RISES ABOVE ART FOR ART'S SAKE AND INTUITION | [138] |
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| CHAPTER IX. HIGH FORM OF POETRY ECSTATIC PRESENTATION OF ADVANCED SOCIAL IDEALS | [152] |
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| CHAPTER X. LITERATURE OF ECSTASY EMANATES FROM THE UNCONSCIOUS | [179] |
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| CHAPTER XI. LOVE ECSTASY IN ARABIAN POETRY | [203] |
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| CHAPTER XII. CONCLUSION | [226] |